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Li Yuan-chia
Li Yuan-chia (, 1929–1994) was a Chinese artist, poet and curator. He incorporated installations, works and photography into his art, and was one of a small number of artists of Chinese background active in the UK during his lifetime. Early life and Taiwan Li Yuan-chia was born in Guangxi, China. He was educated in Taiwan from 1949. Li Yuan-chia was one of the ''Ton Fan'' group (東方畫會) that formed in Taiwan by 1956, also known as ''Orient Movement'' or ''Dongfang Huahui''. It is credited with establishing modern abstract art in Chinese circles. Li was one of a number of students of Li Chung-sheng (李仲生, Pinyin Li Zhongsheng) in Ton Fan, who collectively became known as the "Eight Great Outlaws" (八大響馬). The group exhibited in 1957 at the São Paulo Art Biennial. In Taipei in November 1957 they held a collective exhibition, including works by Spanish painters obtained by Hsiao Chin. This was the first of 15 shows to 1971, but the group became less active b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese People
The Chinese people or simply Chinese, are people or ethnic groups identified with China, usually through ethnicity, nationality, citizenship, or other affiliation. Chinese people are known as Zhongguoren () or as Huaren () by speakers of standard Chinese, including those living in Greater China as well as overseas Chinese. Although both terms both refer to Chinese people, their usage depends on the person and context. The former term is commonly used to refer to the citizens of the People's Republic of China - especially mainland China. The term Huaren is used to refer to ethnic Chinese, and is more often used for those who reside overseas or are non-citizens of China. The Han Chinese are the largest ethnic group in China, comprising approximately 92% of its Mainland population.CIA Factbook "Han Chinese 91.6%" out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panayiotis Vassilakis
Panayiotis Vassilakis ( el, Παναγιώτης Βασιλάκης; 29 October 1925 – 9 August 2019), also known as Takis ( el, Τάκις), was a self-taught Greek artist known for his kinetic sculptures. He exhibited his artworks in Europe and the United States. Popular in France, his works can be found in public locations in and around Paris, as well as at the Athens-based Takis Foundation Research Center for the Arts and Sciences. Early life Takis was born in 1925 in Athens. Because of the previous Greco-Turkish War, his family struggled financially. His childhood and teen years were also shadowed by war. World War II brought along the Axis Occupation of Greece which was in effect from 1941 until October 1944, and this was then followed by the Greek Civil War from 1946 to 1949. During these, Takis kept his focus on his artwork, although his family did not approve. Career Takis' artistic career started when he was around 20 years old in a basement workshop. This is wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Brett
Guy Anthony Baliol Brett (1942–2021) was an English art critic, writer and curator. He was noted for a personal vision, particularly of cultural production of an experimental character. He is known for the promotion of Latin American artists, and for drawing attention to kinetic art during the 1960s in Europe and Latin America. Life He was the son of Lionel Brett, 4th Viscount Esher and his wife Helena Christian Pike, a painter. He was educated at Eton College. Brett began his writing career with art criticism for ''The Guardian'' (1963–1964). In 1964 he started his publishing connection with the ''Signals Newsbulletin''. He was art critic for ''The Times'' from 1964 to 1975. In 1974 Brett went to Hu County (Huxian) in the People's Republic of China to meet artists, in connection with an official exhibition ''Peasant Painters of Hu County''. He was then employed by the British Arts Council to write English text and a catalogue for the show. John Higgins of ''The Times'' not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taiwanese Art
The artistic heritage of Taiwan is extremely diverse with multiple major influences and periods. History Stonecutters of the Changbin culture began to make art on Taiwan at least 30,000 years ago. Around 5,000 years ago jade and earthenware works started to appear. Between 4000 BC and 2000 BC people in what is now Hualien produced and traded valuable jade ornaments and jewelry. The Dapenkeng culture developed a unique style of pottery. For centuries much of the art produced was religious with highly decorated temples being the beneficiaries of local wealth and education. Art was first institutionalized in Taiwan during the Japanese colonial period with the establishment of public schools dedicated to the fine arts. The Japanese introduced oil and watercolor paintings to Taiwan and Taiwanese artists were heavily influenced by their Japanese counterparts. As was typical of colonial rulers the Japanese did not establish tertiary institutions for art education in Taiwan, all stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Art
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art. Increased British prosperity at the time led to a greatly increased production of both fine art and the decorative arts, the latter often being exported. The Romanticism, Romantic period resulted from very diverse talents, including the painters William Blake, J. M. W. Turner, John Constable and Samuel Palmer. The Victorian period saw a great diversity of art, and a far bigger quantity created than before. Much Victorian art is now out of critical favour, with interest concentrated on the Pre-Raphaelites and the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Other Story (exhibition)
