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Le Jardin Du Paris
''Le Jardin du Paradis'' is an opera in four acts by Alfred Bruneau to a libretto by Robert de Fiers and Gaston Arman de Caillavet after Hans Christian Andersen. It premiered at the Opéra de Paris The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ... 29 October 1923 and ran for 27 performances.Jean-Max Guieu Le théâtre lyrique d'Émile Zola 1983 - Page 72 " avec R. de Fiers et G. A. de Caillavet (Le Jardin du Paradis, opéra en quatre actes et huit tableaux d'après Hans Christian Andersen, créé à l'Opéra de Paris le 29 octobre 1923, vingt-sept représentations)" References Operas 1923 operas French-language operas Operas by Alfred Bruneau Operas set in France Operas based on works by Hans Christian Andersen {{French-opera-stub ...
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Alfred Bruneau
Louis Charles Bonaventure Alfred Bruneau (3 March 1857 – 15 June 1934) was a French composer who played a key role in the introduction of realism in French opera. Life Born in Paris, Bruneau studied the cello as a youth at the Paris Conservatory and played in the Pasdeloup orchestra. He soon began to compose, writing a cantata, ''Geneviève de Paris'', while still a young man. In 1884, his ''Ouverture héroïque'' was performed, followed by the choral symphonies '' Léda'' (1884) and '' La Belle au bois dormant'' (1886). In 1887, he produced his first opera, ''Kérim''. The following year, Bruneau met Émile Zola, launching a collaboration between the two men that would last for two decades. Bruneau's 1891 opera '' Le Rêve'' was based on the Zola story of the same name, and in the coming years Zola would provide the subject matter for many of Bruneau's works, including ''L'attaque du moulin'' (1893). Zola himself wrote the libretti for the operas ''Messidor'' (1897) and '' L'Ou ...
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Gaston Arman De Caillavet
Gaston Arman de Caillavet (13 March 1869 – 13 January 1915) was a French playwright. Early life Gaston Arman de Caillavet was born on 13 March 1869. He was the son of Albert Arman de Caillavet and Léontine Lippmann. His maternal grandfather, Auguste Lippmann, was a banker of Jewish descent. Career De Caillavet was a playwright. From 1901 to 1915, he collaborated with Robert de Flers on many works, including light and witty operettas or comédies de boulevard, many of which were great successes. Personal life In April 1893 he married Jeanne Pouquet. He was a close friend of Marcel Proust who found in him and his fiancée, Jeanne Pouquet, a model of the relationship between Robert de Saint-Loup and Gilberte in his famous novel '' In Search of Lost Time''. Gaston and Jeanne had only one daughter, Simone, who married (second wedding) André Maurois, future biographer of Proust.Kolbert, Jack (1985)''The Worlds of André Maurois'' p. 250. Susquehanna University Press. ...
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Hans Christian Andersen
Hans Christian Andersen ( , ; 2 April 1805 – 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, he is best remembered for his literary fairy tales. Andersen's fairy tales, consisting of 156 stories across nine volumes and translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. His most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", " The Nightingale", "The Steadfast Tin Soldier", " The Red Shoes", " The Princess and the Pea", "The Snow Queen", "The Ugly Duckling", " The Little Match Girl", and " Thumbelina". His stories have inspired ballets, plays, and animated and live-action films. Early life Hans Christian Andersen was born in Odense, Denmark on 2 April 1805. He had a stepsister named Karen. ...
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Opéra De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1923 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * 19 (film), ''19'' (film), a 2001 Japanese film * Nineteen (film), ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * 19 (Adele album), ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD (rapper), MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * XIX (EP), ''XIX'' (EP), a 2019 EP by 1the9 Songs * 19 (song), "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee (Bad4Good album), Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * Nineteen (song), "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By Alfred Bruneau
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Operas Set In France
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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