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Lead Singer
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal ensembl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Full Service 2
Full may refer to: * People with the surname Full, including: ** Mr. Full (given name unknown), acting Governor of List of colonial heads of German Cameroon, German Cameroon, 1913 to 1914 * A property in the mathematical field of topology; see Full set (topology), Full set * A property of functors in the mathematical field of category theory; see Full and faithful functors * Satiety, the absence of hunger * A standard bed size, see California king (bed), Bed * Fulling, also known as tucking or walking ("waulking" in Scotland), term for a step in woollen clothmaking (verb: ''to full'') * Full-Reuenthal, a municipality in the district of Zurzach in the canton of Aargau in Switzerland See also *"Fullest", a song by the rapper Cupcakke *Ful (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankie Lymon & The Teenagers
The Teenagers are an American music group, most noted for being one of rock music's earliest successes, presented to international audiences by DJ Alan Freed. The group, which made its most popular recordings with young Frankie Lymon as lead singer, is also noted for being rock's first all-teenaged act. They were inducted into the Rock and Roll Hall of Fame in 1993. History The Teenagers had their origins in the Earth Angels, a group founded at Edward W. Stitt Junior High School in the Washington Heights section of Manhattan by second tenor Jimmy Merchant and bass Sherman Garnes. Eventually, Garnes and Merchant had added lead singer Herman Santiago and baritone Joe Negroni to their lineup and evolved into The Coupe De Villes. In 1954, 12-year-old Frankie Lymon joined the Coupe De Villes, who changed their name to first the Ermines and later the Premiers. The same year Lymon joined the group, he helped Santiago and Merchant rewrite a song they had composed to create " Why Do F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Drifters
The Drifters are several American doo-wop and R&B/Soul music, soul vocal groups. They were originally formed as a backing group for Clyde McPhatter, formerly the lead tenor of Billy Ward and his Dominoes in 1953. The second group of Drifters, formed in 1959 and led by Ben E. King, were originally an up-and-coming group named The Five Crowns. After 1965 members drifted in and out of both groups and many of these formed other groups of Drifters as well. Several groups of Drifters can trace roots back to these original groups, but contain few if any original members. According to ''Rolling Stone'', the Drifters were the least stable of the great vocal groups, as they were low-paid musicians hired by George Treadwell, who owned the Drifters' name from 1955, after McPhatter left. The Treadwell Drifters line has had 60 musicians, including several splinter groups by former Drifters members (not under Treadwell's management). These groups are usually identified with a possessive credit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clyde McPhatter
Clyde Lensley McPhatter (November 15, 1932 – June 13, 1972) was an American rhythm and blues, soul, and rock and roll singer. He was one of the most widely imitated R&B singers of the 1950s and early 1960sPalmer, Robert (1981)"Roy Brown, a Pioneer Rock Singer" ''The New York Times'', May 26, 1981. and was a key figure in the shaping of doo-wop and R&B. McPhatter's high-pitched tenor voice was steeped in the gospel music he sang in much of his early life. He was the lead tenor of the Mount Lebanon Singers, a gospel group he formed as a teenager.Shaw, Arnold (1978). ''Honkers and Shouters: The Golden Years of Rhythm and Blues''. Reprint edition (March 1, 1986); / New York: Crowell-Collier Press. pg. 381. He was later the lead tenor of Billy Ward and his Dominoes and was largely responsible for the initial success of the group. After his tenure with the Dominoes, McPhatter formed his own group, the Drifters, and later worked as a solo performer. Only 39 at the time of his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Soul Stirrers
The Soul Stirrers were an American gospel music group, whose career spans over eighty years. The group was a pioneer in the development of the quartet style of gospel, and a major influence on soul, doo wop, and Motown, some of the secular music that owed much to gospel. Biography The group was formed by (Silas) Roy Crain, launching his first quartet who sang in a jubilee style, in 1926 in Trinity, Texas, United States. In the early 1930s, after Crain moved to Houston, he joined an existing group on the condition that it change its name to "the Soul Stirrers". The name "Soul Stirrers" yields from the description of one of Roy Crain's earlier quartets as "soul-stirring." Among the members of that group was R.H. (Rebert) Harris, who soon became its musical leader. The Soul Stirrers, formed as a jubilee quartet, transformed their sound, influenced by hard gospel singers such as Mahalia Jackson and Sister Rosetta Tharpe. Rebert Harris, also from Trinity, Texas, brought several cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Cooke
Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer and songwriter. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the " King of Soul" for his distinctive vocals, notable contributions to the genre and significance in popular music. Cooke was born in Clarksdale, Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including "You Send Me", " A Change Is Gonna Come", "Cupid", " Wonderful World", " Chain Gang", "Twistin' the Night Away", " Bring It On Home to Me", and "Good Times". During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the ''Billboard'' Pop Singles chart, as well as 20 singles in the Top Ten of ''Billboard'' Black Singles chart. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mills Brothers
The Mills Brothers, sometimes billed the Four Mills Brothers, and originally known as the Four Kings of Harmony, were an American jazz and traditional pop vocal quartet who made more than 2,000 recordings that sold more than 50 million copies and garnered at least three dozen gold records. The Mills Brothers were the first African-American artists to have their own show on national network radio (on CBS in 1930); they made appearances in film; and were the first to have a No. 1 hit on the ''Billboard'' singles chart, with "Paper Doll" in 1943. They were inducted into the Vocal Group Hall of Fame in 1998. Early years The Mills Brothers were born into a family of nine in Piqua, Ohio, United States. The quartet consisted of Donald (lead tenor vocals, April 29, 1915 – November 13, 1999), Herbert (tenor vocals, April 2, 1912 – April 12, 1989), Harry (baritone vocals, August 9, 1913 – June 28, 1982), and John Jr. (guitar, double bass, vocals; October 19, 1910 – January 23, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ink Spots
The Ink Spots were an American pop vocal group who gained international fame in the 1930s and 1940s. Their unique musical style presaged the rhythm and blues and rock and roll musical genres, and the subgenre doo-wop. The Ink Spots were widely accepted in both the white and black communities, largely due to the ballad style introduced to the group by lead singer Bill Kenny. In 1989, the Ink Spots (Bill Kenny, Charlie Fuqua, Deek Watson, Jerry Daniels and Orville Jones) were inducted into the Rock and Roll Hall of Fame, and in 1999 they were inducted into the Vocal Group Hall of Fame. Since the Ink Spots disbanded, in 1954, there have been well over a hundred vocal groups calling themselves "The Ink Spots", with and without any original members of the group. It has often been the case that these groups claimed to be "second generation" or "third generation" Ink Spots.Goldberg, Marv (1998). ''More Than Words Can Say: The Ink Spots And Their Music''. Scarecrow Press 1930s Early ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spirituals
Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature (but not continuation) of slavery for many. Many new derivative music genres emerged from the spirituals songcraft. Prior to the end of the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Song
A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and categories Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. Most modern commentators on work songs have included both songs sung while working as well as songs about work since the two categories are seen as interconnected. Norm Cohen divided collected work songs into domestic, agricultural or pastoral, sea shanties, African-American work songs, songs and chants of direction, and street cries. Ted Gioia further divided agricultural and pastoral songs into hunting, cultivation and herding songs, and highlighted the industrial or proto-industrial songs of cloth workers (see Waulking song), factory workers, seamen, lumberjacks, cowboys and miner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Call And Response
Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of antiphony. African cultures In some African cultures, call-and-response is a widespread pattern of democratic participation—in public gatherings, in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression (see call and response in music). African bondsmen and bondswomen in the Americas continued this practice over the centuries in various forms of expression—in religious observance; public gatherings; even in children's rhymes; and, most notably, in music in its multiple forms: blues, gospel, rhythm and blues, soul, jazz, hip-hop and go-go. Many work songs sung on plantations by enslaved men and women also incorporate the call and response format. African-American Women Work Son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
