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Le Carnaval De Venise
''Le carnaval de Venise'' (English: ''The Carnival of Venice'') is a '' comédie-lyrique'' in a prologue and three acts by the French composer André Campra. The libretto is by Jean-François Regnard. It was first performed on 20 January 1699 by the Académie royale de musique in the Salle du Palais-Royal in Paris. Campra dedicated the work to Louis, Grand Dauphin, heir apparent to the French throne, who enjoyed it and had it staged again in February 1711, shortly before his death. In one critic's assessment: "In a magisterial act of conflation, this composer blends the styles of Lully, Lalande, Monteverdi and Cavalli and manages also to foreshadow Handel and Rameau. He dreamt up a multi-hued score, capable of recapturing in Paris both the carnival spirit in general and that of the legendary Venice in particular." It was presented in July 1975 at the Aix-en-Provence Festival, conducted by Michel Plasson. Jorge Lavelli directed and the cast included Christiane Eda-Pierre, Martine D ...
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Hyacinthe Rigaud - Louis De France, Dauphin (1661-1711), Dit Le Grand Dauphin - Google Art Project
Hyacinthe is a given name. It is generally a male name. The form Hyacinth may be masculine or feminine. People with this name * Hyacinthe (actor) (1814–1887), French actor and operetta singer * Hyacinthe Besson (1816–1861), French painter and missionary priest * Hyacinthe Collin de Vermont (1693–1761), French painter * Hyacinthe de Bougainville (1781–1846), French naval officer * Hyacinthe de Charencey (1832–1916), French philologist * Hyacinthe de Valroger (1814–1876), French Roman Catholic priest * Hyacinthe Decomberousse (1786–1856), French dramatist * Hyacinthe Deleplace (born 1989), French Paralympian athlete * Hyacinthe François Joseph Despinoy (1764–1848), General during the French Revolutionary Wars * Hyacinthe Gaëtan de Lannion (1719–1762), French politician * Hyacinthe Guevremont (1892–1964), Canadian ice hockey player * Hyacinthe Henri Boncourt (died 1840), French chess player * Hyacinthe Jadin (1776–1800), French composer * Hyacinthe Klosé (1 ...
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Le Concert Spirituel
Le Concert Spirituel is a French ensemble specialising in works of baroque music, played on period instruments. Founded by Hervé Niquet in 1987, it is named after the 18th-century concert series Concert Spirituel. The group performs internationally, playing mostly rarely performed sacred music and operas, and making recordings. Its focus is on French music played at the court of Versailles. History The ensemble is named after Concert Spirituel, the first private concert society in France, founded in the 18th century and dissolved during the French Revolution. The ensemble was founded by Hervé Niquet in 1987, designed to revive the great works of the French repertoire played at the court of Versailles. Le Concert Spirituel collaborates closely with the Centre de musique baroque de Versailles, with a focus on French composers such as Marc-Antoine Charpentier, Jean-Baptiste Lully, André Campra and Joseph Bodin de Boismortier. Le Concert Spirituel often plays sacred music, and ...
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Suite Provençale
''Suite provençale'', Op. 152, is a symphonic work written by Darius Milhaud in 1936. A version for orchestra alone, Op. 152c, was premiered by Milhaud himself in Venice on 12 September 1937; the ballet version, Op. 152d, premiered at the Opéra-Comique in Paris on 1 February 1938 under the direction of Roger Désormière Roger Désormière () (13 September 1898 – 25 October 1963) was a French conductor. He was an enthusiastic champion of contemporary composers, but also conducted performances of early eighteenth century French music. Life and career Désormièr .... Milhaud employed themes from 18th century Provençal, including themes by the composer André Campra. Structure The work consists of eight parts played as a single movement: # Animé # Très modéré # Modéré # Vif # Modéré # Vif # Lent # Vif A typical performance lasts about 15 minutes. References {{DEFAULTSORT:Suite provencale Compositions by Darius Milhaud 1936 compositions ...
