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Leo Rising (Frank Foster Album)
''Leo Rising'' is an album by saxophonist Frank Foster which was recorded in 1996 and released on the Arabesque label the following year. Reception The AllMusic review by Scott Yanow said "This is one of Frank Foster's finest small-group dates and is highly recommended". In JazzTimes, Bill Shoemaker called it "a balm-like program that will quell the most righteous outrage", observing that "Foster’s art lies in his projection of a relaxed energy, a combination of a quick wit, acute insights, and graceful execution ... Foster’s solos are lean and muscular".Shoemaker, BJazzTimes Review accessed May 11, 2018 Track listing All compositions by Frank Foster except where noted # "You're Only as Old as You Look" – 8:07 # "Simone" – 12:14 # "Gray Thursday" – 7:18 # "Cidade Alto" – 3:30 # "Leo Rising" – 8:06 # "When April Comes Again" (Paul Weston, Doris Schaefer) – 5:29 # "Last Night When We Were Young" (Harold Arlen, Yip Harburg) – 11:19 # "Derricksteriy" – 6:32 Pers ...
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Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ...
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Last Night When We Were Young
"Last Night When We Were Young" is a 1935 popular song about nostalgia and young love composed by Harold Arlen, with lyrics by Yip Harburg. Arlen regarded it as the favourite of the songs that he had written.Jablonski, Edward (1998). Harold Arlen: Rhythm, Rainbows, and Blues'. UPNE. p. 100. . Google Book Search. Retrieved on March 20, 2010. Lawrence Tibbett recorded the song on October 9, 1935. It was cut from his film '' Metropolitan'' but performed instrumentally behind the credits. "Last Night When We Were Young" was highly regarded by Judy Garland, who recorded it twice, and frequently performed it. Composer Alec Wilder called it a "most remarkable and beautiful song" that "goes far beyond the boundaries of popular music." Continuing, he stated that " is unlike any other Arlen song that I have heard. However, it is unmistakably his." Harburg did not know where he acquired the title, saying, "the juxtaposition of those two phrases is almost a whole world of philosophy". Singer ...
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Arabesque Records Albums
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ...
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Lewis Nash
Lewis Nash (born December 30, 1958) is an American jazz drummer. According to ''Modern Drummer'' magazineNashhas one of the longest discographies in jazz and has played on over 400 records, earning him the honor of Jazz's Most Valuable Player by the magazine in its May 2009 issue. In 2012The Nash Jazz Club] opened in Phoenix, AZ. Named after Lewis Nash bJazz in AZ501(c)(3), The Nash Jazz Club is dedicated to performances and educational programs that promote jazz education. In 2017, Nash joined the jazz studies faculty at Arizona State University, where he was named the Bob and Gretchen Ravenscroft Professor of Practice in Jazz. In early 2021, the Lewis Nash Scholarship Endowment was created by the university to be awarded annually to a deserving ASU undergraduate or graduate jazz performance student. Nash is noted for his adaptability to a vast array of genres, as evidenced by his performances with such different musicians as Tommy Flanagan and Don Pullen. Nash has made 5 r ...
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Christian McBride
Christian McBride (born May 31, 1972) is an American jazz bassist, composer and arranger. He has appeared on more than 300 recordings as a sideman, and is an eight-time Grammy Award winner. McBride has performed and recorded with a number of jazz musicians and ensembles, including Freddie Hubbard, McCoy Tyner, Herbie Hancock, Pat Metheny, Joe Henderson, Diana Krall, Roy Haynes, Chick Corea, Wynton Marsalis, Eddie Palmieri, Joshua Redman, and Ray Brown's " SuperBass" with John Clayton, as well as with pop, hip-hop, soul and classical musicians like Sting, Paul McCartney, Celine Dion, Isaac Hayes, The Roots, Queen Latifah, Kathleen Battle, Renee Fleming, Carly Simon, Bruce Hornsby, and James Brown. Early life McBride was born in Philadelphia on May 31, 1972. After starting on bass guitar, McBride switched to double bass. He is a graduate of the Philadelphia High School for Creative and Performing Arts, and studied at the Juilliard School. Later life and career McBride was ...
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Stephen Scott (jazz Pianist)
Stephen Scott (born March 13, 1969) is an American jazz pianist. Scott played piano from the age of five. While attending New York’s High School of Performing Arts, High School of the Performing Arts he was introduced to jazz by alto saxophonist Justin Robinson (musician), Justin Robinson, in particular the music of Wynton Kelly and Red Garland. Later, he took private lessons at the Juilliard School, Juilliard School of Music. In 1986 he received the Young Talent Award from the International Association for Jazz Education, National Association of Jazz Educators and within the year was hired as accompanist to Betty Carter. Scott was soon playing with bands led by Kenny Barron, Terence Blanchard, Ron Carter, Lou Donaldson, Benny Golson, Craig Handy, Roy Hargrove, the Harper Brothers, Joe Henderson (appearing on the Grammy-winning tribute to Billy Strayhorn, ''Lush Life'', Jon Hendricks, Bobby Hutcherson, Victor Lewis, appearing on ''Eeeyyess!'', Branford Marsalis, Wynton Marsali ...
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Derrick Gardner
Derrick Gardner (born June 3, 1965) is an American jazz trumpeter from Chicago, Illinois. Gardner began playing trumpet at the age of 9 in his hometown of Chicago. In 1991, he moved to New York City and played with groups such as the Count Basie Orchestra, Frank Foster's Loud Minority Band, Harry Connick, Jr.'s Big Band, Roman Schwaller's European Sextet, and the Smithsonian Jazz Masterworks Orchestra. Gardner has gone on to work with such jazz notables as the late Dizzy Gillespie, George Benson, Jon Faddis, Nancy Wilson, Tony Bennett, Joe Williams, Rufus Reid, Clark Terry, Kenny Barron, Stefon Harris and James Moody. Critics have described him as "having a way of moving past the notes in a solo and getting into formal realms that make sense and heighten interest." Another critic describes him as "Soulful and Intelligent, a tremendous talent with a vivid and unusual imagination." As a composer and arranger, Gardner's music has been featured with The Count Basie Orchestra ...
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Yip Harburg
Edgar Yipsel Harburg (born Isidore Hochberg; April 8, 1896 – March 5, 1981) was an American popular song lyricist and librettist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?" (with Jay Gorney), " April in Paris", and "It's Only a Paper Moon", as well as all of the songs for the film '' The Wizard of Oz'', including " Over the Rainbow". He was known for the social commentary of his lyrics, as well as his leftist leanings. He championed racial and gender equality and union politics. He also was an ardent critic of religion. Early life and career Harburg, the youngest of four surviving children (out of ten), was born Isidore Hochberg on the Lower East Side of New York City on April 8, 1896.Yip Harburg: Biography from Answers.com
Retrieved January 2, 2 ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ...
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Paul Weston
Paul Weston (born Paul Wetstein; March 12, 1912 – September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", " Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano. He was educated at Springfield High School, then attended Dartmouth College and Columbia University. At Dartmouth he formed his own band and toured with the college band. He joined Columbia's dance band, The Blue Lions, but was temporarily unable to perform following a rail accident, and did some arrangements while he recovered. He sold his first arrangements to Joe Haymes i ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ...
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