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Let Your Hair Down (album)
''Let Your Hair Down'' is the seventeenth studio album by the Steve Miller Band, released on April 19, 2011. ''Let Your Hair Down'' was recorded alongside the group's previous album, '' Bingo!'', which was released 10 months earlier. Like ''Bingo!'', this album is a collection of blues and R&B covers, and as of 2022, it is the Steve Miller Band's most recent studio album. Like ''Bingo'', the artwork was designed by StormStudios, with a plethora of visual puns used in the pictures (the cover shows a man with no hair, but a ''hare'' sitting on his head, and a small ladder at the side). Track listing Personnel * Steve Miller – lead guitar, vocals * Norton Buffalo – harmonica, vocals * Kenny Lee Lewis – rhythm guitar, vocals * Joseph Wooten – Hammond B-3, piano, keyboards, vocals * Gordy Knudtson – drums * Billy Peterson – bass guitar, vocals * Sonny Charles – vocals ;Additional personnel * Michael Carabello – congas, percussion * Adrian Areas – timbales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Miller Band
The Steve Miller Band is an American rock music, rock band formed in 1966 in San Francisco, California. The band is led by Steve Miller (musician), Steve Miller on guitar and lead vocals. The group had a string of mid- to late-1970s hit singles that are staples of classic rock, as well as several earlier psychedelic rock albums. Miller left his first band to move to San Francisco and form the Steve Miller Blues Band. Shortly after Harvey Kornspan negotiated the band's contract with Capitol Records in 1967, the band shortened its name to the Steve Miller Band. In February 1968, the band recorded its debut album, ''Children of the Future (Steve Miller Band album), Children of the Future''. It went on to produce the albums ''Sailor (album), Sailor'', ''Brave New World (Steve Miller Band album), Brave New World'', ''Your Saving Grace'', ''Number 5 (Steve Miller Band album), Number 5'', ''Rock Love'', ''Fly Like an Eagle (album), Fly Like an Eagle'', ''Book of Dreams'', among others. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosco Gordon
Rosco N. Gordon III (April 10, 1928 – July 11, 2002), sometimes billed as Roscoe Gordon, was an American blues singer, pianist, and songwriter. He is best known for his hit songs "Booted," (1952), " No More Doggin'" (1952), and " Just a Little Bit" (1960). Gordon was a pioneer of the Memphis blues style. He played piano in a style known as the "Rosco rhythm," with the emphasis on the off-beat. This rhythm was an influence on later musical styles such as Jamaican ska and reggae. Biography Gordon was born in Memphis, Tennessee on April 10, 1928, the youngest of eight children. He learned to play piano from his sister who took lessons. Gordon became associated with Johnny Ace, Bobby Bland and B.B. King, sometimes referred to as the Beale Streeters. In 1946, Gordon moved to Chicago "after getting in trouble in Memphis." He returned to Memphis in 1949, and won first place at an amateur show at the Palace Theatre on Beale Street in 1950. Emcee of the show Rufus Thomas invite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calvin Carter
Calvin T. Carter (May 27, 1925 – July 9, 1986) was an American record producer, record label manager and songwriter of jazz and pop songs. Calvin Carter was born in Gary, Indiana, in 1925. He joined Vee-Jay Records, founded by his sister Vivian Carter and her husband James Bracken, in 1953 and became its principal A&R man and producer, in charge of recording sessions. According to Allmusic, he was responsible for giving "direction and vision" to the company, which mainly recorded R&B acts such as Elmore James, John Lee Hooker, Billy Emerson and Jimmy Reed. In the 1960s, Vee Jay Records was the first American company to sign The Beatles and helped to establish The Four Seasons as a major-selling group. After Vee Jay was forced to close by financial problems, Calvin Carter worked at Liberty Records, running their soul subsidiary, Minit Records, for a while and working with Canned Heat. He produced leading blues artist, Little Milton for Chess Records in the late 1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel London
Mel London (April 9, 1932 – May 16, 1975) was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records (and its Profile Records and Age Records subsidiaries). In 1954, Mel London wrote the first of several hit songs for the blues and R&B markets. His "Poison Ivy" was recorded by Willie Mabon and reached number seven in the Billboard R&B chart in 1954. In 1955, three hits written by London followed: "Who Will Be Next" by Howlin' Wolf and two by Muddy Waters - "Sugar Sweet" and " Manish Boy.""Manish Boy" cowriters: Bo Diddley and Muddy Waters Not content with just songwriting, in 1957 he started his own record label, Chief Records. Chief's first single, the London-penned "Man from the Island," featured L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Hurts Me Too
