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Les Siècles
Les Siècles is a French symphony orchestra founded in 2003 by François-Xavier Roth, with ambition to put works from the 17th to 21st centuries into today's perspective. The musicians of the orchestra play each repertoire on the historical instruments appropriate to the time of its creation. History Les Siècles perform regularly in Paris ( Opéra Comique, Salle Pleyel, Théâtre du Châtelet, Philharmonie de Paris), in La Côte-Saint-André ( Aisne department), in Aix-en-Provence, Metz, Caen, Nîmes, Royaumont and international stages, Amsterdam ( Royal Concertgebouw), London (BBC Proms), Bremen, Brussels (Klara Festival), Wiesbaden, Luxembourg, Cologne, Tokyo, Essen. In 2013, the orchestra received exclusive permission from the publisher Boosey & Hawkes to replay ''The Rite of Spring'' as it was heard at the Théâtre des Champs-Élysées on 29 May 1913. They have given this version several times in concert in France and abroad. This concert series was also recorded with the ...
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François-Xavier Roth
François-Xavier Paul Roth (born 6 November 1971) is a French conductor, who founded Les Siècles, an orchestra which performs on instruments appropriate to the period of composition of each piece, from the late Baroque and Classical eras to 20th century music. Biography Roth is the son of the organist Daniel Roth—the two share the same first name. His brother Vincent is a violist. Before turning to conducting, he was a flautist. Roth graduated from the Conservatoire National Supérieur de Musique, where his teachers included Alain Marion for flute and János Fürst for conducting.Vincent Agrech. Rencontre: François-Xavier Roth – pour les siècles des siècles. '' Diapason'' No. 674 décembre 2018, 26–30 In 2000, Roth won the Donatella Flick Conducting Competition, which led to a 2-year appointment as Assistant Conductor of the London Symphony Orchestra. He has also served as an assistant conductor to John Eliot Gardiner. In 2003, he founded Les Siècles, an orchestra wh ...
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Preis Der Deutschen Schallplattenkritik
The Preis der deutschen Schallplattenkritik ("German Record Critics' Award") was established in Germany in 1963 by publisher Richard Kaselowsky with the aim of setting the "most rigorous standards for supreme achievement and quality" in the field of music recording. Later on, it became closely linked to the German music industry's Deutsche Phono-Akademie e.V. – however, in 1980, the entire jury cut these ties and became an independent association. In 1988, in order to remain independent from commercial interests of the music industry, the jury officially registered as a non-profit organization, ''Preis der deutschen Schallplattenkritik e.V.'' (PdSK e.V.). In 2019 the German Record Critics' Award Association integrates 160 members who are actively involved in the assessment of recorded music and audio books, irrespective of format or medium (vinyl record, CD, DVD, download or streaming). Their mission is to provide producers, composers, artists and music lovers with an honest guid ...
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Jean-François Heisser
Jean-François Heisser (born 7 December 1950) is a French classical pianist. Biography Born in Saint-Étienne, Heisser studied piano first with Paul Simonnar in Saint-Étienne, then at the Conservatoire de Paris with Vlado Perlemuter. His vast repertoire ranges from romantic music (Brahms, Chopin, Schumann, Schubert, Mendelssohn) to contemporary music (Boulez, Stockhausen, Gilbert Amy, Berio). From 1984, Heisser teaches at the Conservatoire de Paris. He also presides the ''Académie Maurice Ravel'' of Saint-Jean-de-Luz and is music director of the ''Soirées musicales'' of Arles. In 2000, after a great success during the La Folle Journée of Nantes and Festival de La Roque-d'Anthéron concerts, he took over the artistic direction of the . He performs regularly with the Pražák, Lindsay and Ysaÿe Quartets. With Marie-Josèphe Jude, he plays the repertoire with four hands or two pianos, interprets Bartók's two sonatas with violinist Péter Csaba. Other chamber music pa ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Symphonie Fantastique
' (''Fantastical Symphony: Episode in the Life of an Artist … in Five Sections'') Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt made a piano transcription of the symphony in 1833 (S. 470). The American composer and conductor Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature, and because history suggests Berlioz composed at least a portion of it under the influence of opium. According to Bernstein, "Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral." Berlioz put a great deal of emotion into the piece, exploring the extremities of many ends of the emotional spectrum. He wanted people to understand his intentions behind it as they were the driving factor behind each movement ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Suite Pastorale
Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite'' (Penderecki), a 1994 composition by Krzysztof Penderecki ** :Suites (music) *Suite, a set of related illustrations considered to be part of one art composition (e.g., the Vollard Suite by Picasso) *'' Suite!'', a 2019 album by Roberto Magris *"Suite", a poem by Patti Smith from her book '' Babel'' *'' Suite PreCure'', a series of the Pretty Cure anime franchise Architecture and design *Suite (address), a kind of address or location in an office building, shopping mall, etc. *Suite (hotel), a type of hotel room *Secondary suite, an additional separate dwelling unit on a property that would normally accommodate only one dwelling unit Other uses * Suite (geology), a lithodemic unit *Software suite, a collection of related software *Retin ...
