Lensbaby Sst
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Lensbaby Sst
Lensbaby is a line of camera lenses for DSLR and mirrorless cameras that combine a simple lens with a bellows or ball and socket mechanism for use in special-effect photography. A lensbaby can give effects normally associated with view cameras. The lenses are for use in selective focus photography and bokeh effects. Overview Lensbaby lenses can be used with most cameras that accept interchangeable lenses, mainly DSLR, SLR, mirrorless, 35mm film and PL mount motion cameras. The focus front standard can be manipulated off axis to move the sharpest area of Focus (called the "sweet spot") to almost anywhere in the frame. This allows the important part of the subject to be rendered fairly sharp with everything else out of focus, even if it is the same distance from the camera. The Lensbaby naturally focuses at approximately 2 feet; closer focus is achieved by pushing the front of the lens out, and infinity focus is achieved by pulling the front of the lens toward the base of the ...
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Public Company
A public company is a company whose ownership is organized via shares of stock which are intended to be freely traded on a stock exchange or in over-the-counter markets. A public (publicly traded) company can be listed on a stock exchange (listed company), which facilitates the trade of shares, or not (unlisted public company). In some jurisdictions, public companies over a certain size must be listed on an exchange. In most cases, public companies are ''private'' enterprises in the ''private'' sector, and "public" emphasizes their reporting and trading on the public markets. Public companies are formed within the legal systems of particular states, and therefore have associations and formal designations which are distinct and separate in the polity in which they reside. In the United States, for example, a public company is usually a type of corporation (though a corporation need not be a public company), in the United Kingdom it is usually a public limited company (plc), i ...
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View Camera
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed and then the glass screen is replaced with the film, and thus the film is exposed to exactly the same image as was seen on the screen. This type of camera was first developed in the era of the daguerreotypeStroebel, L. D. (1986). ''View Camera Technique'', 5th ed., p. 212. Boston: Focal Press. (1840s–1850s) and is still in use today, some with various drive mechanisms for movements (rather than loosen-move-tighten), more scale markings, and/or more spirit levels. It comprises a flexible bellows that forms a light-tight seal between two adjustable ''standards'', one of which holds a lens, and the other a ground glass or a photographic film holder or a digital back.Stroebel (1986). p. 2. There are three general types, the rail camera, the field camera, and others that don't fit into either category. The bellows is a flexi ...
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Exposure (photography)
In photography, exposure is the amount of light per unit area (the image plane's illuminance times the exposure time) reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region. An "exposure" is a single shutter cycle. For example, a long exposure refers to a single, long shutter cycle to gather enough dim light, whereas a multiple exposure involves a series of shutter cycles, effectively layering a series of photographs in one image. The accumulated ''photometric exposure'' (''H''v) is the same so long as the total exposure time is the same. Definitions Radiant exposure Radiant exposure of a ''surface'', denoted ''H''e ("e" for "energetic", to avoid confusion with photometric quantities) and measured in , is given by :H_\mathrm = E_\mathrmt, where *''E'' ...
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Aperture Priority
Aperture priority, often abbreviated ''A'' or ''Av'' (for aperture value) on a camera mode dial, is a mode on some cameras that allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions as measured by the camera's light meter. This is different from manual mode, where the user must decide both values, shutter priority where the user picks a shutter speed with the camera selecting an appropriate aperture, or program mode where the camera selects both. Uses Depth of field As an image's depth of field is inversely proportional to the size of the lens's aperture, aperture priority mode is often used to allow the photographer to control the focus of objects in the frame. Aperture priority is therefore useful in landscape photography, for example, where it may be desired that objects in foreground, middle distance, and background all be rendered crisply, while shut ...
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Auto-focus
An autofocus (or AF) optical system uses a sensor, a control system and a motor to focus on an automatically or manually selected point or area. An electronic rangefinder has a display instead of the motor; the adjustment of the optical system has to be done manually until indication. Autofocus methods are distinguished as active, passive or hybrid types. Autofocus systems rely on one or more sensors to determine correct focus. Some AF systems rely on a single sensor, while others use an array of sensors. Most modern SLR cameras use through-the-lens optical sensors, with a separate sensor array providing light metering, although the latter can be programmed to prioritize its metering to the same area as one or more of the AF sensors. Through-the-lens optical autofocusing is usually speedier and more precise than manual focus with an ordinary viewfinder, although more precise manual focus can be achieved with special accessories such as focusing magnifiers. Autofocus accuracy ...
