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Le Papillon (ballet)
''Le papillon'' (''The Butterfly'') is a 'fantastic ballet' in two acts (four scenes) of 1860, with choreography by Marie Taglioni and music by Jacques Offenbach to a libretto by Jules-Henri Vernoy de Saint-Georges. Performance history ''Le papillon'' was first presented by the Paris Opera Ballet at the Salle Le Peletier on November 26, 1860 after a performance of ''Lucie de Lammermoor''. The principal dancers were Emma Livry (Farfalla/the Butterfly), Louis Mérante (Prince Djalma), Louise Marquet (Fairy Hamza), and Mme. Simon (Diamond Fairy). The premiere and second performance were attended by Napoléon III.David Dougill. Le Papillon. About the House, Vol.5 No.10, Christmas 1979, p6-8. The ''Valse des rayons'' from the second scene of Act 1 was re-used by Offenbach in the third act ballet for ''Die Rheinnixen'' (1864) and parts of the score were inserted in the French version of ''Whittington'', ''Le Chat du diable'' (1893).Yon, Jean-Claude. ''Jacques Offenbach.'' Éditions G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Christophe Keck
Jean-Christophe Keck is a French musicologist and conductor, born in Briançon, in 1964. He is particularly noted as a specialist in the works of Jacques Offenbach, and is the director of the complete critical edition in progress, named after both, Offenbach Edition Keck (OEK).Keck, Jean-Christophe. Biographical note in CD 442 8964, Association des Concerts Pasdeloup/Universal, 2007. Biography As a child he played tuba in the Briançon town bandUne tranche de Keck? ''Lyre'' #02 Lettre d'information des Musiciens du Louvre, Grenoble, March–April–May 2006, p6-7. and after early studies at the école de musique de Briançon he attended for two years the Conservatoire de Marseille before entering the Conservatoire national supérieur de musique de Paris. There he followed courses in conducting with Jean-Sébastien Bérault, musicology and composition with Pierre Villette, vocal studies (tenor) with Christiane Eda-Pierre, and piano. He was struck early by a passion for the musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elsa-Marianne Von Rosen
Elsa-Marianne von Rosen (21 April 1924 – 7 September 2014) was a Swedish ballet dancer, choreographer and actress. She performed all over Scandinavia. She acted between 1939 and 1970. She appeared in the television series '' Tales of Hans Anderson''. In 1984, she was given the Royal Medal of Merit Litteris et Artibus. She also directed ballet plays outside of Scandinavia, in Monaco, the United States, the United Kingdom and Russia. She was the head of ballet at the Stora Teatern in Gothenburg between 1970 and 1976 and also of Malmöbaletten between 1980 and 1987. Von Rosen was born in Stockholm. She was the daughter of the artist Count Reinhold von Rosen and Elisabeth Österyd, his first wife. In 1950, von Rosen married editor Allan Fridericia (1921–1991). Soon after, they moved to Denmark. She died from natural causes on 7 September 2014 in Copenhagen Copenhagen ( or .; da, København ) is the capital and most populous city of Denmark, with a proper popu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Lacotte
Pierre Lacotte (born 4 April 1932) is a French ballet dancer and choreographer who specialised in the reconstruction of lost choreographies of romantic ballets. His mother was an affirmed musician and he manifested very early his interest for dance. After an initial reluctance, his family surrendered to his stubbornness so that Lacotte could become a student of Gustave Ricaux, who taught at the Paris Opera. In 1946 he was engaged in the Paris Opera Ballet and in 1953 became a principal dancer. Among his teachers at the Paris Opera Ballet School where Lubov Egorova, Carlotta Zambelli and the choreographer Serge Lifar, who chose Paulette Dynalix, Claude Bessy and Lacotte as the three interpretive dancers of ''Septuor'', a single-act ballet presented in Paris on 25 January 1950. In 1955 he left the Paris Opera to become a soloist dancer and was invited to perform all over the world. Subsequently, Lacotte founded a ballet company named ''Les Ballets de la Tour Eiffel''. He choreogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (ballet) ...
