Le Poème Harmonique
Le Poème Harmonique is a musical ensemble founded in 1998 by Vincent Dumestre to recreate and promote early music, in particular that of the 17th century. Using rare instruments such as the theorbo, the lirone, the tiorbino and the arpa tripla, Le Poème Harmonique aims to recapture the poetry of early music, particularly of the late renaissance and early baroque era. The early 17th-century French and Italian madrigal is a special interest. Le Poème Harmonique also teaches singers in collaboration with the '' Centre de Musique Baroque'' (Center for Baroque Music) at Versailles. The group's recordings with the French Alpha record label of Jean-Paul Combet contributed to the critical and commercial establishment of the label, and included the 1st and 100th releases of the label's primary 'Ut Pictura Musica' series.Gramophone: Volume 84, Issues 1010-1013 2006 Alpha the French record label, is celebrating its 100th 'Ut Pictura Musica' release with a recording of vocal and instrume ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vincent Dumestre
Vincent Dumestre (born 5 May 1968) is a French lutenist. In 1997 he founded the ensemble Le Poème Harmonique. He studied the classical guitar at the École Normale de Musique de Paris and art history at the École du Louvre. Afterwards he dedicated himself to the music for theorbo, baroque guitar and lute, studying with Hopkinson Smith and Eugène Ferré. In 2005, he received the Grand Prix du Disque Grand may refer to: People with the name * Grand (surname) * Grand L. Bush (born 1955), American actor * Grand Mixer DXT, American turntablist * Grand Puba (born 1966), American rapper Places * Grand, Oklahoma * Grand, Vosges, village and commu ... of the L'Académie Charles Cros in the category "baroque music" for ''Bourgeois Gentilhomme''. References External links Vincent Dumestre(Le Poème Harmonique) {{DEFAULTSORT:Dumestre, Vincent 1968 births Living people French male conductors (music) French lutenists French performers of early music École Normale de ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Domenico Belli
Domenico Belli (died May 1627 in Florence) was an Italian composer who worked at the Basilica of San Lorenzo, Florence from 1610–13. He is most notable for his setting of the ''Pianto d'Orfeo'' (or ''Orfeo dolente'') by the Camerata poet Gabriello Chiabrera as five intermedii for Torquato Tasso's Aminta, at Florence in 1616. This was recorded by Le Poème Harmonique under the direction of Vincent Dumestre Vincent Dumestre (born 5 May 1968) is a French lutenist. In 1997 he founded the ensemble Le Poème Harmonique. He studied the classical guitar at the École Normale de Musique de Paris and art history at the École du Louvre. Afterwards he dedi ... in 2008.The gramophone: Volume 86, Issues 1033-1038 2008 "Orfeo dolente by Domenico Belli is a set of five intermedi, performed between the acts of Tasso's Aminta in the "Florence 1616" of the disc's title. There is no Charon, or indeed Eurydice, as the action begins after Orpheus has lost her." References 1627 deat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Isabelle Druet
Isabelle Druet (born 19 September 1979) is a French operatic coloratura mezzo-soprano who has performed internationally. She began her career as an actress and co-founded a theatre company, La Carotte. She has performed in concert and recorded with the ensemble Le Poème Harmonique. On stage, she has performed at opera houses in Paris, Nancy, Lyon and Düsseldorf, among others. Career Born in Niort (Deux-Sèvres), Druet started as an actress, taking theatre courses in high school in Salins-les-Baths. She then pursued a ''Diplôme d'études universitaires scientifiques et techniques'' (DEUST) (Diploma of scientific and technical university studies) degree in Besançon, studying at the University of Franche-Comté. Though she sang in the university choir, her musical preferences were for reggae and Indian music. In 2000, she co-founded a theatre company based in Besançon, La Carotte, where theatre, mime, music, dance and storytelling performances were mixed. Torn between theatre a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Claire Lefilliâtre
Claire Lefilliâtre, in ''le Festin romain'', concert in the cardinal palace in Rome, Prague, 6 August 2013 Claire Lefilliâtre is a contemporary French soprano specialising in Baroque music repertoire. Lefilliâtre collaborates mainly with the ensemble Le Poème Harmonique of Vincent Dumestre. Discography (selection) Recordings with Le Poème Harmonique * 1999 ''L'Humaine Comédie'' by Etienne Moulinié with Sophie Watillon and Friederike Heumann (Alpha) * 2001 ''Aux Marches du Palais'' (Alpha) * 2001 ''Lamentations'' by Emilio de Cavalieri (Alpha) * 2002 ''Le Consert des Consorts'' by Pierre Guédron with Sophie Watillon and Friederike Heumann (Alpha) * 2002 ''Il Fasolo ?'' (Alpha) * 2002 ''Tenebrae'' by Michel-Richard de Lalande (Alpha) * 2003 ''Nova Metamorfosi'' (Alpha) * 2003 ''Je meurs sans mourir'' by Antoine Boesset (Alpha) * 2004 ''Plaisir d'amour'' with Bruce Duisit and Isabelle Druet * 2005 ''Le Bourgeois gentilhomme'' at the Royal Opera of Versailles with Ben ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cristofano Malvezzi