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Wired (magazine)
''Wired'' (stylized as ''WIRED'') is a monthly American magazine, published in print and online editions, that focuses on how emerging technologies affect culture, the economy, and politics. Owned by Condé Nast, it is headquartered in San Francisco, California, and has been in publication since March/April 1993. Several spin-offs have been launched, including '' Wired UK'', ''Wired Italia'', ''Wired Japan'', and ''Wired Germany''. From its beginning, the strongest influence on the magazine's editorial outlook came from founding editor and publisher Louis Rossetto. With founding creative director John Plunkett, Rossetto in 1991 assembled a 12-page prototype, nearly all of whose ideas were realized in the magazine's first several issues. In its earliest colophons, ''Wired'' credited Canadian media theorist Marshall McLuhan as its "patron saint". ''Wired'' went on to chronicle the evolution of digital technology and its impact on society. ''Wired'' quickly became recognized ...
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Chromatic Aberration
In optics, chromatic aberration (CA), also called chromatic distortion and spherochromatism, is a failure of a lens to focus all colors to the same point. It is caused by dispersion: the refractive index of the lens elements varies with the wavelength of light. The refractive index of most transparent materials decreases with increasing wavelength. Since the focal length of a lens depends on the refractive index, this variation in refractive index affects focusing. Chromatic aberration manifests itself as "fringes" of color along boundaries that separate dark and bright parts of the image. Types There are two types of chromatic aberration: ''axial'' (''longitudinal''), and ''transverse'' (''lateral''). Axial aberration occurs when different wavelengths of light are focused at different distances from the lens (focus ''shift''). Longitudinal aberration is typical at long focal lengths. Transverse aberration occurs when different wavelengths are focused at different positions i ...
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Spherical Aberration
In optics, spherical aberration (SA) is a type of optical aberration, aberration found in optical systems that have elements with spherical surfaces. Lens (optics), Lenses and curved mirrors are prime examples, because this shape is easier to manufacture. Light rays that strike a spherical surface off-centre are refraction, refracted or reflection (physics), reflected more or less than those that strike close to the centre. This deviation reduces the quality of images produced by optical systems. Overview A spherical lens has an Optical aberration#Aberration of elements, i.e. smallest objects at right angles to the axis, aplanatic point (i.e., no spherical aberration) only at a radius that equals the radius of the sphere divided by the index of refraction of the lens material. A typical value of refractive index for crown glass is 1.5 (see List of refractive indices, list), which indicates that only about 43% of the area (67% of diameter) of a spherical lens is useful. It is o ...
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PL Mount
The Arri Group () is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. Hermann Simon (manager), Hermann Simon mentioned this company in his book ''Hidden Champions of the 21st Century'' as an example of a "Hidden champions, hidden champion". The Arri Alexa camera system was used to film Academy Award winners for Best Cinematography including ''Hugo (film), Hugo'', ''Life of Pi (film), Life of Pi'', ''Gravity (2013 film), Gravity'', ''Birdman (film), Birdman'', ''The Revenant (2015 film), The Revenant'' and ''1917 (2019 film), 1917''. History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arnold and Richter deve ...
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135 Film
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'. The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 828, 126, 110, and APS, it remains the most popular film size today. The size of the 135 film frame with its aspect ratio of 1:1.50 has been adopted by many high-end digital single-lens reflex and digital mirrorless cameras, commonly referred to as " full frame". Eve ...
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Single-lens Reflex Camera
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system (hence "reflex" from the mirror's reflection) that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured. History File:Hasselblad 1600F.jpg, Medium format SLR by Hasselblad (Model 1600F), Sweden File:Zenza BRONICA S2 with ZENZANON 100mm F2.8.JPG, Medium format SLR by Bronica (Model S2), Japan. Bronica's later model—the Bronica EC—was the first medium format SLR camera to use an electrically operated focal-plane shutter File:Asahiflex600.jpg, The 1952 (Pentax) Asahiflex, Japan's first single-lens reflex camera. File:Contaflex BW 2.JPG, The Contaflex III a single- ...
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Digital Single-lens Reflex Camera
A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor. The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the viewfinder, or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what is captured by the camera's sensor as it presents it as a direct optical view through the main camera lens, rather than showing an image through a separate secondary lens. DSLRs largely replaced film-based SLRs during the 2000s. Major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILC) beginning in the 2010s ...
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