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Last Night (Az Yet Song)
"Last Night" is a song by American Contemporary R&B, R&B group Az Yet, produced by Babyface (musician), Babyface and Mervyn Warren, and released as the first single from the group's debut album, ''Az Yet (album), Az Yet'' (1996). The song became the group's first hit, reaching number nine on the US Billboard Hot 100, ''Billboard'' Hot 100, number one on the ''Billboard'' Hot R&B/Hip-Hop Songs, Hot R&B Singles chart, and number four on the ''Billboard'' Rhythmic Top 40 chart. Additionally, it reached number two in Australia, number six in New Zealand, and number eight in the Netherlands. The song was also included on ''The Nutty Professor (soundtrack), The Nutty Professor'' soundtrack. Critical reception Larry Flick from ''Billboard (magazine), Billboard'' viewed the song as "yet another gem" from the soundtrack to ''The Nutty Professor (soundtrack), The Nutty Professor''. He added, "Az Yet is a charismatic male quintet that aims to come across as a mature alternative to the army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Az Yet
Az Yet is an American R&B group from Philadelphia, best known for their songs " Last Night" and the cover "Hard to Say I'm Sorry" originally performed by Chicago. Formation Formed in 1989 initially as a duo with Shawn Rivera and Dion Allen, the two were later joined by Kenny Terry, whom they met singing in the lobby of the Wyndham Hotel in Philadelphia, Ali Hyman, Claude Thomas, Damon Core, & Dyshon Benson. Debut album Az Yet released their self-titled debut album in 1996 on LaFace Records. The album featured a "who's who" of musical heavyweights, including David Foster, Babyface, Sheila E., and Brian McKnight. The first single, " Last Night", reached #9 on the US Hot 100, #1 on the R&B chart, peaked at #2 on Australia's ARIA charts, and spent 2 weeks at #1 in New Zealand's RIANZ charts, ultimately achieving platinum status in the US. The group's second single, "Hard to Say I'm Sorry" (a cover of the Chicago hit), was nominated for a Grammy award (Best R&B Performance by a D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Boutin (sound Engineer)
Paul Boutin is a French-born American music mixer, audio engineer and a long-time collaborator with producer/songwriter/artist Kenneth "Babyface" Edmonds. Over the last 20 years, Paul Boutin contributed to more than 60 gold or platinum records as engineer/mixer of songs performed by famous artists such as Michael Jackson, Whitney Houston, Barbra Streisand, Stevie Wonder, Celine Dion, John Legend, Aretha Franklin, Mariah Carey, Phil Collins, Janet Jackson, John Mellencamp, Lionel Richie, Toni Braxton, Alicia Keys, Usher, Pink, Jamie Foxx, Ariana Grande, TLC, Boyz II Men and Fall Out Boy among others. As engineer, Paul Boutin won a Grammy Award in 2015 for recording and mixing ''Love, Marriage & Divorce'' by Toni Braxton & Babyface (Best R&B Album). His work is also credited on several other Grammy nominated albums and singles since 1995 including two personal nominations in 1999 and 2018. Early career Paul Boutin (born 1970 in Paris) studied biological engineering in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutty Professor (1996 Film)
''The Nutty Professor'' is a 1996 American science fiction black comedy film starring Eddie Murphy. It is a remake of the 1963 film of the same name, which starred Jerry Lewis, which itself was a parody of Robert Louis Stevenson's 1886 novella ''Strange Case of Dr Jekyll and Mr Hyde''. The film co-stars Jada Pinkett, James Coburn, Larry Miller, Dave Chappelle, and John Ales. Filming began on 8 May 1995 and concluded on 8 September 1995. The original music score was composed by David Newman. The film won Best Makeup at the 69th Academy Awards. Murphy portrays a university professor, Sherman Klump, a brainy and kind-hearted man who is morbidly obese. A research scientist, academic, and lecturer, Klump develops a miraculous, but experimental, weight-loss pharmaceutical, and hoping to win the affection of the girl of his dreams, tests it upon himself. Just like Julius Kelp from the original film, Klump's vigorous, charismatic, but evil alter ego takes the name "Buddy Love". M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Of The Road (music)
Middle of the road (also known by its acronym MOR) is a commercial radio format and popular music genre. Music associated with this term is strongly melodic and uses techniques of vocal harmony and light orchestral arrangements. The format was eventually rebranded as soft adult contemporary. Etymology and usage According to music academic Norman Abjorensen, "middle of the road" has referred to a commercial radio format more often than a music genre, although "it has been used to describe a broad type of music" of numerous styles, usually characterized by vocal harmony techniques, prominent melodies, and subtle orchestral arrangements. MOR is somewhat often used as a derogatory term for this type of music. Radio stations that played beautiful music during the 1960s and 1970s were marketed as "MOR radio" in order to differentiate them from related soft adult contemporary and smooth jazz stations. Soft rock groups like the Association, the 5th Dimension, and Simon & Garfunkel infil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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