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Latin Soul (album)
''Latin Soul'' is a live album by Poncho Sanchez, released through Concord Jazz in 1999. In 2000, the album won Sanchez the Grammy Award for Best Latin Jazz Performance. Track listing Personnel *Ramon Banda - shekere, timbales *Tony Banda - bass, shekere, vocals *John Burk - mixing, producer *Sal Cracchiolo - flugelhorn, trumpet *Ron Davis - mastering, mixing *Scott Martin - flute, sax *Poncho Sanchez - congas The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest) ..., mixing, percussion, timbales, vocals *David Torres - mixing, piano *Francisco Torres - trombone *Mike Whitman - baritone sax References {{Authority control 1999 live albums Poncho Sanchez albums Grammy Award for Best Latin Jazz Album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poncho Sanchez
Poncho Sánchez (born Filoberto Sanchez, October 30, 1951) is an American ''conguero'' (conga player), Latin jazz band leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album ''Latin Soul''. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power. Early life The youngest of eleven children, Poncho Sanchez was born in Laredo, Texas and reared in Norwalk, California, while he attended Cerritos College. Growing up, he was exposed to and influenced by two different styles of music: Afro-Cuban music (mambo, son, cha-cha, rumba, guaracha, and Changui) by Tito Puente and others, and bebop jazz, including the works of Dizzy Gillespie and Charlie Parker. Originally a guitarist, he discovered his talent for singing during an audition for the R&B band The Halos that rehearsed across the street from his residence. Sanchez became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Mure
Sebastian "Billy" Mure (Born on November 4, 1915 – September 25, 2013) was an American guitarist and songwriter who recorded several albums in the 1950s and 1960s in a variety of styles, including surf, Hawaiian music, swing, pop, and lounge. Mure was born in New York City and played violin at age 9, before making guitar his primary instrument. He played in bands while in the service during World War II and found work at radio station WNEW after the war until 1957. In addition to his solo recordings, he worked as a session musician, composer, and arranger. He wrote the popular instrumental "Toy Balloons". In 1959, he released the single "A String of Trumpets", credited to Billy Mure and the Trumpeteers; the song reached #64 on the ''Billboard'' Hot 100.Joel Whitburn, ''Top Pop Singles 1955-2008''. 12th edn, p. 1000. Mure had been performing for the past seven years with his band (Top Hats) at Squid Lips in Sebastian, Florida. Discography *''Super-Sonic Guitars in Hi-Fi'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1999 Live Albums
File:1999 Events Collage.png, From left, clockwise: The funeral procession of King Hussein of Jordan in Amman; the 1999 İzmit earthquake kills over 17,000 people in Turkey; the Columbine High School massacre, one of the first major school shootings in the United States; the Year 2000 problem ("Y2K"), perceived as a major concern in the lead-up to the year 2000; the Millennium Dome opens in London; online music downloading platform Napster is launched, soon a source of online piracy; NASA loses both the Mars Climate Orbiter and the Mars Polar Lander; a destroyed T-55 tank near Prizren during the Kosovo War., 300x300px, thumb rect 0 0 200 200 Death and state funeral of King Hussein rect 200 0 400 200 1999 İzmit earthquake rect 400 0 600 200 Columbine High School massacre rect 0 200 300 400 Kosovo War rect 300 200 600 400 Year 2000 problem rect 0 400 200 600 Mars Climate Orbiter rect 200 400 400 600 Napster rect 400 400 600 600 Millennium Dome 1999 was designated as the Interna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shekere
The shekere (from Yoruba Ṣẹ̀kẹ̀rẹ̀) is a West African percussion instrument consisting of a dried gourd with beads or cowries woven into a net covering the gourd. The Shekere originated in a tribe in Nigeria called the Yoruba. The instrument is common in West African and Latin American folkloric traditions as well as some of the popular music styles. In performance it is shaken and/or hit against the hands. The shekere is made from vine gourds that grow on the ground. The shape of the gourd determines the sound of the instrument. A shekere is made by drying the gourd for several months then removing the pulp and seeds. After it is scrubbed, skillful bead work is added as well as colour. Varieties Throughout the African continent there are similar gourd/bead or gourd/seed percussion instruments. Some are the ''lilolo'', axatse (Ghana), ''djabara'' (Guinea), ''ushàkà'', ''chequere'' and ''saa saa'' (Liberia). The agbe is a gourd drum with cowrie shells and is usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Harris
Eddie Harris (October 20, 1934 – November 5, 1996) was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are "Freedom Jazz Dance", popularized by Miles Davis in 1966, and "Listen Here". Biography Harris was born and grew up in Chicago, Illinois, United States. His father was from Cuba and his mother from Mississippi. He studied music under Walter Dyett at DuSable High School, as had many other successful Chicago musicians (such as Nat King Cole, Clifford Jordan, Johnny Griffin, Gene Ammons, Julian Priester, and others). He later studied music at Roosevelt University, by which time he was proficient on piano, vibraphone, and tenor saxophone. While in college, he performed professionally with Gene Ammons. After college, Harris was drafted into the United States Army and while serving in Europe, he was accepted into the 7th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,[ Biography], ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino Music, Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the Cuatro (instrument), cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the Bongo drum, bongos and later the congas, timbales and Drum kit, drums. In 1947, Bobo started working as a Bandboy, band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Jazz
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova. Afro-Cuban jazz "Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz African American music began incorporating Afro-Cuban musical motifs in the 19th century, when the habanera (Cuban contradanza) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The ''habanera rhythm'' (also known as ''congo'', ''tango-congo'', or ''tango'' ) can be thought of as a combination of tresillo and the backbeat. Wynton Marsalis considers tresillo to be the New Orleans "clave," although technically, the pattern is only half a clave. "St. Louis Blues" (1914) by W. C. Handy has a habanera-tresillo bass line. Handy noted a reaction to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watermelon Man (composition)
"Watermelon Man" is a jazz standard written by Herbie Hancock for his debut album, '' Takin' Off'' (1962). Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.Strong, Martin Charles (2004). ''The Great Rock Discography: Complete Discographies Listing Every Track''. Canongate. pp. 652–653. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album ''Head Hunters'' (1973).Brackett, Nathan (2004). ''The New Rolling Stone Album Guide''. Simon & Schuster. p. 361. 1963 Herbie Hancock version Hancock wrote the piece to help sell his debut album as a leader, '' Takin' Off'' (1962), on Blue Note Records; it was the first pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
