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Le Devin Du Village
''Le devin du village'' ("The Village Soothsayer") is a one-act French opera ( intermède) by Jean-Jacques Rousseau, who also wrote the libretto. It was the first work in the repertory of the Académie Royale de Musique for which the text and music were by the same author.Pitou 1985, p. 158. It was first performed on 18 October 1752 before the royal court at Fontainebleau, and for the public, on 1 March 1753 at the Théâtre du Palais-Royal in Paris. King Louis XV loved the piece so much that he offered Rousseau the great honor of a life pension. Rousseau refused the honor. However, the opera became one of the most popular of its day and brought him both wealth and fame. The opera was also performed at the wedding of the future Louis XVI and Marie Antoinette. An English translation by Charles Burney, ''The Cunning Man'', was performed in London in 1762. Rousseau's work was the object of a parody in the Singspiel '' Bastien und Bastienne'' by the twelve-year-old Mozart. Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Parfaict
Claude Parfaict, (Paris, c.1701 – 26 June 1777) was an 18th-century French theatre historian. François Parfaict's younger brother, Claude had for theatre the same passion as his brother. Claude's most notable works were collaborations with François, including ''Histoire du théâtre françois depuis son origine jusqu’à présent'' (15 volumes, 1734-1749) and ''Dictionnaire des théâtres de Paris'' (7 volumes, 1756).''Dictionnaire des théâtres de Paris'(1756)an1767editions at Hathitrust. He also undertook on his own a ''Dramaturgie générale, ou Dictionnaire dramatique universel'', a project that he did not implement. Through protection by Madame de Pompadour, Claude Parfaict obtained a twelve-hundred-livres The (; ; abbreviation: ₶.) was one of numerous currencies used in medieval France, and a unit of account (i.e., a monetary unit used in accounting) used in Early Modern France. The 1262 monetary reform established the as 20 , or 80.88 g ... pension from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's '' Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Reize
Andreas Reize (born 19 May 1975) is a Swiss organist and conductor, with a focus on opera and choral conducting. He was appointed Thomaskantor on 11 September 2021, becoming the 18th director of music to take charge of the world famous Thomanerchor at Leipzig in succession to Johann Sebastian Bach. Career Reize was born and grew up in Solothurn, where he passed the Matura in 1996. He was a long-term member of the Singknaben der St. Ursenkathedrale Solothurn. He studied church music at the Hochschule der Künste Bern and the Musikhochschule Zürich, achieving also master's degrees in piano pedagogy and concert organ playing. He studied organ and harpsichord at the Schola Cantorum Basiliensis from 1999 to 2002, followed by studies of orchestral conducting at the Musikhochschule Luzern. He took post-graduate studies in conducting at Universität für Musik und darstellende Kunst Graz and with in Vienna, completed in 2006 with distinction. Reize attended master classes with , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominik Wörner
Dominik Wörner (born 1970) is a German classical bass singer in concert, Lied and opera. He is a specialist in Baroque music, especially works by Bach, but is open to music of other eras including contemporary music. Career Born in Grünstadt, Wörner studied music at the State University of Music and Performing Arts Stuttgart, in Fribourg, Bern and Zürich. He studied church music, voice and musicology, voice with Jakob Stämpfli and Lied with Irwin Gage. Wörner has performed with conductors such as Carl St.Clair, Christophe Coin, Thomas Hengelbrock, Philippe Herreweghe, Tõnu Kaljuste, Sigiswald Kuijken and Helmuth Rilling. He has recorded especially music by Johann Sebastian Bach, such as the vox Christi in his '' St John Passion'' and the Mass in B minor. He recorded several cantatas in the project conducted by Masaaki Suzuki with the Bach Collegium Japan to record all sacred Bach cantatas, including volume 33 in 2005 and volume 36 in 2006. He took part in Sig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis De Froment