"It Hurts Me Too" is a blues standard that is "one of the most interpreted blues ongs. First recorded in 1940 by American blues musician Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many blues and other artists. Origins "It Hurts Me Too" is based on "Things 'Bout Comin' My Way", recorded by Tampa Red in 1931. The melody lines are nearly identical and instrumentally they are similar, although the latter has an extra bar in the turnaround, giving it nine bars. "Sam Hill from Louisville", one of several pseudonyms of Walter Vinson (or Vincson), recorded "Things 'Bout Coming My Way" in 1931 shortly before Tampa Red. Vinson's version is based on his 1930 recording with the Mississippi Sheiks, "Sitting on Top of the World". Both songs share several elements with "You Got to Reap What You Sow", recorded by Tampa Red in 1929 and by Leroy Carr and Scrapper Blackwell in 1928. The melody lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McCracklin
James David Walker Jr. (August 13, 1921 – December 20, 2012), better known by his stage name Jimmy McCracklin, was an American pianist, vocalist, and songwriter. His style contained West Coast blues, Jump blues, and R&B. Over a career that spanned seven decades, he said he had written almost a thousand songs and had recorded hundreds of them. McCracklin recorded over 30 albums, and earned four gold records. Tom Mazzolini of the San Francisco Blues Festival said of him, "He was probably the most important musician to come out of the Bay Area in the post-World War II years." Biography McCracklin was born James David Walker Jr. on August 13, 1921. Sources differ as to whether he was born in Elaine, Arkansas or St. Louis, Missouri. He joined the United States Navy in 1938, later settled in Richmond, California, and began playing at the local Club Savoy owned by his sister-in-law Willie Mae "Granny" Johnson. The room-length bar served beer and wine, and Granny Johnson served ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Walk (Jimmy McCracklin Song)
"The Walk" is a song written by Jimmy McCracklin and Bob Garlic and performed by McCracklin. It reached #5 on the U.S. R&B chart and #7 on the U.S. pop chart in 1958. Other charting versions * The Inmates released a version which reached #36 on the UK Singles Chart and #107 on the U.S. pop chart in 1979. Other versions * Bill Black's Combo released a version of the song on their 1962 album ''Movin. *The Hamsters released a version of the song on their 2002 album '' They Live by Night''. *The T. Rex song "Beltane Walk" from the group's 1970 debut album '' T. Rex'' has riffs similar to "The Walk". *Freddie King's famous instrumental "Hide Away" quotes "The Walk" in one of its choruses. *The Steve Miller Band recorded a version of "The Walk" on their album '' Let Your Hair Down'', which interestingly quotes the main lick from "Hide Away" on the intro. *The Beatles The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Love The Life I Live
''I Love the Life I Live'' was a jazz and blues album by the American musician Mose Allison, released in 1960. Allison became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. Track listing ''All compositions by Mose Allison except as indicated'' # "I Love the Life I Live" (Willie Dixon) – 2:22 # "News" – 3:11 # "Fool's Paradise" (Johnny Fuller (musician), Johnny Fuller, Bob Geddins, David Rosenbaum) – 3:29 # "You Turned the Tables on Me" (Sidney Mitchell, Louis Alter) – 3:51 # "Isobel" (Al Cohn) – 4:26 # "You're a Sweetheart" (Harold Adamson, Jimmy McHugh) – 2:11 # "Night Ride" – 3:12 # "Path" – 3:33 # "Mad with You" (Lightnin' Hopkins) – 2:10 # "Hittin' on One" – 3:30 # "I Ain't Got Nobody" (Roger A. Graham, Roger Graham, Spencer Willi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Home Chicago
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles. Earlier songs The melody of "Sweet Home Chicago" is found in several blues songs, including "Honey Dripper Blues", "Red Cross Blues", and the immediate model for the song, "Kokomo Blues". The lyrics for "Honey Dripper Blues No. 2" by Edith North Johnson follow a typical AAB structure: Lucille Bogan's (as Bessie Jackson) "Red Cross Man" uses an AB plus refrain structure: Blues historian Elijah Wald suggests that Scrapper Blackwell was the first to introduce a reference to a city in his "Kokomo Blues", using a AAB verse: "Kokola Blues", recorded by Madlyn Davis a year earlier in 1927, also references Kokomo, Indiana, in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can't Be Satisfied
The English modal verbs are a subset of the English auxiliary verbs used mostly to express modality (properties such as possibility, obligation, etc.). They can be distinguished from other verbs by their defectiveness (they do not have participle or infinitive forms) and by their neutralizationQuirk, Randolph, Sidney Greenbaum, Jan Svartvik, & Geoffrey Leech. 1985. A comprehensive grammar of the English language. London: Longman. (that they do not take the ending ''-(e)s'' in the third-person singular). The principal English modal verbs are ''can'', ''could'', ''may'', ''might'', ''shall'', ''should'', ''will'', ''would'', and ''must''. Certain other verbs are sometimes classed as modals; these include ''ought'', ''had better'', and (in certain uses) ''dare'' and ''need''. Verbs which share only some of the characteristics of the principal modals are sometimes called "quasi-modals", "semi-modals", or "pseudo-modals". Modal verbs and their features The verbs customarily classed as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