Cristofano Malvezzi (baptised June 28, 1547 – January 22, 1599) was an Italian organist and composer of the late Renaissance. He was one of the most famous composers in the city of Florence during a time of transition to the Baroque style. Malevezzi was born in Lucca. From 1551 he lived in Florence, serving the Medicis from 1562. He held a number of organist posts in the city, and also taught pupils, among them Jacopo Peri, who is often regarded as the inventor of opera. From 1573 he held the double post of ''maestro di cappella'' at the cathedral as well as at S Giovanni Battista, which was the highest position for a musician in the city. Among his works are three books of madrigals, a book of ricercars, but only two sacred compositions—a curious omission for a composer so closely connected with the church. Because of his activity in Florence, the numerous intermedi that he wrote for the Medici and other members of the aristocracy, his dedication of a book of ricercars ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (8 October 1551 – buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini. Life Little is known about his early life, but he is thought to have been born in Rome, the son of the carpenter Michelangelo Caccini; he was the older brother of the Florentine sculptor Giovanni Caccini. In Rome he studied the lute, the viol and the harp, and began to acquire a reputation as a singer. In the 1560s, Francesco de' Medici, Grand Duke of Tuscany, was so impressed with his talent that he took the young Caccini to Florence for further study. By 1579, Caccini was singing at the Medici court. He was a tenor, and he was able to accompany himself on the viol or ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Claudio Saracini
Claudio Saracini (1 July 1586 – 20 September 1630) was an Italian composer, lutenist, and singer of the early Baroque era. He was one of the most famous and distinguished composers of monody. Life Saracini was born to a noble family, probably in Siena. Little is known for certain about his education, but it is presumed that he traveled widely while he was young, for not only did he establish numerous foreign connections—as evidenced by his dedications of music to foreign aristocrats—but he absorbed some of the musical styles of the lands he visited. He seems never to have held a professional musical position of which record has survived; indeed he seems to have been an extraordinarily talented amateur, one who was admired even by Claudio Monteverdi. The references to Saracini as "Il Palusi" seem to indicate that he was a member of an academy, although further details are lacking. All of his music was published in Venice between 1614 and 1624. Music and i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orfeo Dolente
''Orfeo dolente'' (Orpheus inconsolable) is an opera by Domenico Belli to a libretto by Gabriello Chiabrera, an example of "representative style" of the early Baroque era. The work is divided into five interludes which were performed for the first time as intermedi in a performance of Torquato Tasso's play ''Aminta'' at the in Florence in 1616.Lattarico. Jean-François (2007)"Florence 1616: A musical laboratory"in ''Firenze 1616'' (liner notes), pp. 52–57. Alpha Records. Retrieved 5 June 2018. Operas based on the Orpheus myths, and especially the story of his journey to the underworld to rescue his wife, Eurydice, were amongst the earliest examples of the art form, Monteverdi's ''L'Orfeo'' is a notable example. Belli's work is regarded as one of the best examples of ''recitar cantando'' (acting while singing), a concept that had developed in the late 16th century.Hill, John Walter (January–June 1979)"Oratory Music in Florence, I: "Recitar Cantando", 1583-1655" ''Acta Musicol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Il Fásolo
Giovanni Battista Fasolo, O.F.M.Conv (Asti, ca. 1598 Palermo after 1664), was a Franciscan friar, organist and composer. In his middle years Fasolo was primarily known for his 1645 organ annual, which, like ''L'organo suonarino'' of Adriano Banchieri, from the generation before him, was intended for use in small parish churches, and are much simpler than those used in Venice. In 1659 Fasolo became ''maestro di cappella'' to the Archbishop of Monreale. Until recently many of G.B. Fasolo's secular works were attributed to other composers, particularly the Venetian Francesco Manelli, the composer of the first commercial operas in music history, or to a third unknown composer known as "Il Fasolo?". However following the work of Francesco Luisi, Mariangela Donà, and Claudio Bacciagaluppi the attribution of the major works under the heading "Il Fasolo?" to G.B. Fasolo is now reasonably secure, and listed under his own entry, by Eleanor Selfridge-Field, in the current ''New Grove.'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Guédron
Pierre Guédron (c. 1570 in Châteaudun – c. 1620 in Paris), was a French singer and composer known for writing ''Air de cour, Airs de cour'' (including ''Cessés mortels de soupirer''). Guédron's ''Est-ce Mars'' (1613) was especially popular and is known in versions by Jan Pieterszoon Sweelinck, Sweelinck (keyboard), Samuel Scheidt, Scheidt (5 part strings) and Nicolas Vallet, Vallet (4 lutes of different sizes). Works *6 books of ''Airs de cour à quatre et cinq parties'' *''Airs de différents autheurs mis en tablature de luth'' *1602: ''Ballet sur la Naissance de Monseigneur le duc de Vendosme'' *1610: ''Ballet de Monseigneur le duc de Vendosme oder Ballet d’Alcine'' *1613: ''Ballet de Madame'' *1614: ''Ballet des Argonautes'' *1615: ''Ballet du Triomphe de Minerve'' *1615: ''Ballet de Monsieur le Prince'' *1617: ''Ballet du Roy ou Ballet de la Délivrance de Renaud'' *1618: ''Ballet des Princes'' *1619: ''Ballet du Roy sur L’Adventure de Tancrède en la forest en ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marco Marazzoli
Marco Marazzoli (1602? – 26 January 1662) was an Italian priest and Baroque music composer. Early life Born at Parma, Marazzoli received early training as a priest, and was ordained around 1625. He moved to Rome in 1626, and entered the service of Cardinal Antonio Barberini. In 1631, he and other musicians such as Filippo Vitali and Landi accompanied the cardinal on a trip to Urbino and may have accompanied him on other official travels. In 1637, Marazzoli was appointed Barberini's ''aiutante di camera'', and became a tenor in the papal chapel that same year; in 1639 he was awarded the position of ''musico'' under Barberini. Barberini patronage About this time, it becomes possible to trace some of Marazzoli's compositions to specific places and functions. In 1638, he composed the music for a ballet ''La piazza d'Orlando'' for the Carnival of Venice and the ''intermedi'' for ''Chi soffre, speri'' for the Carnival of 1639. These two pieces were performed at the Palazzo Barb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |