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Leonie Rysanek
Leopoldine Rysanek (14 November 1926 – 7 March 1998) was an Austrian dramatic soprano. Life Rysanek was born in Vienna and made her operatic debut in 1949 in Innsbruck. In 1951 the Bayreuth Festival reopened and the new leader Wieland Wagner asked her to sing Sieglinde in ''Die Walküre''. He was convinced that her unique, young and beautiful voice, combined with her rare acting abilities, would create a sensation. She became a star overnight, and the role of Sieglinde followed her for the rest of her career. Her final performance was at the Salzburg Festival in August 1996, as Klytämnestra in '' Elektra'' by Richard Strauss. Her Metropolitan Opera debut came in 1959 as Lady Macbeth in Verdi's '' Macbeth'', replacing Maria Callas who had been "fired" from the production. Over her lengthy career, she sang 299 performances of 24 roles there. She starred in productions of Verdi's ''Nabucco'', in the title role of ''Ariadne auf Naxos'' by Richard Strauss, the Empress in ''D ...
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Rudolf Großmann
Rudolf Wilhelm Walther Großmann, or Grossmann (25 January 1882, Freiburg im Breisgau – 28 November 1941, Freiburg im Breisgau) was a German painter and graphic artist. He is particularly well known for his portrait drawings of famous contemporary figures. Biography He was born into an artistic environment. His grandfather, , was the court painter in Baden and his mother, Marie (1852–1889), was a portrait painter. His father, Viktor, was a doctor, so he initially studied medicine and philosophy in Munich, from 1902 to 1904, then spent five years in Paris, where he was a student of Lucien Simon. While there, he devoted himself primarily to landscape painting, under the influence of Paul Cézanne. With his friend, Jules Pascin, he travelled to Belgium and Holland. Later study trips took him to Northern and Southern France, then to Vienna, Budapest and Stockholm. In 1910, he stayed briefly in Berlin, then continued his travels; this time to Engadin (near Munich), the Tegernse ...
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The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ...
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Die ägyptische Helena
''Die ägyptische Helena'' (''The Egyptian Helen''), Op. 75, is an opera in two acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal. It premiered at the Dresden Semperoper on 6 June 1928. Strauss had written the title role with Maria Jeritza in mind but, creating quite a sensation at the time, the Dresden opera management refused to pay Jeritza's large fee and cast Elisabeth Rethberg instead as Helen of Troy. Jeritza eventually created the part in Vienna and New York City. As inspiration for the story, Hofmannsthal used sources from Euripides (''Helen''). Strauss made changes to the opera in 1933, five years after the premiere, working with the director Lothar Wallenstein and the conductor Clemens Krauss. Performance history and reception Roles It remains the only major opera in the repertory with a role for an omniscient sea-shell., footnote 353 Synopsis Act 1 ''The mythological past'' In her island palace, the sorceress Aithra waits in vain for Pose ...
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Ariadne
Ariadne (; grc-gre, Ἀριάδνη; la, Ariadne) was a Cretan princess in Greek mythology. She was mostly associated with mazes and labyrinths because of her involvement in the myths of the Minotaur and Theseus. She is best known for having helped Theseus escape the Minotaur but being abandoned by him on the island of Naxos; subsequently, she became the wife of Dionysus. (There are many other versions of her myth.) The ancient Roman author Hyginus identified Ariadne as the Roman Libera/Proserpina at approximately the same time as Libera was officially identified with Proserpina in 205 BC, these two names becoming synonymous for the same goddess. Hyginus equated Libera/Proserpina with Ariadne as bride to Liber whose Greek equivalent was Dionysus, the husband of Ariadne. Etymology Greek lexicographers in the Hellenistic period claimed that ''Ariadne'' is derived from the ancient Cretan dialectical elements ''ari'' (ἀρι-) "most" (which is an intensive prefix) and ''adn ...
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Chrysothemis
In Greek mythology, Chrysothemis or Khrysothemis (; grc, Χρυσόθεμις, "golden law") is a name ascribed to several characters. ''Female:'' * Chrysothemis, may refer to known as the attributes of the golden harvest as an agricultural demi-goddess. She is also the daughter of the goddess Demeter ("earth mother") and Karmanor ("he who crops").Pausanias10.7.2/ref> *Chrysothemis, a Hesperide pictured and named on an ancient vase together with Asterope, Hygieia and Lipara. * Chrysothemis, daughter of Danaus. She married (and killed) Asterides, son of Aegyptus. * Chrysothemis, wife of Staphylus, mother of Molpadia, Rhoeo and Parthenos. She was also said to have mothered Parthenos by the god Apollo. * Chrysothemis, daughter of Agamemnon and Clytemnestra. Unlike her sister, Electra, Chrysothemis did not protest or enact vengeance against their mother for having an affair with Aegisthus and then killing their father. She appears in Sophocles's '' Electra''. ''Male:'' *Ch ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ...
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Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are mos ...
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Ben Heppner
Thomas Bernard Heppner (born January 14, 1956) is a Canadian tenor and broadcaster, now retired from singing, who specialized in opera and other classical works for voice. Early life and career Heppner, of Mennonite descent, was born in Murrayville, British Columbia, and lived in Dawson Creek, British Columbia. He began his musical studies at the University of British Columbia and first attracted national attention when he won the CBC Talent Festival in 1979. He is associated with the Wagnerian repertoire, but he performed a range of operas from the German, French and Italian canons. Heppner performed frequently with opera companies in the United States (including the New York Metropolitan Opera) and Europe, and concert appearances with symphony orchestras. He has appeared in the DVD recordings of the Met's productions of Beethoven's ''Fidelio'', Wagner's ''Die Meistersinger von Nürnberg'', and Wagner's ''Tristan und Isolde'', three of his signature roles. He first per ...
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Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ...
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Metropolitan Opera House (Lincoln Center)
The Metropolitan Opera House (also known as The Met) is an opera house located on Broadway at Lincoln Square on the Upper West Side of Manhattan in New York City. Part of Lincoln Center, the theater was designed by Wallace K. Harrison. It opened in 1966, replacing the original 1883 Metropolitan Opera House at Broadway and 39th Street. With a seating capacity of approximately 3,850, the house is the largest repertory opera house in the world. Home to the Metropolitan Opera Company, the facility also hosts the American Ballet Theatre in the summer months. History Planning and construction Planning for a new home for the Metropolitan Opera began as early as the mid-1920s, when the backstage facilities of the former house were becoming vastly inadequate for growing repertory and advancing stagecraft. As part of the development of the present-day Rockefeller Center site, there was to be a development with a new 4,000-seat opera house at its center. Financial problems and the ...
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Vienna Festival
__NOTOC__ The Wiener Festwochen (Vienna Festival) is a cultural festival in Vienna that takes place every year for five or six weeks in May and June. The Wiener Festwochen was established in 1951, when Vienna was still occupied by the four Allies. The opening of the Wiener Festwochen is an open-air event with free admission held in the square in front of Vienna’s City Hall. Each year the festival attracts about 180,000 visitors. Directors of the festival include: *1951-1958: Adolph Ario *1959: Rudolf Gamsjäger *1960-1964: Egon Hilbert *1964-1977: Ulrich Baumgartner *1978-1979: Gerhard Freund *1980-1984: Helmut Zilk *1984-1991: Ursula Pasterk *1991-1996: Klaus Bachler *1997-2001: Luc Bondy / Klaus-Peter Kehr / Hortensia Völckers *2002–2013: Luc Bondy *2014–2016: Markus Hinterhäuser *2017–2021: Tomas Zierhofer-Kin *2019-present: Christophe Slagmuylder, whose term ends in 2024 See also *List of opera festivals This is an inclusive list of opera festiva ...
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