Louis de Froment (; 5 December 192119 August 1994) was a French conductor. Froment was born into a French noble family in Toulouse, and started his musical studies at the city conservatory. He later attended the ''Conservatoire national supérieur de musique'' (CNSM) of Paris and was a pupil of Louis Fourestier, Eugène Bigot and André Cluytens. In 1948, he received a first prize in conducting. Louis de Froment served as music director of orchestras at the casinos of Deauville and Cannes. He also worked as head of the permanent chamber orchestra of the radio in Nice (1958–59), of the Luxembourg Philharmonic Orchestra of Radio-Télé Luxembourg (1958–80), and also conducted the Orchestre National de la Radiodiffusion Française. He conducted the première of the Concerto Breve by Xavier Montsalvatge, with Alicia de Larrocha (piano) and the Barcelona Orchestra in 1953, and the opera '' Les caprices de Marianne'' by Henri Sauguet at the Aix-en-Provence Festival in 1954. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Roux (opera Singer)
Michel Roux (1 September 1924, in Angoulême – 4 February 1998, in ParisGoodwin N. Michel Roux. In: ''New Grove Dictionary of Opera'', ed Sadie S. Macmillan, London and New York, 1997.) was a French baritone, an established principal at the Paris Opéra who also enjoyed an international career. Life and Career Roux was the son of a printer for medicinal packaging and worked with his father. As a rugby player, he often sang at post-match meals. His father encouraged him to take vocal training, which he began after having broken an arm during a match. Roux studied at the Bordeaux Conservatoire and in Paris, making his operatic debut on 5 October 1949 in '' Lakmé'' at the Opéra-Comique, going on to sing in ''Les Contes d'Hoffmann'', ''Manon'' and '' Pelléas and Mélisande'', creating l'Aveugle in ''Madame Bovary'' in 1951, and remaining a principal singer there until 1955. His debut at La Scala came in 1953 as Golaud, a role that became central to his repertory. From 1956 to 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolai Gedda
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera '' Vanessa'' at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception. Early years Harry Gustaf Nikolai Gädda, who later changed the spelling of his surname to Gedda, was born out of wedlock in Stockholm to a Swedish mother and a half-Russian father. He was raised by his aunt Olga Gädda and his adoptive father Michail Ustinov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janine Micheau
Janine Micheau (17 April 1914 – 18 October 1976) was a French operatic soprano, one of the leading sopranos of her era in France, particularly associated with lyric soprano and coloratura soprano repertory. Biography Janine (or Jeanine) Micheau was born in Toulouse, and studied voice at the Conservatoire de Paris. She made her professional debut at the Opéra-Comique on 16 November 1933, as la Plieuse in ''Louise'', following this with Loys in ''Juif polonais'' by Camille Erlanger, the neighbour in ''Angélique'' by Jacques Ibert and small roles in ''Lakmé'' (Miss Rose) and ''Mireille'' (Andreloun). She later sang Cherubino in ''Le nozze di Figaro'', Olympia in ''Les contes d'Hoffmann'', Rosina in ''Il barbiere di Siviglia'', Leila in '' Les pêcheurs de perles'', Micaela in '' Carmen'', and the title role in ''Lakmé'' at the Salle Favart. By 1935 her performances gained her invitations to Marseille (''Lakmé''), and then (at the instigation of Pierre Monteux) to Amsterdam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in '' Der fliegende Holländer'', Wotan/Der Wanderer in the '' Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Fel
Marie Fel (24 October 1713 – 2 February 1794) was a French opera singer and a daughter of the organist Henri Fel. Marie Fel was born at Bordeaux. She made her debut at the Paris Opera in 1733 and sang regularly at the Concert Spirituel. In a career that lasted 35 years, she sang in all the operas of Rameau along with Pierre Jélyotte, created roles in those of Mondonville, and participated in revivals of those of Lully and Campra. She retired from the stage in 1758, but continued to perform in concert until 1769. She died in Paris. She had a long-term relationship with the painter Quentin de La Tour, who painted her portrait. "The greatest personalities of her age sought her good graces and gave her lively proofs of their affections," including men of letters such as the Baron von Grimm and the Encyclopédiste Louis de Cahusac.Emile Campardon, L’Académie Royale de Musique au XVIII Siècle: Documents inédites découverts aux Archives Nationales (Paris: Berger-Levraul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
