Lena Horne At The Waldorf Astoria
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Lena Horne At The Waldorf Astoria
''Lena Horne at the Waldorf Astoria'' is a 1957 live album by Lena Horne, conducted by Lennie Hayton, recorded in Stereo at the Waldorf-Astoria Hotel in New York City on the evening of December 31, 1956. One of the first non-classical live albums to be recorded in Stereo, the monaural album peaked at #24 in the Billboard Hot 200 and became the best selling record by a female artist in the history of the RCA Victor label. The album was re-issued on CD in 2002, by Collectables Records, together with Horne's 1961 live album ''Lena Horne at the Sands''. Track listing #"The Farmer Takes a Wife (1953 film), Today I Love Everybody" (Harold Arlen, Dorothy Fields) - 2.55 #"Let Me Love You" (Bart Howard, Lou Levy (pianist), Lou Levy) - 3.06 #"Come Runnin'" (Roc Hillman) - 2.42 # Cole Porter medley (music), Medley: "How's Your Romance?"/"After You, Who?, After You"/"Love of My Life"/"It's All Right with Me" - 7:21 #"Mood Indigo"/"I'm Beginning to See the Light" (Duke Ellington, Mitchell Paris ...
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Lena Horne
Lena Mary Calhoun Horne (June 30, 1917 – May 9, 2010) was an American dancer, actress, singer, and civil rights activist. Horne's career spanned more than seventy years, appearing in film, television, and theatre. Horne joined the chorus of the Cotton Club at the age of sixteen and became a nightclub performer before moving to Hollywood. Horne advocated for human rights and took part in the March on Washington in August 1963. Later she returned to her roots as a nightclub performer and continued to work on television while releasing well-received record albums. She announced her retirement in March 1980, but the next year starred in a one-woman show, '' Lena Horne: The Lady and Her Music'', which ran for more than 300 performances on Broadway. She then toured the country in the show, earning numerous awards and accolades. Horne continued recording and performing sporadically into the 1990s, retreating from the public eye in 2000. Early life Lena Horne was born in Bedford–S ...
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Bart Howard
Bart Howard (born Howard Joseph Gustafson, June 1, 1915 – February 21, 2004) was an American composer and songwriter, most notably of the jazz standard "Fly Me to the Moon", which has been performed by Kaye Ballard, Judy Garland, Frank Sinatra, Tony Bennett, Ella Fitzgerald, Nancy Wilson, Della Reese, Bobby Womack, Diana Krall, June Christy, Brenda Lee, Astrud Gilberto, Nat King Cole, Peggy Lee, and Sia, among others. It is played frequently by jazz and popular musicians around the world. Howard wrote the song for his partner of 58 years, Thomas Fowler. Biography Howard was born in Burlington, Iowa. He began his career as an accompanist at the age of 16 and played for Mabel Mercer, Johnny Mathis and Eartha Kitt, among others. "Fly Me to the Moon" was first sung in 1954 by Felicia Sanders at the Blue Angel nightclub in Manhattan, where the composer became M.C. and accompanist in 1951. The song received wide exposure when Peggy Lee sang it on ''The Ed Sullivan Show'' several year ...
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Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ...
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Don George
Don R. George (August 27, 1909 – 1987) was an American lyricist of popular music. His songs include " The Yellow Rose of Texas" " I Ain't Got Nothin' But the Blues" (1937), "I'm Beginning to See the Light" (1944) and " Everything but You" (1945). George has also written lyrics for film songs. He was a personal friend and occasional lyricist of jazz composer Duke Ellington Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ..., whom he followed closely from 1943 until Ellington's death in 1974. It was with Ellington that he wrote many of hist best-known songs. George wrote a 1981 biography of Ellington titled ''Sweet Man: The Real Duke Ellington''. Notes External links * {{DEFAULTSORT:George, Don American lyricists 1909 births 1987 deaths ...
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Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ...
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Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ...
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Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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I'm Beginning To See The Light
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944. 1945 recordings *Ella Fitzgerald and the Ink Spots featuring Bill Kenny recorded a version in 1945, that was on the pop song hits list for six weeks in 1945, reaching #5. *A competing 1945 recording by Harry James and his Orchestra, with lead vocal by Kitty Kallen reached No. 1 for two weeks in January of that year. James' version of the song reached No. 7 on Billboard's Second Annual High School Survey in 1945. *Duke Ellington also released in 1945 a version, vocal by Joya Sherrill, which reached the top ten. Other notable recordings *Rosemary Clooney – ''Out of This World'' (2000) *Bobby Darin (1962) - featured in the 1996 feature film '' Swingers''. *Frank Sinatra (1962) - "Sinatra And Swingin' Brass" *Seal (2017) - "Standards" *Johnnie Ray (1958) *Connie Francis (1958) *Oscar Alemán ( ...
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Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ...
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It's All Right With Me
"It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical '' Can-Can'', where it was introduced by Peter Cookson as the character Judge Aristide Forestier. The song is also used in the Cole Porter musical ''High Society''. In the original 1998 Broadway production it was performed by the character Tracy Samantha Lord, played by Melissa Errico. Other performances of the song *Bing Crosby recorded the song in 1955 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records (catalog MD7-245) in 2009. *Chris Connor on the album ''This Is Chris'' (1955) *Sonny Rollins - ''Work Time'' (1956) *Erroll Garner (1956) *Peggy Lee on the album ''Dream Street'' (1957) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Cole Porter Songbook'' (1956), '' Ella at the Opera House'' (1958), '' Ella in Rome: The Birthday Concert'' (1959) *Rita Reys - ''The Cool Voice of Rita Reys'' (1 ...
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After You, Who?
"After You, Who?" is a popular song written by Cole Porter for his 1932 musical ''Gay Divorce'', where it was introduced by Fred Astaire. Astaire played the character Guy, and opened the musical with "After You, Who?" Astaire reprised the song later in Act 1, before the introduction of " Night and Day". The original rhythm was a fox trot, and early recordings generally use that rhythm. Later recordings span the full range of jazz types. Notable recordings *Ella Fitzgerald - '' Dream Dancing'' (1978) *Lena Horne - ''Lena Horne at the Waldorf Astoria'' (1957) - as part of a Cole Porter Medley *Jeri Southern - ''Jeri Southern Meets Cole Porter'' (1959) *Jody Watley - ''Red Hot + Blue Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet. It has a dominant wavelength of approximately 625–740 nanometres. It is a primary color in the RGB color model and a secondar ...'' (1990) References 1932 songs Songs wr ...
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