Leandra Overmann
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Leandra Overmann
Leandra Overmann, real name ''Jelica Overmann'' (1957 – 20 April 2012) was a Yugoslavian-Serbian opera, song, concert and oratorio singer (mezzo-soprano/alto). Life and career Overmann was born in Belgrade ( Socialist Federal Republic of Yugoslavia). She received her first singing lessons from her mother Đurđevka Čakarević, the former prima donna of the Belgrade Opera. She also took piano lessons. She studied in Detmold and Cologne and at the Accademia Nazionale di Santa Cecilia in Rome. She made her debut as Rosina in '' The Barber of Seville'' at the Belgrade Opera. From 1977 to 1982 she was a member of the ensemble at Landestheater Detmold. There she sang a repertoire from soprano to alto. Engagements followed, first as a dramatic soprano, at the stages of Basel (1985–1997), Bonn (1997–2000) and Hanover (2001–2006).From 2006 Overmann belonged to the ensemble of the Stuttgart State Opera, where she performed among others the Kostelnička in '' Jenufa'', Klytämne ...
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Focus Online
''Focus'' (styled as ''FOCUS'') is a German-language news magazine published by Hubert Burda Media. Established in 1993 as an alternative to the '' Der Spiegel'' weekly news magazine, since 2015 the editorial staff has been headquartered in Germany's capital of Berlin. Alongside Spiegel and Stern, Focus is one of the three most widely circulated German weeklies. The concept originated from Hubert Burda and Helmut Markwort, who went from being Editor-in-chief to become publisher in 2009 and since 2017 has been listed in the publication's masthead as founding editor-in-chief. As of March 2016 the editor-in-chief of ''Focus'' was Robert Schneider. History Under the code name "Zugmieze", work commenced on Focus in the summer of 1991. In October 1992, Hubert Burda Media announced plans for a new weekly news magazine. Observers initially gave the project only little chance for success. Several attempts of other publishers to establish a competitor to Spiegel and Stern magazines had ...
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Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ...
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Ingeborg Hallstein
Ingeborg Hallstein (born 23 May 1936) is a German coloratura soprano, known for the purity and range of her voice. She had an international career as a guest singer on the opera houses of Europe and was a member of the Bavarian State Opera from 1961 to 1973. Her signature roles were the Queen of the Night in Mozart's ''Die Zauberflöte'' and Zerbinetta in ''Ariadne auf Naxos'' by Richard Strauss. She created roles including Scolatella in Henze's ''König Hirsch''. Early career Born in Munich, Hallstein studied with her mother, Elisabeth Hallstein, and debuted at the opera house in Passau, Germany, in 1957 as Musetta in Puccini's '' La bohème''. After engagements at the Theater Basel and the Staatstheater am Gärtnerplatz in Munich she made her Salzburg Festival debut in 1960 as Rosina in Mozart's ''La finta semplice''. The same year she joined the Bavarian State Opera, a full member there from 1961 to 1973. She created the role of Scolatella in the revised version of Henz ...
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Hochschule Für Musik Würzburg
The Hochschule für Musik Würzburg (University of Music Würzburg) was founded in 1797 by Franz Joseph Fröhlich as Collegium musicum academicum (Academic college of music). From 1921 to 1973, it was named Bayerisches Staatskonservatorium der Musik (Bavarian State Conservatory of Music). The current name was given on 1 September 1973. It is located in three buildings. Helmut Erb has been president since 1 October 2007. The number of full-time students was about 650 in 2007. Subjects The university offers a Bachelor of Music degree in artistic and educational programs: * accordion * conducting * voice * guitar * historical instruments * jazz * church music * piano * composition * music theory * orchestral instruments * organ * elementary music education There are several graduate programs and the possibility of promotion. Musically gifted children and adolescents are specifically promoted by the university (musical ECI). Faculty and alumni * Karl Muck (1859–1940), con ...
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Staatstheater Stuttgart
The Staatstheater Stuttgart (Stuttgart State Theatre) is a theatre with three locations, Oper Stuttgart (Opera Stuttgart), Stuttgarter Ballett (Stuttgart Ballet), and Schauspiel Stuttgart (Stuttgart Drama Theatre), in Stuttgart, Germany. The state that its name refers to is Baden-Württemberg. Architecture Designed by the noted Munich architect Max Littmann, who won a competition to create new royal theatres, the building was constructed between 1909 and 1912 as the Königliche Hoftheater, royal theatre of the Kingdom of Württemberg with a Grosses Haus (large house) and a Kleines Haus (small house). In 1919, the theatres were renamed to Landestheater, and later Staatstheater. The house for drama theatre, Kleines Haus, was destroyed by bombing during World War II, and today, the site is occupied by a new Kleines Haus, designed by Hans Volkart, which opened in 1962. The Opera House (Grosses Haus), is one of only a few German opera houses to survive the bombing of World War II. ...
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Theater Freiburg
Theater Freiburg is a theatre in Baden-Württemberg, Germany. Freiburg Theatre, sometimes also referred to as Stadttheater Freiburg (Freiburg municipal theatre), formerly Städtische Bühnen (Municipal Stages) Freiburg, is the oldest and biggest theatre in Freiburg im Breisgau. It is located in Bertoldstraße, on the edge of Freiburg's historic city centre, and unites four venues under one roof: the Großes Haus (main stage), the Kleines Haus (small stage), the Kammerbühne (chamber stage) and the Werkraum (workshop). The Winterer Foyer additionally hosts author readings, such as the Litera-Tour, chambermusic concerts and evening lectures on current affairs, such as the Dream School series. Since September 2005 the theatre has been under independent ownership. History Up until the first decades of the 19th century, theatre performances in Freiburg were mainly staged in the Kornhaus (granary) on the Münsterplatz, which later proved to be increasingly unsuitable for a “mode ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ...
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Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeopl ...
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Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ...
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