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Le Chevalier D'Harmental (opera)
''Le chevalier d’Harmental'' is an opéra comique in five acts of 1896, with music by André Messager and a French language, French libretto by Paul Ferrier, after Alexandre Dumas, père, Dumas père and Auguste Maquet. The play of the The Conspirators (novel), 1843 novel – in five acts, a prologue and ten tableaux – was first performed on 16 July 1849 at the Théâtre-Historique in Paris. The opera was first performed at the Opéra Comique (Théâtre de la Ville, Théâtre Sarah Bernhardt) in Paris on 5 May 1896, but ran for only six performances.Stoullig E. ''Les Annales du Théâtre et de la Musique, 22eme edition, 1896.'' G Charpentier et Cie, Paris, 1897. It was seen at the Vienna State Opera, Vienna Hofoper during the 1896–97 season. The composer lamented that the failure of the work, which had preoccupied him for three years, hurt as he had attached great importance to it, and had put considerable effort into it; he was so discouraged that he did not want to compose, ...
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Messager André Compositeur 1921
Messager is a surname. Notable people with the surname include: * André Messager (1853–1929), French composer and musician * Annette Messager Annette Messager (born 30 November 1943) is a French visual artist. In 2005 she won the Golden Lion Award at the Venice Biennale for her artwork at the French Pavilion. In 2016, she won the prestigious Praemium Imperiale International Arts Award. ...
(born 1943), French artist known for her installation art {{surname ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ...
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Louis-Auguste De Bourbon, Duc Du Maine
Louis-Auguste de Bourbon, duc du Maine (31 March 1670 – 14 May 1736) was an illegitimate son of Louis XIV and his official mistress, Madame de Montespan. The king's favourite son, he was the founder of the semi-royal House of Bourbon-Maine named after his title and his surname. Biography Louis-Auguste de Bourbon was born at the Château de Saint-Germain-en-Laye on 31 March 1670. He was named ''Louis'' after his father''Athénaïs:The Real Queen of France'' by Lisa Hilton, p.153 and ''Auguste'' after the Roman Emperor Augustus. Immediately after his birth, Louis-Auguste was placed in the care of one of his mother's acquaintances, the widowed Madame Scarron, who took him to live in a house on rue de Vaugirard, near the Luxembourg Palace in Paris. His siblings, Louis-César, Louise-Françoise and Louise Marie Anne de Bourbon were also brought there after their births. Their mother, living with the king at Versailles, rarely saw her children, and Madame Scarron took the place o ...
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Giulio Alberoni
Giulio Alberoni (30 May 1664 OS – 26 June NS 1752) was an Italian cardinal and statesman in the service of Philip V of Spain. Early years He was born near Piacenza, probably at the village of Fiorenzuola d'Arda in the Duchy of Parma. His father was a gardener,"Alberoni, Giulio'' Chambers's Encyclopædia''. London: George Newnes, 1961, Vol. 1, p. 223. and he himself became first connected with the church in the humble position of a bellringer and verger in the Duomo of Piacenza; he was twenty-one when the judge Ignazio Gardini, of Ravenna, was banished, and he followed Gardini to Ravenna, where he met the vice-legate Giorgio Barni, who was made bishop of Piacenza in 1688 and appointed Alberoni chamberlain of his household. Alberoni took priest's orders, and afterwards accompanied the son of his patron to Rome. During the War of the Spanish Succession Alberoni laid the foundation of his political success by the services he rendered to Louis-Joseph, duc de Vendôme, comman ...
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Palais-Royal
The Palais-Royal () is a former royal palace located in the 1st arrondissement of Paris, 1st arrondissement of Paris, France. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre Palace, Louvre. Originally called the Palais-Cardinal, it was built for Cardinal Richelieu from about 1633 to 1639 by the architect Jacques Lemercier. Richelieu bequeathed it to Louis XIII, and Louis XIV gave it to his younger brother, the Philippe I, Duke of Orléans, Duke of Orléans. As the succeeding dukes of Orléans made such extensive alterations over the years, almost nothing remains of Lemercier's original design. The Palais-Royal now serves as the seat of the Ministry of Culture (France), Ministry of Culture, the Conseil d'État (France), Conseil d'État and the Constitutional Council (France), Constitutional Council. The central Palais-Royal Garden (Jardin du Palais-Royal) serves as a public park, and the arcade houses shops. History Palais-Cardinal Originally cal ...
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Sceaux, Hauts-de-Seine
Sceaux () is a commune in the Hauts-de-Seine department in the southern suburbs of Paris, France. It is located from the centre of Paris. In 2019, Sceaux had a population of 20,004. A wealthy city Sceaux is famous for the Château de Sceaux, set in its large park (''Parc départemental de Sceaux''), designed by André Le Nôtre, measuring . The original ''château'' was transformed into a School of Agriculture during the Revolution and lost much of its luster. It was demolished at the beginning of the 19th century following its sale by the then French government. Sceaux castle was originally built by Jean-Baptiste Colbert, the minister of finance to Louis XIV and purchased by Louis' illegitimate son, the Duke of Maine in 1699. His duchesse held court in a glittering salon at Sceaux in the first decades of the eighteenth century. The present-day château, rebuilt between 1856 and 1862 in a Louis XIII style, is now the museum of Île-de-France open for visits. Housing costs ...
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Esther Chevalier
Esther Chevalier (13 September 1853, Montrouge, – 1936) was a French mezzo-soprano, active in Paris almost exclusively at the Opéra-Comique, appearing in several operatic premieres there.Soubies A, Malherbe C. ''Histoire de l'opéra comique - La seconde salle Favart 1840-1887.'' Flammarion, Paris, 1893. Chevalier was pupil of Saint-Yves Bax, and won first prizes at the Paris Conservatoire in both vocal studies and opéra comique. She made her debut at the Opéra-Comique on 6 October 1873 as Angèle in ''Le domino noir'' and went on to create many roles, such as Mercédès in ''Carmen'', Manette in ''La chambre bleue'', La duègne in ''La Fille de Tabarin'', Javotte in ''Manon'', Herminie in ''La soeur de Jocrisse'', la balayeuse in ''Louise'', and Prudence in ''Xavière'', as well as Meg in the French premiere of ''Falstaff'' in 1894.Wolff S. ''Un demi-siècle d'Opéra-Comique (1900-1950).'' André Bonne, Paris, 1953. Her other roles at the Salle Favart included Nicklause i ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, inc ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Jacques Isnardon
Jacques Isnardon (15 February 1860 – 14 November 1930) was a French bass-baritone, writer and voice teacher. After winning a competition at the Paris Conservatory, he made his debut as Baxter in Émile Paladilhe's ''Diane'' at the Opéra-Comique in 1885, before moving to Brussels and the ''Théâtre Royal de la Monnaie'', whose history he chronicled. He sang in ''Die Meistersinger'' at Covent Garden, ''Manon'' at La Scala and ''Le médecin malgré lui'' at Monte Carlo before returning to the Opéra-Comique in 1894. His ''Le Chant Théâtral'' is as much a memoir of his times as a philosophy of vocal pedagogy: "Herein is but one method: the new method for each pupil". One of his students was American actress, writer, and translator Virginia Fox Brooks. He sang in the world premieres of ''Jocelyn'' and '' Le chevalier d'Harmental''; other roles included Mozart's Bartolo and Rossini's Basilio; Puccini's Colline and Leoncavallo's Schaunard; Masetto, Lescaut, Enrico & at ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ...
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