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Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Gabriel-Vincent Thévenard
Gabriel-Vincent Thévenard (10 August 1669 – 24 August 1741) was a French operatic baritone (''basse taille''). Thévenard was born at Orléans or possibly Paris. Arriving in Paris in 1690, he studied under the composer André Cardinal Destouches and went on to become a member of the Académie Royale de Musique. He was notable for playing tragic roles that made use of his skill at declamatory recitatives. He appeared in over 80 tragédies en musique and opéras ballet before finally retiring in 1729. He died in Paris. Roles created *Apollon/Vertumne/l'Automne in Pascal Colasse et Louis Lully's ''Ballet des Saisons'' (Paris, 1695) *Jupiter/Hylas in Destouches's '' Issé'' (Fontainebleau, 1697) *Silvandre/Zuliman in André Campra's L'Europe galante (Paris, 1697) *The title role in Destouches's ''Amadis de Grèce'' (Paris, 1699) *Argapise in Destouches's ''Marthesie, première reine des Amazones'' (Paris, 1699) *Pygmalion in Michel de la Barre's ''Le triomphe des arts'' ( ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Orpheus And Eurydice
The ancient legend of Orpheus and Eurydice (, ''Orpheus, Eurydikē'') concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Apollo and the muse Calliope. It may be a late addition to the Orpheus myths, as the latter cult-title suggests those attached to Persephone. It may have been derived from a legend in which Orpheus travels to Tartarus and charms the goddess Hecate. The subject is among the most frequently retold of all Greek myths, being featured in numerous works of literature, operas, ballets, paintings, plays and more recently, films and video games. Versions In Virgil's classic version of the legend, it completes his ''Georgics'', a poem on the subject of agriculture. Here the name of Aristaeus, or Aristaios, the keeper of bees, and the tragic conclusion was first introduced. Ovid's version of the myth, in his ''Metamorphoses'', was published a few decades later and employs a different poetic emphasis and purpose. It relate ...
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Piazza San Marco
Piazza San Marco (; vec, Piasa San Marco), often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as ''la Piazza'' ("the Square"). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called ''campi'' ("fields"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe". Description The square is dominated at its eastern end by St Mark's Basilica. It is described here by a perambulation starting from the west front of the church (facing the length of the piazza) and proceeding to the right. The church is described in the article ...
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Carnival In Italy
Carnevale in Italy adds a splash of brightness to the gloomy, chilly winter months. A massive farewell party to eat, drink, and have fun before the limitations and solemnity of Lent. About a month before Ash Wednesday, Italians celebrate over many weekends with big parades, fancy masks, and tons of brightly colored confetti. The origins of this event may be traced to ancient Greece and Rome, when they worshipped Bacchus (of wine) and Saturn. Some think they date back to archaic winter-to-spring ceremonies. Despite its pagan origins, the event was so extensively celebrated and the tradition so powerful that it was swiftly altered to fit into Catholic rituals. Carnevale is traditionally celebrated on Fat Tuesday (February 25 in 2020), but the weekend prior features just as large or maybe more significant activities. The most famous carnivals in Italy are those held in Venice, Viareggio, Ivrea, Cento, Puglia and Acireale. These carnivals include sophisticated masquerades and parades. ...
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Alan Rich
Alan Rich (June 17, 1924 – April 23, 2010) was an American music critic who served on the staff of many newspapers and magazines on both coasts. Originally from Brookline, Massachusetts, he first studied medicine at Harvard University before turning to music. While a student at Harvard he began his career as critic, working as assistant music critic at the ''Boston Herald''. He was music director of KPFA, the Berkeley radio station, and successively a music critic for publications including ''The New York Times'', the '' New York Herald Tribune'', ''New York'' magazine, ''Newsweek'', ''California'' magazine, the '' Los Angeles Herald-Examiner'', '' Opera News'', and from 1992 to 2008 ''LA Weekly'' magazine. He subsequently worked briefly as music critic for Bloomberg News Bloomberg News (originally Bloomberg Business News) is an international news agency headquartered in New York City and a division of Bloomberg L.P. Content produced by Bloomberg News is disseminated throu ...
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