Les Millions D’Arlequin
''Les Millions d'Arlequin'' (English: ''Harlequin's Millions'') (Russian: "Миллионы Арлекина", ''Milliony Arlekina'') also known under the title ''Harlequinade'' (Russian: "Арлекинада", ''Arlekinada'') is a ''ballet comique'' in two acts and two tableaux with libretto and choreography by Marius Petipa and music by Riccardo Drigo. It was first presented at the Theatre of the Imperial Hermitage Museum by the Imperial Ballet in Saint Petersburg on . The ballet was given a second premiere with the same cast at the Imperial Mariinsky Theatre on . The ''Sérénade'' from the first act of the ballet became a popular repertory piece that has been arranged for various instruments and recorded on numerous occasions. History Ivan Vsevolozhsky took up the directorship of the Imperial Hermitage Museum in 1899, a post that required supervision over performances given at the museum's theatre. Vsevolozhsky commissioned Marius Petipa—the renowned ''Premier ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dagmar Of Denmark (Maria Feodorovna)
Maria Feodorovna ( ru , Мария Фёдоровна , translit = Mariya Fyodorovna; 26 November 1847 – 13 October 1928), known before her marriage as Princess Dagmar of Denmark, was Empress of Russia from 1881 to 1894 as spouse of Emperor Alexander III. She was the second daughter of Christian IX of Denmark and Louise of Hesse-Kassel. Maria's eldest son became the last Russian monarch, Emperor Nicholas II. Maria lived for 10 years after Bolshevik functionaries executed Nicholas and his immediate family in 1918. Appearance and personality Dagmar was known for her beauty. Princess Mary Adelaide of Cambridge said that Dagmar was "sweetly pretty" and commented favorably on her "splendid dark eyes."Julia P. Gelardi, From Splendor to Revolution, p. 24 Her fiancee Tsarevich Nicholas Alexandrovich was enthusiastic about her beauty. He wrote to his mother that "she is even prettier in real life than in the portraits that we had seen so far. Her eyes speak for her: they are so ki ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harvard University
Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of higher learning in the United States and one of the most prestigious and highly ranked universities in the world. The university is composed of ten academic faculties plus Harvard Radcliffe Institute. The Faculty of Arts and Sciences offers study in a wide range of undergraduate and graduate academic disciplines, and other faculties offer only graduate degrees, including professional degrees. Harvard has three main campuses: the Cambridge campus centered on Harvard Yard; an adjoining campus immediately across Charles River in the Allston neighborhood of Boston; and the medical campus in Boston's Longwood Medical Area. Harvard's endowment is valued at $50.9 billion, making it the wealthiest academic institution in the world. Endowment inco ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sergeyev Collection
The Sergeyev Collection is a collection of choreographic notation, musical materials, designs for décor and costumes, theatre programs, photos and other items that document the repertory of the Mariinsky Ballet, Imperial Ballet (precursor of the Kirov/Mariinsky Ballet) of St. Petersburg, Russia at the turn of the 20th century. The majority of the choreographic notations document with varying degrees of detail the original works and revivals of the renowned choreographer Marius Petipa, who served as ''Premier Maître de ballet'' of the St. Petersburg Imperial Theatres. The collection also documents a few ballets by Lev Ivanov, who served as second ''Maître de ballet''. Also included in the collection are choreographic notation documenting dances from various operas by both Petipa and Ivanov, respectively. The ''Sergeyev Collection'' is named after Nicholas Sergeyev, ' of the St. Petersburg Imperial Theatres from 1903 to 1918, who brought the collection out of Russia after the Russi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vladimir Stepanov (dancer)
Vladimir Ivanovich Stepanov (1866–1896), was a dancer at the Mariinsky Theater in Saint Petersburg. His book, ''The Alphabet of Movements of the Human Body'' ( French: ''L'Alphabet des Mouvements du Corps Humain) was'' published in Paris in 1892. The book describes a notation that encodes dance movements using musical notes instead of pictographs or abstract symbols. Stepanov breaks complex movements down to elementary moves made by individual body parts, enciphering these basic moves as notes. This method of dance notation, improved by Alexander Gorsky, notated many ballets from choreographer Marius Petipa. Today, this method is preserved in the Harvard University Library Theatre Collection and is known as the Sergeyev Collection. Stepanov wrote his book from an anatomical perspective. The movements were written in terms of joints of the body, along with flexion, extension, rotation, direction, and adduction. After taking an anatomy course, he continued his studies in Paris. On ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Deni Lamont
