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Laurence Crosse
Peter Cross(e) (–1724) was an English miniature painter. He imitated and perhaps trained under Samuel Cooper, and was extensively employed by royalty and the nobility as a miniaturist during the reign of Queen Anne. He is said to have created an erroneous type of the features of Mary, Queen of Scots by renovating a portrait of her to appear more beautiful. Identity It was once supposed that there were two painters, Peter Cross and Laurence or Lawrence Cross(e). The mistake originated with Vertue, who read the entwined initials PC of the artist's signature as LC. The miniatures are now all assigned to Peter Cross. He is erroneously called Lewis by Walpole and others.Cust 1888, p. 225. Life Peter Cross was the fourth son and youngest of seven children of Anthony Cross (–1651/2), who was a freeman of the Drapers' Company in 1614, by his wife, Margaret, née Thrall (married in 1616), who resided on Lombard Street in the parish of St Edmund, King and Martyr. His date of bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miniature Painter
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century elites, mainly in England and France, and spread across the rest of Europe from the middle of the 18th century, remaining highly popular until the development of daguerreotypes and photography in the mid-19th century. They were usually intimate gifts given within the family, or by hopeful males in courtship, but some rulers, such as James I of England, gave large numbers as diplomatic or political gifts. They were especially likely to be painted when a family member was going to be absent for significant periods, whether a husband or son going to war or emigrating, or a daughter getting married. The first miniaturists used watercolour to paint on stretched vellum, or (especially in England) on playing cards trimmed to the shape required. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hoskins (painter)
: Sir John Hoskins (1589 or 1590 – February 1664) was an English miniature painter, and the uncle of Samuel Cooper, who received his artistic education in Hoskins's Noble Mansion in England. Hoskins was born in Wells England. His finest miniatures Royal & Noble painting are at Ham House, Montagu House, Windsor Castle, Amsterdam and in the Pierpont Morgan John Pierpont Morgan Sr. (April 17, 1837 – March 31, 1913) was an American financier and investment banker who dominated corporate finance on Wall Street throughout the Gilded Age. As the head of the banking firm that ultimately became known ... collection and collection of the Victoria and Albert Museum. Vertue stated that Hoskins had a son, and Redgrave added that the son painted a portrait of James II in 1686 and was paid £10, 5s. for it, a statement for which there must have been some evidence, although it is not supported by any reference in the State Papers. there was a portrait painted of an unknown woman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Births
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Portrait Gallery, London
The National Portrait Gallery (NPG) is an art gallery in London housing a collection of portraits of historically important and famous British people. It was arguably the first national public gallery dedicated to portraits in the world when it opened in 1856. The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery (London), National Gallery. It has been expanded twice since then. The National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. Collection The gallery houses portraits of historically important and famous British people, selected on the basis of the significance of the sitter, not that of the artist. The collection includes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Art Online
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benezit Dictionary Of Artists
The ''Benezit Dictionary of Artists'' (in French, ''Bénézit: Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs'') is an extensive publication of bibliographical information on painters, sculptors, designers and engravers created primarily for art museums, auction houses, historians and dealers. It was published by Éditions Gründ in Paris but has been sold to Oxford University Press. First published in the French language in three volumes between 1911 and 1923, the dictionary was put together by Emmanuel Bénézit (1854–1920) and a team of international specialists with assistance from his son the painter Emmanuel-Charles Bénézit (1887–1975), and daughter Marguerite Bénézit. After the elder Bénézit's death the editors were Edmond-Henri Zeiger-Viallet (1895–1994) and the painter Jacques Busse (1922–2004), the younger Bénézit having already left Paris and moved to Provence. The next edition was an eight-volume set published between 1948 and 1955, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Cholmondeley, 1st Earl Of Cholmondeley
Hugh Cholmondeley, 1st Earl of Cholmondeley, PC (1662 – 18 January 1725), styled The Honourable from birth until 1681 and then known as Viscount Cholmondeley to 1706, was an English peer and politician. Cholmondeley was the eldest son of Robert Cholmondeley, 1st Viscount Cholmondeley, and Elizabeth Cradock, and was educated at Christ Church, Oxford. In 1681 he succeeded his father as second Viscount Cholmondeley, but as this was an Irish peerage it did not entitle him to a seat in the English House of Lords. He supported the claim of William and Mary to the English throne, and after their accession in 1689 he was rewarded when he was made Baron Cholmondeley, of Namptwich in the County of Chester, in the Peerage of England (which gave him a seat in the House of Lords). The peerage was created with remainder to his younger brother George. In 1706 he was admitted to the Privy Council and made Viscount Malpas, in the County of Chester, and Earl of Cholmondeley, in the County of Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carey Fraser
Carey Mordaunt, Countess of Peterborough and Monmouth (; 13 May 1709), was an English courtier. She was a maid of honour to Charles II's queen consort, Catherine of Braganza, from 1674 to 1680, and one of the Hampton Court Beauties painted by Sir Godfrey Kneller for Queen Mary II. Life Her father was Sir Alexander Fraser, 1st Baronet, of Durris in the County of Kincardine (1607–1681), physician to Charles II, and her mother was Mary Carey, daughter of Sir Ferdinando Carey and Philippa Throckmorton. In 1678 she married Charles Mordaunt, 2nd Viscount Mordaunt (1658–1735), later 3rd Earl of Peterborough, and created Earl of Monmouth (in 1689). The marriage was, however, kept secret until May 1680. They had three children: * Lady Henrietta Mordaunt (d. 1760), wife of Alexander Gordon, 2nd Duke of Gordon; * John Mordaunt, Viscount Mordaunt (c.1681–1710); * Capt. Hon. Henry Mordaunt, RN (d. 27 February 1710). References 1650s births 1709 deaths 17th-century Scottish wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Finch, Countess Of Winchilsea
Anne Finch, Countess of Winchilsea (''née'' Kingsmill; April 16615 August 1720), was an English poet and courtier. Finch's works often express a desire for respect as a female poet, lamenting her difficult position as a woman in the literary establishment and the court, while writing of "political ideology, religious orientation, and aesthetic sensibility". Her works also allude to other female authors of the time, such as Aphra Behn and Katherine Phillips. Through her commentary on the mental and spiritual equality of the genders and the importance of women fulfilling their potential as a moral duty to themselves and to society, she is regarded as one of the integral female poets of the Restoration Era. Finch died in Westminster in 1720 and was buried at her home at Eastwell, Kent. Biography Early years Finch was born Anne Kingsmill in April 1661 in Sydmonton, Hampshire, in southern England. Her parents were Sir William Kingsmill and Anne Haslewood, both from old and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Sedley, Countess Of Dorchester
Catherine Sedley, Countess of Dorchester, Countess of Portmore (21 December 1657 – 26 October 1717), daughter of Sir Charles Sedley, 5th Baronet, was the mistress of King James II of England both before and after he came to the throne. Catherine was noted not for beauty but for her celebrated wittiness and sharp tongue. Early life Catherine was the only legitimate child of the Restoration poet Sir Charles Sedley. Her mother was Lady Catherine Savage, daughter of John Savage, 2nd Earl Rivers. She grew up "notoriously plain" (being brunette and thin rather than plump and fair). While her father roistered around England, her mother spiralled into insanity until she entered a psychiatric hospital in Ghent in Catherine's early teens. At this low point in her life, Sir Charles introduced a common-law wife, Anne Ayscough, into the family and ejected his daughter from the house. Royal mistress She worked for Mary of Modena, who had just married James, Duke of York, heir presumpt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
