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Le Droit D'aînesse
''Le droit d'aînesse'' ("The Birthright") is an opéra bouffe, a form of operetta, in three acts by Francis Chassaigne with a French libretto by Eugène Leterrier and Albert Vanloo. It premiered in Paris in 1883. An English-language version titled ''Falka'' (after the name of the principal female character), with a libretto translated and adapted by Henry Brougham Farnie, was successfully premiered in London later that year followed by productions throughout the English-speaking world. ''Le droit d'aînesse'' ''Le droit d'aînesse'' was first performed on 27 January 1883 in music, 1883, at the Théâtre des Nouveautés in Paris, directed by Jules Brasseur with a cast featuring Marguerite Ugalde, Jean-François Berthelier, Juliette Darcourt, Albert Brasseur and Eugène Vauthier. Roles and premiere cast ''Falka'' ''Falka'', the English version of ''Le droit d'aînesse'', with Leterrier and Vanloo's libretto translated and adapted by Henry Brougham Farnie, was first produced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Vauthier
Eugène Vauthier (29 September 1843 – 11 November 1910) was a French baritone whose career was in comic operas by Offenbach, Lecocq, Hervé and other composers of the genre. From 1869 until his retirement in 1905 he was a member of successive Parisian theatre companies, and also made occasional appearances in London. Life and career Vauthier was born in Auxerre in 1843. From childhood he was passionate about the theatre, and after learning his craft in the French provinces he made his Paris début in 1869 in an opéra-bouffe, ''Le Canard à trois becs'' – the duck with three beaks – at the Théâtre des Folies-Dramatiques. His acting and singing were received with enthusiasm."Eugène Vauthier" ''Le Figaro'', 12 November 1910, p. 2 After the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IBDB
The Internet Broadway Database (IBDB) is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, a trade association for the North American commercial theatre community. This comprehensive history of Broadway provides records of productions from the beginnings of New York theatre in the 18th century up to today. Details include cast and creative lists for opening night and current day, song lists, awards and other interesting facts about every Broadway production. Other features of IBDB include an extensive archive of photos from past and present Broadway productions, headshots, links to cast recordings on iTunes or Amazon, gross and attendance information. Its mission was to be an interactive, user-friendly, searchable database for League members, journalists, researchers, and Broadway fans. The League recently added Broadway Touring shows to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hussar
A hussar ( , ; hu, huszár, pl, husarz, sh, husar / ) was a member of a class of light cavalry, originating in Central Europe during the 15th and 16th centuries. The title and distinctive dress of these horsemen were subsequently widely adopted by light cavalry regiments in European armies in the late 17th and early 18th centuries. By the 19th century, hussars wore jackets decorated with braid and shako or busby hats and they developed a romanticized image of being dashing and adventurous. A small number of modern armies retain the designation of hussars for some armored (tank) units. As well, some modern armies have ceremonial mounted units which wear historical hussar uniforms on parades or to provide a VIP escort to national leaders. Historically, the term derives from the cavalry of late medieval Hungary, under Matthias Corvinus, with mainly Serb warriors. Etymology Etymologists are divided over the derivation of the word ''hussar''. Several alternative theorie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casino Theatre (Broadway)
The Casino Theatre was a Broadway theatre located at 1404 Broadway and West 39th Street in New York City. Built in 1882, it was a leading presenter of mostly musicals and operettas until it closed in 1930."Casino Theatre (Built: 1882 Demolished: 1930 Closed: 1930)" ''Internet Broadway Database'' (Retrieved on December 31, 2007) The theatre was the first in New York to be lit entirely by electricity, popularized the and later introduced white audiences to African-American shows. It originally seated approximately 875 people, however the theatre was enlarged in 1894 and again in 1905, after a fire, when its capacity was enlarged to 1,300 seats. It hosted a number of long-r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayden Coffin