''The Other Story'' was an exhibition held from 29 November 1989 to 4 February 1990 at the Hayward Gallery in London. The exhibition brought together the art of "Asian, African and Caribbean artists in post war Britain", as indicated in the original title. It is celebrated as a landmark initiative for reflecting on the colonial legacy of Britain and for establishing the work of overlooked artists of African, Caribbean, and Asian ancestry. Curated by artist, writer, and editor Rasheed Araeen, ''The Other Story'' was a response to the "racism, inequality, and ignorance of other cultures" that was pervasive in the late-Thatcher Britain in the late 1980s. The legacy of the exhibition is significant in the museum field, as many of the artists are currently part of Tate's collections. The exhibition received more than 24,000 visitors and a version of the exhibition travelled to Wolverhampton Art Gallery, 10 March to 22 April 1990; and Manchester City Art Gallery and Cornerhouse, 5 May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camden Arts Centre
Camden Art Centre (formerly known as Hampstead Arts Centre until 1967 and Camden Arts Centre until 2020) is a contemporary art gallery in the London Borough of Camden, England that hosts temporary exhibitions and educational outreach projects. The changing programme includes exhibitions, learning, residencies, off-site projects, artist-led activities and courses. Activities Exhibitions feature emerging artists, international artists showing for the first time in London, historic figures who inspire contemporary practice, and thematic group shows. Camden Art Centre also strives to support artists in making new artworks. Central to its programme is the artist residency programme, which aims to develop artists' practices with practical support, resulting in new work and public participation. Past residency artists include Salvatore Arancio, David Raymond Conroy, Caroline Achaintre, Jesse Wine, Phoebe Cummings, Anne Hardy, Alexandre da Cunha, Emma Hart, Veronica Ryan, Sally O' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Woodrow
Bill Woodrow (born 1 November 1948) is a British sculptor. Early years and education Bill Woodrow was born on 1 November 1948 near Henley-on-Thames, Oxfordshire. He received his education at the Winchester College of Art (1967–1968), the Central Saint Martins College of Art and Design in London (1968–1971), and the Chelsea School of Art (1971–1972).. Artistic career Woodrow was one of a number of British sculptors to emerge in the late 1970s on to the international contemporary art scene, together with fellow artists like Richard Deacon and Tony Cragg. Materials found in dumps, used car lots and scrap yards formed the raw materials for his early works; by partly embedding them in plaster, he made them seem as if they had been excavated. Subsequently, he turned to large consumer goods like cars and refrigerators. While their original structures could still be discerned, he cut portions out of them and reattached the portions to the main structures so that they appeared t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kate Nicholson
Kate Nicholson (July 1929 – 18 April 2019) was an English painter and the daughter of artist Ben Nicholson and his first wife, the artist Winifred Nicholson. Biography Born at Bankshead, Banks, Cumberland in 1929, Nicholson was a pupil at Claremont College during World War II, which had evacuated to Wales. Nicholson studied at the Bath Academy of Art from 1949 to 1954 where she was a pupil of Peter Lanyon, a St Ives artist and friend of her father and her stepmother Barbara Hepworth. She taught art at Totnes High School for two years before she moved to St Ives herself in 1957 and became a member of the Penwith Society of Arts. She painted alongside her mother in the 1960s and 1970s, the two often visiting Greece together, as well as North Africa, and to the Isle of Eigg in the Hebrides in 1980. In addition to Kate and her parents, the Nicholson family also produced other artists, including her grandparents, William Nicholson and Mabel Pryde, aunt Nancy Nicholson, and hal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Frain
Rose Frain is a visual artist based in Edinburgh, Scotland,Mansfield, Susan (2009)Art reviews: Nashashibi/Skaer , Rose Frain , Andrew Ranville, ''The Scotsman'', 1 September 2009, retrieved 2010-01-25 exhibiting nationally and internationally, whose works range from painting and sculpture to installation.Visual Arts advisors , Scottish Arts Council, retrieved 2010-01-25 Frain studied at , the Department of Fine Art, Newcastle upon Tyne, (now |
Rosie Leventon
Rosie Leventon is a British visual artist whose practice encompasses sculpture, installation, land art, drawing and painting. She is known for making sculptural installations that reference current issues as well as the natural environment,prehistoric archaeology and vernacular architecture. Work and career Leventon studied Chinese Language & Archaeology from 1974 to 1975 at University of London, London University, before completing her bachelor's degree in Fine Art from Croydon College of Art 1976-1979, followed by a Post Graduate in Advanced Sculpture at Central Saint Martins, Central St Martins School of Art 1980–81. A recurring theme running through her artistic practice is that of things that have been lost, hidden, or forgotten. Leventon was commissioned by Stour Valley Arts to make two large earthworks which are situated in Kings Wood in Stour Valley, Kent, and form part of the Stour Valley Sculpture Trail alongside other artworks. Both pieces were sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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