Deni may refer to: * Deni language * Deni (дени), 1/100 of a Macedonian denar * Department of Education (Northern Ireland) * Deni (weightlifter), Indonesian weightlifter * Viktor Deni , birth_date = , birth_place = Moscow, Russian Empire , death_date = , death_place = Moscow, Russian SFSR, Soviet Union , nationality = Russian (1893–1917) Soviet (1917–1946) , field = , trainin ... (1893–1946), Russian satirist, cartoonist and poster artist * Deni Avdija (born 2001), Israeli professional basketball player See also * Denny (other) {{disambig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suki Schorer
Suki Schorer is an American ballet dancer, ballet mistress, teacher, and writer. She danced with George Balanchine's New York City Ballet from 1959 to 1972. Suki Schorer teaches at the School of American Ballet, the official school of the New York City Ballet and is a Balanchine Trust répétiteur. Biography Suki Schorer received her early professional training at the San Francisco Ballet School and joined the San Francisco Ballet in 1956. She continued her ballet studies with Lew Christensen as a member of the Company and also attended the University of California at Berkeley. In 1959, at the invitation of George Balanchine, she joined the New York City Ballet where she took his daily classes for over a decade. In 1968, she was made a principal dancer. Her repertory included principal roles in ''Apollo'', ''Serenade'', ''Concerto Barocco'', ''Symphony in C'', ''Ivesiana'', ''Stars and Stripes'', ''Tarantella'' and ''Jewels'' among others. Balanchine made solo roles on her in ''D ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edward Villella
Edward Villella (born October 1, 1936) is an American ballet dancer and choreographer. He is frequently cited as America's most celebrated male dancer of ballet at the time. He has won numerous awards, including the Daytime Emmy Award for Outstanding Children's Special, the Kennedy Center Honors, and the National Medal of Arts. Education Villella enrolled in the School of American Ballet at age ten, and then the High School of Performing Arts, but then interrupted his dance studies to complete his college education. He attended the State University of New York Maritime College, New York Maritime Academy, where he lettered in baseball and was a championship boxing, boxer. He graduated with a marine science degree in 1957, and rejoined the School of American Ballet. Career Villella became a member of the New York City Ballet in 1957, rising to soloist in 1958 and principal dancer in 1960, last dancing there in 1979. Among his most noteworthy performances were Oberon in George B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Patricia McBride
Patricia McBride (born August 23, 1942 in Teaneck, New Jersey) is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company's youngest principal. She danced with the company for 30 years, including roles created for her by choreographers George Balanchine and Jerome Robbins. New York City Ballet career In the 30 years she spent dancing with the company she had numerous roles created for her by George Balanchine such as: Hermia in ''A Midsummer Night's Dream''; Tarantella; Colombine in ''Harlequinade''; the ballerina role in the Intermezzo of the ''Brahms–Schoenberg Quartet''; ''Rubies''; '' Who Cares?'' ("The Man I Love" pas de deux and "Fascinatin' Rhythm" solo); Divertimento from ''Le Baiser de la Fée''; Swanilda in ''Coppélia''; ''Pavane''; the paper ballerina in ''The Steadfast Tin Soldier''; the Pearly Queen in ''Union Jack'' and the "Voices of Spri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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New York State Theater
The David H. Koch Theater is a theater for ballet, modern and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011. The theater occupies the south side of the main plaza of Lincoln Center, opposite David Geffen Hall. History The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York. The City leases the theater to Lincoln Center ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan" (review of Martin Du ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |