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Las Seis Suegras De Barba Azul
''Las seis suegras de Barba Azul'' (''Bluebeard's Six Mothers-in-Law'') is a 1945 black and white Argentine comedy film directed by Carlos Hugo Christensen. Production The black and white Lumiton production was directed by Carlos Hugo Christensen and written by César Tiempo. It starred Pepe Arias, Guillermo Battaglia and Alberto Contreras. It was released in Argentina on 10 August 1945. Synopsis A man who has been widowed six times is living with his six mothers-in-law. He looks for a new wife. Reception ''La Nación'' praised Christensen's direction, moving the plot of the farce along easily. It said that Pepe Arias played one of his most interesting film roles. Carlos Inzillo in ''Queridos Filipipones'' said that Christensen's film, perhaps influenced by Marcel Pagnol or René Clair, proceeds slowly and engages in manners ... this is a more intellectual role for Pepe ... different from his usual stereotype. Complete cast The complete cast was: * Pepe Arias * Guillermo B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Hugo Christensen
Carlos Hugo Christensen (Santiago del Estero, 15 December 1914 – Rio de Janeiro, 30 November 1999) was an Argentina, Argentine film director, screenwriter and film producer. He was of Danes, Danish descent through his paternal side. Christensen directed fifty-four feature films some of which are considered masterpieces of what is known as the Argentine golden era of cinema. ''Si Muero antes de despertar'' (''If I Should Die Before I Wake'') and ''No abras nunca esa puerta'' (''Never Open That Door''), were part of a retrospective at the Museum of Modern Art in New York in 2016. In both films, known for their exquisite cinematography, Christensen was assisted by the renowned director of photography Pablo Tabernero.Buscando a Tabernero, Busacando a Tabernero (Film 2020) dir. Eduardo Montes-Bradley. The documentary film provides details on the professional relationship between Carlos Hugo Christensen and the influential collaboration of Pablo Tabernero In the mid-1950s he relocate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria Ferrandiz
Gloria Ferrandiz (1893 in Uruguay – 1970) was an Argentine actress of the classic Argentine cinema era. She starred in over 40 films, including the 1962 film ''Una Jaula no tiene secretos''. Selected filmography *''Las seis suegras de Barba Azul'' (1945) * '' The Trap'' (1949) *'' This Is My Life'' (1952) * '' Black Ermine'' (1953) * '' Beyond Oblivion'' (1956) * ''Behind a Long Wall'' (1958) * '' This Earth Is Mine'' (1961) * ''Una Jaula no tiene secretos ''Una jaula no tiene secretos'' (''A Cage Has No Secrets'') is a 1962 Spanish- Argentine comedy film directed by Agustín Navarro. The script was written by Raúl Gurruchaga The movie premiered on October 3, 1962. The movie won the original scr ...'' (1962) References External links * * 1893 births 1970 deaths Argentine film actresses {{Argentina-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Black-and-white Films
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1940s Spanish-language Films
Year 194 ( CXCIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 '' Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus and Decimus Clodius Septimius Albinus Caesar become Roman Consuls. * Battle of Issus: Septimius Severus marches with his army (12 legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to Antioch, and is executed by Severus' troops. * Septimius Severus besieges Byzantium (194–196); the city walls suffer extensive damage. Asia * Battle of Yan Province: Warlords Cao Cao and Lü Bu fight for control over Yan Province; the battle lasts for over 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1945 Films
The year 1945 in film involved some significant events. Top-grossing films (U.S.) The top ten 1945 released films by box office gross in North America are as follows: Events * January 26 – The film ''National Velvet'', starring Mickey Rooney, Elizabeth Taylor, Donald Crisp and Anne Revere, is released nationally in the United States. The film is an instant critical and commercial success, propelling 12-year-old Taylor to stardom and earning Revere the Academy Award for Best Supporting Actress. * January 30 – Restricted release of '' Kolberg'', an historical epic which is one of the last Nazi Germany propaganda pieces, in war-torn Berlin. Given its cast of 187,000, probably fewer people view it than appear in it. * April 20 – Release of ''Son of Lassie'', the 2nd Lassie film and the first film ever to be filmed using the Technicolor Monobook method, where a single magazine of film is used to record all of the primary colors. Prior to this method, the most popular reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Citelli
Max Citelli (born 22 January 1923) was an Argentine film actor, active during the Golden Age of Argentine cinema between 1936 and 1959. Filmography * Mi esqueleto (1959) *El Festín de Satanás (1958) * Fantoche (1957) * Cuando los duendes cazan perdices (1955) * Mi viudo y yo (1954) * La tía de Carlitos (1952) * El Mucamo de la niña (1951) *Me casé con una estrella (1951) * Los isleros (1951) * ¡Qué hermanita! (1951) * La comedia inmortal (1951) * Cuidado con las mujeres (1951) * Mi noche triste (1951) * El crimen de Oribe (1950) .... Lacava * Cuando besa mi marido (1950) * The Seductor (1950) * Esposa último modelo (1950) *Piantadino (1950) * Juan Globo (1949) * El Extraño caso de la mujer asesinada (1949) * ¿Por qué mintió la cigüeña? (1949) * La serpiente de cascabel (1948) .... Damián *Don Bildigerno de Pago Milagro (1948) *White Horse Inn (1948) * Una Atrevida aventurita (1948) * 27 millones (1947) * The Little Parade (1947) *Madame Bovary (1947) .... Sr. Binet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Zubarry