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Jeux D'enfants (Bizet)
' ("Children's Games") Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871.Curtiss, Mina. ''Bizet and His World.'' Vienna House, New York, 1958, p. 311. The entire piece has a duration of about 20 to 23 minutes. Structure The movement titles are as follows: # ' – reverie (The swing) # ' – impromptu (The spinning top) # ' – berceuse (The doll) # ' – scherzo (Wooden horses) # ' – fantasie (Battledore and shuttlecock) # ' – marche (Trumpet and drum) # ' – rondino (Soap bubbles) # ' – esquisse (Puss in the corner) # ' – nocturne (Blind man's buff) # ' – caprice (Leap-frog) # ' – duo (Little husband, little wife) # ' – galop (The ball) Originally there were ten numbers, with the seventh and eighth added after the first group; is adapted from a march at the start of act 5 of his opera '' Ivan IV''. Bizet sold the work in both piano and orchestra form to Durand in September 1871 for 600 francs. Bizet's biographer ...
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Symphony In C (Bizet)
The Symphony in C is an early work by the French composer Georges Bizet. According to '' Grove's Dictionary'', the symphony "reveals an extraordinarily accomplished talent for a 17-year-old student, in melodic invention, thematic handling and orchestration." Bizet started work on the symphony on 29 October 1855, four days after turning 17, and finished it roughly a month later. It was written while he was studying at the Paris Conservatoire under the composer Charles Gounod, and was evidently a student assignment. Bizet showed no apparent interest in having it performed or published, and the piece was never played in his lifetime. He used certain material from the symphony in later works, however. There is no mention of the work in Bizet's letters, and it was unknown to his earlier biographers. His widow, Geneviève Halévy (1849–1926), gave the manuscript to Reynaldo Hahn, who passed it along with other papers to the archives of the conservatory library, where it was found in 193 ...
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Diapason D'Or
The Diapason d'Or (French for "Golden Tuning Fork") is a recommendation of outstanding (mostly) classical music recordings given by reviewers of '' Diapason'' magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British '' Gramophone'' magazine. The Diapason d'Or de l'Année (; en, "Golden Tuning Fork of the Year") is a more prestigious award, decided by a jury comprising critics from ''Diapason'' and broadcasters from France Musique, and is comparable to the United Kingdom's Gramophone Awards, associated with the ''Gramophone'' magazine. __TOC__ Diapason d'Or de l'année 2007 * Philippe Jaroussky: Vivaldi Opera Arias. Jean-Christophe Spinosi, Ensemble Matheus. Virgin Classics Diapason d'Or de l'année 2008 * Marc-André Hamelin: Charles-Valentin Alkan, Concerto for solo piano; Troisième recueil de chants. Hyperion Records * Jean-Guihen Queyras J. S. Bach, Cello Suites. Harmonia Mundi * Masaaki Suzuki: J. S. Bach, Mass in B minor, Peter Kooy ...
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Harmonia Mundi
Harmonia Mundi is an independent record label which specializes in classical music, jazz, and world music (on the World Village label). It was founded in France in 1958 and is now a subsidiary of PIAS Entertainment Group. Its Latin name ''harmonia mundi'' translates as "harmony of the world". History In the 1950s, two music entrepreneurs, Frenchman Bernard Coutaz and German Rudolf Ruby, met by chance on a train journey and started a friendship based on their musical interests. They formed a business relationship and set up two classical music record labels, both named ''Harmonia Mundi ''. Coutaz's Harmonia Mundi (France) was founded in Saint-Michel-de-Provence, France, in 1958, and around the same time, Rudolf Ruby set up Deutsche Harmonia Mundi. The two labels shared similar aims and specialised in recordings of Early and Baroque music, with an emphasis on scholarly, historically informed performance and high-quality sound and production values. They also shared the ''H ...
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Daphnis Et Chloé
''Daphnis et Chloé'' is a 1912 ''symphonie chorégraphique'', or choreographic symphony, for orchestra and wordless chorus by Maurice Ravel. It is in three main sections, or ''parties'', and a dozen scenes, most of them dances, and lasts just under an hour, making it the composer's longest work. In effect it is a ballet, and it was first presented as such. But it is more frequently given as a concert work, either complete or excerpted, vindicating Ravel's own description above. The dance scenario was adapted by choreographer Michel Fokine from a pastoral romance by the Greek writer Longus thought to date from the 2nd century AD, recounting the love between the goatherd Daphnis and the shepherdess Chloé. Scott Goddard in 1926 published a commentary on the changes to the story Fokine had to apply in order to make the scenario workable. Composition and premiere Ravel began to write the score in 1909 after a commission from impresario Sergei Diaghilev for his Ballets Russes, comp ...
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