Liang Shitai
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Liang Shitai
Liang Shitai 梁时泰 – also known as Liang Seetay – (fl. 1870s-1890s) was one of the foremost portrait photographers working in China in the late Qing dynasty. The artist specialized in portraits of high-ranking officials, and photographs that appealed to Chinese clients interested in literati painting. As one of the first photographers of prominent Qing Dynasty officials and other distinguished citizens, Liang Shitai's work convinced the Qing court to embrace photography as an artistic medium for the first time. He established his studio in Hong Kong in the early 1870s, then relocated to Shanghai in the late 1870s, and later to Tianjin in the 1880s. Liang Shitai's photographs are among the most historically important and visually exquisite of their time. Legacy Liang Shitai is now recognized as a pioneer of early Chinese photography. Liang Shitai photographs from the Stephan Loewentheil]China Photography Collectionwere displayed as part of the exhibition ''Vision and Refle ...
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Pavillion Surrounded By Ash Trees - See-Tay, Photographer, Tientsin
In architecture, ''pavilion'' has several meanings: * It may be a subsidiary building that is either positioned separately or as an attachment to a main building. Often it is associated with pleasure. In palaces and traditional mansions of Asia, there may be pavilions that are either freestanding or connected by covered walkways, as in the Forbidden City (Chinese pavilions), Topkapi Palace in Istanbul, and in Mughal architecture, Mughal buildings like the Red Fort. * As part of a large palace, pavilions may be symmetrically placed building ''blocks'' that flank (appear to join) a main building block or the outer ends of wings extending from both sides of a central building block, the ''corps de logis''. Such configurations provide an emphatic visual termination to the composition of a large building, akin to bookends. The word is from French language, French (Old French ) and it meant a small palace, from Latin (accusative of ). In Late Latin and Old French, it meant both ‘b ...
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