Charles Hayden Coffin (22 April 1862 – 8 December 1935) was an English actor and singer known for his performances in many famous Edwardian musical comedies, particularly those produced by George Edwardes. Hayden achieved fame as Harry Sherwood in '' Dorothy'' (1886), which became the longest-running piece of musical theatre in history up to that time; other similar roles followed. In 1893, he joined the company of George Edwardes and starred in a series of extraordinarily successful musical comedies, including '' A Gaiety Girl'' (1893), '' An Artist's Model'' (1895), ''The Geisha'' (1896), '' A Greek Slave'' (1898), ''San Toy'' (1899), ''A Country Girl'' (1903), '' Veronique'' (1904), ''The Girl Behind the Counter'' (1906), ''Tom Jones'' (1907) and '' The Quaker Girl'' (1910). In his later years, Coffin found success in Shakespearean roles such as Feste in ''Twelfth Night'' (1912), and in musicals, a few films and other works, such as the classic comedy ''The School for S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avenue Theatre
The Playhouse Theatre is a West End theatre in the City of Westminster, located in Northumberland Avenue, near Trafalgar Square, central London. The Theatre was built by F. H. Fowler and Hill with a seating capacity of 1,200. It was rebuilt in 1907 and still retains its original substage machinery. As of November 2021, the theatre has been refurbished and renamed as the Kit Kat Club and is home to a revival of the musical ''Cabaret'' with a seating capacity of 550. History Early years Built by Sefton Henry Parry as the Royal Avenue Theatre, it opened on 11 March 1882 with 1200 seats. The first production at the theatre was Jacques Offenbach's '' Madame Favart''. In its early seasons, the theatre hosted comic operas, burlesques and farces for several years. For much of this time, the low comedian Arthur Roberts, a popular star of the music halls, starred at the theatre. By the 1890s, the theatre was presenting drama, and in 1894 Annie Horniman, the tea heiress, anonymous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulia Warwick
Giulia Warwick (15 January 1857 – 13 July 1904) was an English opera and concert singer and professor of music in the last quarter of the 19th century. She is best known for roles with Richard D'Oyly Carte's Comedy Opera Company and with the Carl Rosa Opera Company. Early life and career Born Julia Ehrenberg, her stage name came from her birthplace, Warwick Street, in Regent's Park, Camden, London. Her father Jacob Ehrenberg was a Jewish tailor from Poland, and her mother was Evelina ''née'' Elias. Warwick and her two sisters were all interested in music. She originally intended to be a pianist, studying with Sigismond Lehmeyer, and playing at the Hanover Square Rooms and the Beethoven Rooms as early as 1869, when she was only 12 years old, and then at St. George's Hall in 1872. She then studied singing under Madame Sainton-Dolby and sang regularly at the Berkeley Street Synagogue with her elder sister Annie (died 1897). By 1873, the teenager was performing with the Kilburn Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Manners (bass)
Charles Manners (27 December 18573 May 1935) was a British bass singer and opera company manager. His earliest performances were with the D'Oyly Carte Opera Company, first as a chorus member and then as a principal, creating the role of Private Willis in '' Iolanthe'' in 1882. After leaving D'Oyly Carte the following year, he sang with several opera companies, most notably the Carl Rosa Opera Company and Covent Garden. In 1898, he and his wife, the singer Fanny Moody, set up their own company, dedicated to presenting opera in English. The Moody-Manners company performed in London, the British provinces, North America and South Africa from 1898 to 1916. After his retirement, Manners continued to campaign for a national opera company, which was eventually founded forty years after his death. Life and career Early years Manners was born Southcote Randal Bernard Campbell Mansergh in Hoddesdon, England, son of Colonel J. C. Mansergh, an Irishman.''The Times'', obituary, 7 May 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violet Cameron
Violet Lydia Thompson (7 December 1862 – 25 October 1919), known professionally as Violet Cameron, was an English actress and singer who gained fame in Robert Planquette's operettas ''Les cloches de Corneville'' and ''Rip Van Winkle'', and Francis Chassaigne's opéra bouffe '' Falka'', and notoriety for her affair with Hugh Lowther, 5th Earl of Lonsdale. Biography Cameron was born in London in 1862 to Mary Josephine (''née'' Brougham) and William Melfington Thompson, a linen merchant. Her "aunt" was the Victorian burlesque actress and dancer Lydia Thompson. She made her stage début in 1871 at the age of 9 in the part of Karl in Boucicault's ''Faust and Marguerite''. She also appeared as a child in the Drury Lane Theatre's Christmas pantomimes."Miss Violet Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