Olga Zubarry (30 October 1929 – 15 December 2012) was a classic Argentine actress who appeared in film between 1943 and 1997. She made over 60 appearances in film, spanning 6 decades of Argentine cinema, but is best known for her work during the Golden Age of Argentine Cinema. Throughout the course of her career, she received four Silver Condor Awards, two Martín Fierro Awards, a Konex Foundation Award and several others for her films and television performances. She is credited with starring in the first film in Argentina which featured nudity, though only her back was shown and she stated repeatedly that she wore a flesh-colored mesh and was not truly nude. Biography Olga Adela Zubiarriaín was born on 30 October 1929 in the Buenos Aires neighborhood of Parque de los Patricios. She attended 3 years at the ''Liceo Nacional de Señoritas Nº1 José Figueroa Alcorta'', but quit school when her acting career began. She started as an extra at Lumiton studios in 1943 in the mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Casares Pearson
Olga Casares Pearson (1896 – 1980) was an Argentine actress of the 1940s and 1950s considered the Golden Age of Argentine Cinema. She first appeared in film in 1929 but it wasn't until ten years later that her career took off in Argentine cinema. She appeared in over 20 films appearing in films such as Adán y la serpiente in 1946 alongside actors such as Olga Zubarry and Alberto de Mendoza Alberto Manuel Rodríguez-Gallego González de Mendoza (21 January 1923 – 12 December 2011) was an Argentine film actor who appeared in some 114 films between 1930 and 2005, spanning eight decades. A lifelong figure in Argentine films, De Mendo .... Filmography *1929: Corazón ante la ley *1939: La intrusa *1943: Casa de muñecas *1944: Mi novia es un fantasma *1944: 24 horas en la vida de una mujer *1944: Nuestra Natacha *1945: Bluebeard's Six Mothers-in-Law *1945: Siete mujeres *1945: Llegó la niña Ramona *1946: Adán y la serpiente *1947: Los hijos del otro *1947: El hombre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
María Esther Buschiazzo
María Esther Buschiazzo (1889–1971) was an Argentine actress.Seibel, Beatriz (2002). ''Historia del Teatro Argentino: Desde Los Rituales Hasta 1930''. Volume 1. Corregidor, p. 379. Filmography *''Hombre de la esquina rosada'' (1962) *'' La patota'' (1960) *''Fantoche'' (1957) *''Cuando los duendes cazan perdices'' (1955) *''Los troperos'' (1953) *'' Ellos nos hicieron así'' (1953) *''La casa grande'' (1953) *'' Deshonra'' (1952) *'' Reportaje en el infierno'' (1951) * ''The Earring'' (1951) * '' The Fan'' (1951) *''Volver a la vida'' (1951) *''El puente'' (1950) *''Toscanito y los detectives'' (1950) *'' Diez segundos'' (1949) * '' The Trap'' (1949) *'' La cuna vacía'' (1949) *''Mujeres que bailan'' (1949) *''Juan Globo'' (1949) *''El ídolo del tango'' (1949) *''Don Bildigerno en Pago Milagro'' (1948) *''El barco sale a las diez'' (1948) * ''My Poor Beloved Mother'' (1948) *''María de los Ángeles'' (1948) *''El cantor del pueblo'' (1948) *''Mirad los lirios del campo' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susana Freyre
Susana Guenola Zubiri (better known as Susana Freyre) is an Argentine actress. She appeared in 30 films and television shows between 1945 and 1984. She starred in the film ''Three Loves in Rio'', which was entered into the 9th Berlin International Film Festival. Her mother's surname is Vidal. She began his work in the cinema in 1945 in Las seis suegras de Barba Azul directed by Carlos Hugo Christensen (1914-1999), whom she married and who would direct most of the films in which she participated and accompanied him during his stay in Mexico. Among her performances she remembers the character of Paula, an aristocrat who came unless she worked as a "call girl" with Fernanda Mistral, in the film PAULA CAUTIVA (1963) in which she participated with Duilio Marzio, Lautaro Murua. Directed by Fernando Ayala, it is about a story by Beatriz Guido, whose action took place during a military revolt in 1962,2 and which earned her the 1964 Silver Condor Award for best actress. There she sings a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepe Arias
Pepe Arias (''José Pablo Arias Martinez''; 16 January 1900 – 23 February 1967) was an Argentine actor and comedian. Early years José Pablo Arias Martinez was born in the former Mercado de Abasto district of Buenos Aires on 16 January 1900. He first appeared on stage in 1916, and became a remarkable stage actor in grotesque, comedy and drama roles. In 1922 the influence of the company of Madame Rasimi and her Ba-Ta-Clán, arrived from Paris, established the structure of the Buenos Aires revue. Arias learned his art among the founders of Argentine theater, such as Luis Arata and Enrique Da Rosas. He perfected all the elements of farce and grotesque, with his face painted with extreme make-up. He also played serious roles, and earned the Municipal Award for best dramatic actor for his performance in ''Ovid'' by Laurent Doillet at the Odeon Theatre in 1942. Film and radio Arias' style became established when he moved to film and radio. He was a pioneer of talking films, and app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Clair
René Clair (11 November 1898 – 15 March 1981), born René-Lucien Chomette, was a French filmmaker and writer. He first established his reputation in the 1920s as a director of silent films in which comedy was often mingled with fantasy. He went on to make some of the most innovative early sound films in France, before going abroad to work in the UK and USA for more than a decade. Returning to France after World War II, he continued to make films that were characterised by their elegance and wit, often presenting a nostalgic view of French life in earlier years. He was elected to the Académie française in 1960. Clair's best known films include '' Un chapeau de paille d'Italie'' (''The Italian Straw Hat'', 1928), '' Sous les toits de Paris'' (''Under the Roofs of Paris'', 1930), ''Le Million'' (1931), ''À nous la liberté'' (1931), ''I Married a Witch'' (1942), and ''And Then There Were None'' (1945). Early life René Clair was born and grew up in Paris in the district of Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
