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Les Voitures Versées
''Les voitures versées'' (1808) is an opéra comique in two acts by François-Adrien Boieldieu after ''Amour et mystère, ou Lequel est mon cousin?'' (1807) and before ''Rien de trop, ou Les deux paravents'' (1810). The libretto is based on Emmanuel Dupaty Louis Emmanuel Dupaty (31 July 1775 – 30 July 1851) was a French playwright, naval officer, chansonnier, journalist and administrator of the Bibliothèque de l'Arsenal. His brother was the sculptor Louis Dupaty. Works ;Theatre * ''Figaro, ...'s comedy ''Le séducteur en voyage'' (1806). A revised version of the work was premiered at the Opéra-Comique on 29 April 1920. on BnF. References External links [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Adrien Boieldieu
François-Adrien Boieldieu (, also ) (16 December 1775 – 8 October 1834) was a French composer, mainly of operas, often called "the French Mozart". His date of birth was also cited as December 15 by his biographer and writer Lucien Augé de Lassus (b. 1841) and as September 15 by some local press releases. Biography Born during the Ancien Régime in Rouen, François-Adrien Boieldieu received his musical education first from the choirmaster and then from the organist of the local cathedral. During the Reign of Terror, Rouen was one of the few towns to maintain a significant musical life and in 1793 a series of concerts was organised featuring the celebrated violinist Pierre Rode and the tenor Pierre-Jean Garat. It was during this time that Boieldieu composed his earliest works to texts written by his father (''La fille coupable'' in 1793, followed by ''Rosalie et Mirza'' in 1795). They brought him immediate success. During the Revolutionary period, Boieldieu left for Paris and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Dupaty
Louis Emmanuel Dupaty (31 July 1775 – 30 July 1851) was a French playwright, naval officer, chansonnier, journalist and administrator of the Bibliothèque de l'Arsenal. His brother was the sculptor Louis Dupaty. Works ;Theatre * ''Figaro, directeur des marionnettes, comédie en 1 acte et en prose, mêlée de vaudevilles et d'ariettes'', Paris, théâtre du Palais-Royal, 31 décembre 1784 * ''Arlequin journaliste, comédie en 1 acte, en prose, mêlée de vaudevilles'', Paris, Théâtre du Vaudeville, 22 frimaire an VI (1797Text on line* ''L'Opéra-comique, opéra-comique en 1 acte, en prose et ariettes'', Paris, Opéra-comique, 21 messidor an VI (1797) * ''Les Français à Cythère, comédie en 1 acte, en prose, mêlée de vaudevilles'', Paris, Vaudeville, 17 March 1798 * ''Le Chapitre second, comédie en un acte'', Paris, Opéra-Comique, 29 prairial an 7 (1798) * ''Le Déménagement du salon, ou le Portrait de Gilles, comédie-parade en 1 acte et en vaudevilles'', Paris, Thà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By François-Adrien Boïeldieu
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