In ballet, a variation (sometimes referred to as a pas seul, meaning to dance alone) is a solo dance. In a classical grand pas de deux, the ballerina and danseur each perform a variation. Examples * ''La Bayadère'' – Gamzatti, Nikiya * ''Coppélia'' – Swanhilda * '' Le Corsaire'' – Medora * '' Diana and Acteon'' – Diana * ''Don Quixote'' – Basilio, Kitri, Cupid * ''The Nutcracker'' – Sugar Plum Fairy * ''Sleeping Beauty'' – Bluebird * ''Swan Lake'' – Odile (the Black Swan) References {{reflist Variation (ballet) In ballet, a variation (sometimes referred to as a pas seul, meaning to dance alone) is a solo dance. In a classical grand pas de deux, the ballerina and danseur each perform a variation. Examples * ''La Bayadère'' – Gamzatti, Nikiya * ''Cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Gerdt
Pavel Andreyevich Gerdt (russian: Па́вел Андре́евич Ге́рдт), also known as Paul Gerdt (near Saint Petersburg, Russia, 22 November 1844 – Vamaloki, Finland, 12 August 1917), was the ''Premier Danseur Noble'' of the Imperial Ballet, the Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916.Gerdt Family, in: The International Encyclopedia of Dance, Oxford University Press, 1998/2005 His daughter Elisaveta Gerdt was also a prominent ballerina and teacher. Gerdt studied under Christian Johansson, Alexander Pimenov (a pupil of the legendary Charles Didelot), and with Jean-Antoine Petipa ( Marius Petipa's father, a master of the old pantomime and a student of Auguste Vestris). He was known as the "Blue Cavalier" of the Saint Petersburg stage, creating the roles of nearly every lead male character throughout the latter half of the 19th century, among them Prince Désiré in '' The Sleeping Beauty'' and Pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Ivanov
Lev Ivanovich Ivanov (russian: link=no, Лев Ива́нович Ива́нов; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. As a performer with the Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of ''La Fille Mal Gardée''. He is most famous as the choreographer of Acts II and IV of '' Swan Lake'', which include the '' Dance of the Little Swans'', Act II of ''Cinderella'', and ''The Nutcracker'', which he choreographed alongside Marius Petipa. Biography Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (). Historically, Ivanov is credited with choreogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekaterina Vazem
Yekaterina Ottovna Vazem (born Matilda Vazem; russian: Екатери́на Отто́вна Ва́зем; 25 January 1848, Moscow – 14 December 1937, Leningrad) aka Ekaterina Vazemwas a Russian prima ballerina and instructor, whose most noted pupil was the legendary Anna Pavlova. Early life She was born Matilda Vazem in 1848 in Moscow, Russian Empire. She moved to Saint Petersburg, where In 1866, she was named the best student of the Imperial Theatre School (now the Mariinsky Ballet). She became famous for first dancing the role of Nikiya in 1877 Marius Petipa's ballet, ''La Bayadère''. She went on to become the teacher of legendary prima ballerina Anna Pavlova. La Bayadère During the mid- to late 19th century, Russian ballet was dominated by foreign artists, though during the late 1860s through the early 1880s the theatre administration encouraged the promotion of native talent. Vazem – a ''terre-à-terre'' virtuosa – climbed the ranks of the Imperial Ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), is the second-largest city in Russia. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with a population of roughly 5.4 million residents. Saint Petersburg is the fourth-most populous city in Europe after Istanbul, Moscow and London, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents. As Russia's Imperial capital, and a historically strategic port, it is governed as a federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the site of a captured Swedish fortress, and was named after apostle Saint Peter. In Russia, Saint Petersburg is historically and culturally associated with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolshoi Kamenny Theatre
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, russian: Большой Каменный Театр) was a theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever since. The Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Minkus
Ludwig Minkus (russian: link=no, Людвиг Минкус), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher. Minkus is noted for the music he composed while serving as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. During his long career, he wrote for the original works and numerous revivals staged by the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions was his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus also wrote supplemental material for insertion into already existing ballets. The most famous and enduring of these pieces is the ''Grand Pas classique'' from the ballet ''Paquita'', which was added by Marius Petipa especially for a revival of the ballet staged for the ben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariinsky Ballet
The Mariinsky Ballet (russian: Балет Мариинского театра) is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. History The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738. The Imperial Theatre School, as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Academy of Russian Ballet. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
