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Launcelot
Lancelot du Lac (French for Lancelot of the Lake), also written as Launcelot and other variants (such as early German ''Lanzelet'', early French ''Lanselos'', early Welsh ''Lanslod Lak'', Italian ''Lancillotto'', Spanish ''Lanzarote del Lago'', and Welsh ''Lawnslot y Llyn''), is a character in some versions of Arthurian legend, where he is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table. In the French-inspired Arthurian chivalric romance tradition, Lancelot is an orphaned son of King Ban of the lost Kingdom of Benoic, raised in the fairy realm by the Lady of the Lake. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled swordsman and jouster, Lancelot becomes the lord of the castle Joyous Gard and personal champion of Arthur's wife, Queen Guinevere, despite suffering from frequent and sometimes prolonged fits of madness. But when his adulterous affair with Guinevere is discovered, it causes a ...
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Hector De Maris
The Knights of the Round Table ( cy, Marchogion y Ford Gron, kw, Marghekyon an Moos Krenn, br, Marc'hegien an Daol Grenn) are the knights of the fellowship of King Arthur in the literary cycle of the Matter of Britain. First appearing in literature in the mid-12th century, the Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles. The various stories in the cycle present an assortment of knights from all over Great Britain and abroad, some of whom are even from outside of Europe. Their ranks often include Arthur's close and distant relatives, such as Agravain and Gaheris, as well as his reconciled enemies and those he defeated in battle, including Galehaut and Lot. Several of the most notable knights, including Bedivere, Gawa ...
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Knights Of The Round Table
The Knights of the Round Table ( cy, Marchogion y Ford Gron, kw, Marghekyon an Moos Krenn, br, Marc'hegien an Daol Grenn) are the knights of the fellowship of King Arthur in the literary cycle of the Matter of Britain. First appearing in literature in the mid-12th century, the Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles. The various stories in the cycle present an assortment of knights from all over Great Britain and abroad, some of whom are even from outside of Europe. Their ranks often include King Arthur's family, Arthur's close and distant relatives, such as Agravain and Gaheris, as well as his reconciled enemies and those he defeated in battle, including Galehaut and King Lot, Lot. Several of the most notable kn ...
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Bleoberis
The Knights of the Round Table ( cy, Marchogion y Ford Gron, kw, Marghekyon an Moos Krenn, br, Marc'hegien an Daol Grenn) are the knights of the fellowship of King Arthur in the literary cycle of the Matter of Britain. First appearing in literature in the mid-12th century, the Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles. The various stories in the cycle present an assortment of knights from all over Great Britain and abroad, some of whom are even from outside of Europe. Their ranks often include Arthur's close and distant relatives, such as Agravain and Gaheris, as well as his reconciled enemies and those he defeated in battle, including Galehaut and Lot. Several of the most notable knights, including Bedivere, Gawa ...
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Joyous Gard
Joyous Gard (French ''Joyeuse Garde'' and other variants) is a castle featured in the Matter of Britain literature of the legend of King Arthur. It was introduced in the 13th-century French Prose ''Lancelot'' as the home and formidable fortress of the hero Lancelot after his conquest of it from the forces of evil. ''Le Morte d'Arthur'' identified it with Bamburgh Castle. Legend As told in the Vulgate Cycle's ''Lancelot en prose'' and the works based on it, the Joyous Gard is given its name by the young Lancelot (who had just discovered his own identity) when he sets up his household at the castle. He does it after single-handedly capturing it against all odds and ending its evil enchantment during the task to prove his knighthood to King Arthur (even rescuing Arthur's illegitimate son in the process). Up until then, it had been known as Dolorous Gard (French ''Douloureuse Garde'' and other variants), belonging to the Saxon-allied king Brandin of the Isles; the various motifs an ...
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Guinevere
Guinevere ( ; cy, Gwenhwyfar ; br, Gwenivar, kw, Gwynnever), also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a villainous and opportunistic traitor to a fatally flawed but noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale. The earliest datable appearance of Guinevere is in Geoffrey of Monmouth's pseudo-historical British chronicle ''Historia Regum Britanniae'', in which she is seduced by Mordred during his ill-fated rebellion against Arthur. In a later medieval Arthurian romance tradition from France, a prominent story arc is the queen's tragic love affair with her husband's chief knight ...
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Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ...
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Lady Of The Lake
The Lady of the Lake (french: Dame du Lac, Demoiselle du Lac, cy, Arglwyddes y Llyn, kw, Arloedhes an Lynn, br, Itron al Lenn, it, Dama del Lago) is a name or a title used by several either fairy or fairy-like but human enchantresses in the Matter of Britain, the body of medieval literature and mythology associated with the legend of King Arthur. They play pivotal roles in many stories, including providing Arthur with the sword Excalibur, eliminating Merlin, raising Lancelot after the death of King Ban, his father, and helping to take the dying Arthur to Avalon. Different sorceresses known as the Lady of the Lake appear concurrently as separate characters in some versions of the legend since at least the Post-Vulgate Cycle and consequently the seminal ''Le Morte d'Arthur'', with the latter describing them as a hierarchical group, while some texts also give this title to either Morgan le Fay, Morgan or Morgause, her sister. Name Today, the Lady of the Lake is best known as e ...
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Bors
Bors (; french: link=no, Bohort) is the name of two knights in Arthurian legend, an elder and a younger. The two first appear in the 13th-century Lancelot-Grail romance prose cycle. Bors the Elder is the King of Gaunnes (Gannes/Gaunes/Ganis) during the early period of King Arthur's reign, and is the brother of King Ban of Benoic and the father of Bors the Younger and Lionel. His son Bors the Younger later becomes one of the best Knights of the Round Table and participates in the achievement of the Holy Grail. King Bors the Elder Bors the Elder is King Ban's brother, and Lancelot's and Hector de Maris' uncle. He marries Evaine, the sister of Ban's wife Elaine, and has two sons, Bors the Younger and Lionel. Ban and Bors become Arthur's early allies in his fight against eleven rebel kings in Britain, including Lot, Urien, and Caradoc, In return, Arthur vows to help them against their Frankish enemy, King Claudas, who has been threatening their lands back in the continent. Arth ...
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Elaine Of Corbenic
Elaine (''Helaine'', ''Oisine'') or Elizabeth (''Eliabel'', ''Elizabel'', ''Elizabet'', ''Heliabel'', ''Helizabel''), also known as Amite (''Amide'', ''Amides'', ''Anite'', ''Aude'', ''Enite''), and identified as the "Grail Maiden" or the "Grail Bearer",''Arthurian Women''. www.timelessmyths.com. Jimmy Joe, 1999. is a character from Arthurian legend. In the Arthurian chivalric romance tradition, she is the daughter of the Fisher King, King Pelles of Corbenic (''Corbenek'', ''Corbin'', etc.), and the mother of Galahad from her rape of Lancelot. She should not be confused with Elaine of Astolat, a different woman who too fell in love with Lancelot. Origin Her character is derived from the earlier (and later separate) figure of Percival's sister, and possibly also from that of Arthur's sister. Under her "Amite" name she was furthermore linked to Amice from ''Meraugis de Portlesguez''. Roger Sherman Loomis's work ''The Grail: From Celtic Symbol to Christian Myth'' draws a connection ...
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Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Fairy
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, wi ...
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Swordsmanship
Swordsmanship or sword fighting refers to the skills and techniques used in combat and training with any type of sword. The term is modern, and as such was mainly used to refer to smallsword fencing, but by extension it can also be applied to any martial art involving the use of a sword. The formation of the English word "swordsman" is parallel to the Latin word '' gladiator'', a term for the professional fighters who fought against each other and a variety of other foes for the entertainment of spectators in the Roman Empire. The word ''gladiator'' itself comes from the Latin word ''gladius'', which is a type of sword. European swordsmanship Classical history The Roman legionaries and other forces of the Roman military, until the 2nd century A.D., used the gladius as a short thrusting sword effectively with the ''scutum'', a type of shield, in battle. According to Vegetius the Romans mainly used underhanded stabs and thrusts because one thrust into the gut would kill an en ...
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