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Les Corps Glorieux
''Les Corps Glorieux'' is a large organ cycle composed in the summer of 1939 in Saint-Théoffrey (Isère) by Olivier Messiaen. The work was completed on 25 August 1939, a week before the declaration of the Second World War and was premiered by Messiaen himself on 15 April 1945 at the Palais de Chaillot. This work marks an evolution in the musical language of Olivier Messiaen, combining features of both Indian classical music and Gregorian chant. The work, together with '' L'Ascension'' (1934) and ''La Nativité du Seigneur'' (1935), is one of the three early organ cycles of the composer. Structure ''Les Corps Glorieux'' is divided into seven movements: 1. Subtilité des Corps Glorieux This movement is a single unharmonised melody based on a Gregorian antiphon. Each end of a phrase is repeated as an echo. Cornet registrations alternate between the Grand-Orgue, Positif and Récit manuals. The unchanging monophony of this movement, the simplest and purest musical form, symbolises ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cycle (music)
Cycle has several meanings in the field of music. Acoustically, it refers to one complete vibration, the base unit of Hertz being one cycle per second. Theoretically, an interval cycle is a collection of pitch classes created by a sequence of identical intervals. Individual pieces that aggregate into larger works are considered cycles, for example, the movements of a suite, symphony, sonata, or string quartet. This definition can apply to everything from settings of the Mass or a song cycle to an opera cycle. Cycle also applies to the complete performance of an individual composer's work in one genre. Harmonic cycles—repeated sequences of a harmonic progression—are at the root of many musical genres, such as the twelve-bar blues. In compositions of this genre, the chord progression may be repeated indefinitely, with melodic and lyrical variation forming the musical interest. The form theme and variations is essentially of this type, but generally on a larger scale. Composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monophony
In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earliest Christian songs, called plainchant (a we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Olivier Messiaen
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three distinct persons sharing one ''homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This doctrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminution
In Western music and music theory, diminution (from Medieval Latin ''diminutio'', alteration of Latin ''deminutio'', decrease) has four distinct meanings. Diminution may be a form of embellishment in which a long note is divided into a series of shorter, usually melodic, values (also called " coloration"; Ger. ''Kolorieren''). Diminution may also be the compositional device where a melody, theme or motif is presented in shorter note-values than were previously used. Diminution is also the term for the proportional shortening of the value of individual note-shapes in mensural notation, either by coloration or by a sign of proportion. A minor or perfect interval that is narrowed by a chromatic semitone is a diminished interval, and the process may be referred to as diminution (this, too, was sometimes referred to as " coloration"). Diminution as embellishment Diminution is a form of embellishment or melodic variation in which a long note or a series of long notes is divided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Théoffrey
Saint-Théoffrey () is a commune in the Isère department in southeastern France. Population See also *Communes of the Isère department The following is a list of the 512 Communes of France, communes in the French Departments of France, department of Isère. The communes cooperate in the following Communes of France#Intercommunality, intercommunalities (as of 2020): References Communes of Isère Isère communes articles needing translation from French Wikipedia {{Isère-geo-stub ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Nativité Du Seigneur
''La Nativité du Seigneur'' (''The Nativity of the Lord'' or ''The Birth of the Saviour'') is a work for organ, written by the French composer Olivier Messiaen in 1935. ''La Nativité du Seigneur'' is a testament to Messiaen's Christian faith, being divided into nine "meditations" inspired by the birth of Jesus. In volume one, Messiaen outlines his inspirations, both theological, instrumental and compositional. As the composer notes in his preface, he sought "the emotion and sincerity first".Messiaen, Olivier, ''La Nativité du Seigneur'', Volume One (Paris: Ludec, 1936). The work was written by the composer at the age of 27 years during the summer of 1935 while he was in residence at Grenoble near the French Alps. Messiaen wrote that in addition to theology, the movements were inspired by the mountains, as well as the stained glass windows in medieval cathedrals. The work was premiered on 27 February 1936 on the organ of Église de la Sainte-Trinité, Paris, La Trinité, Paris, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
