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Lars Frederiksen And The Bastards (Album)
''Lars Frederiksen and the Bastards'' is the eponymous debut studio album by the American punk rock band Lars Frederiksen and the Bastards. It was released on March 20, 2001 via Hellcat Records. The album peaked at #26 on the Independent Albums and #49 on the Heatseekers Albums. All of the songs were written by lead singer/guitarist Lars Frederiksen and his Rancid bandmate Tim Armstrong, with the exception of two covers, Billy Bragg's "To Have and to Have Not" and Eddie Holland's " Leavin Here". "Campbell, CA" borrows the melody from white power skinhead band Skrewdriver's version of "Tomorrow Belongs to Me", which originally appeared in the album Hail the New Dawn. The song "Dead American" was used by wrestler Vampiro as his entrance music on his independent circuit. Track listing Personnel * Lars Frederiksen - songwriter, vocals, lead guitar, rhythm guitar, slide guitar * Jason Woods - bass * Gordy Carbone - backing vocals * Scott Abels - drums, percussion * Tim Armst ...
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Lars Frederiksen And The Bastards
Lars Frederiksen and the Bastards was an American street punk band formed to release the songs that Lars had written. Their songs include subject matter consisting of drinking, fighting, drugs, sex, prostitutes, gangs, and street life. They were the side project band of Lars Frederiksen from Rancid. The band members were Lars Frederiksen (vocals and lead guitar), Gordy Carbone (also credited as "Unknown Bastard") (vocals), Jason Woods, aka Big Jay Bastard, (bass), Craig Leg (rhythm guitar) and Scott Abels (also credited as "Skatty Punk Rock") (drums). While Craig did not appear on the first album, he was always been a touring member of the band. The band was formed after Lars' friend and bandmate in Rancid, Tim Armstrong suggested writing songs about Lars and his friend Ben growing up in Campbell, California. The band was then put together as an outlet to release these songs, as well as covers of Billy Bragg's "To Have and to Have Not", Holland-Dozier-Holland's " Leaving Her ...
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Eddie Holland
Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", he started working behind the scenes due to stage fright. He was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown Sound and hit records by Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers, among others. He has written or co-written 80 hits in the UK and 143 in the US charts. Holland served as the team's lyricist, and also worked with producer Norman Whitfield on lyrics for the songs he produced for the Marvelettes and the Temptations, like "Too Many Fish in the Sea" and "Beauty Is Only Skin Deep "Beauty Is Only Skin Deep" is a 1966 song, written by Norman Whitfield and Edward Holland, Jr., and produced by Whitfield. Norman Whitfield recorded ...
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Bass (instrument)
A bass ( /beɪs/) musical instrument produces tones in the low-pitched range C4- C2. Basses belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, the string and wind bass instruments are usually the largest instruments in their families or instrument classes. As seen in the musical instrument classification article, categorizing instruments can be difficult. For example, some instruments fall into more than one category. The cello is considered a tenor instrument in some orchestral settings, but in a string quartet it is the bass instrument. Examples grouped by general form and playing technique include: * Plucked string instruments, primary bass guitar and to a lesser extent acoustic bass guitar and even less often, folk instruments like contrabass guitar, guitarrón mexicano, tololoche, bass banjo or bass balalaika, instruments shaped, constructed and held (or worn) like ...
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Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ...
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Rhythm Guitar
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums. In ensembles or bands playing within the acoustic, country, blues, rock or metal genres (among others), a guitarist playing the rhythm part of a composition plays the role of supporting the melodic lines and improvised solos played on the lead instrument or instruments, be they strings, wind, brass, keyboard or even percus ...
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Lead Guitar
Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs. History The first form of lead guitar emerged in the 18th century, in the form of classical guitar styles, which evolved from the Baroque guitar, and Spanish Vihuela. Such styles were popular in much of Western Europe, with notable guitarists including Antoine de Lhoyer, Fernando Sor, and Dionisio Aguado. It was through this period of the classical shift to romanticism the six-string guitar was first used for solo composing. Through the 19th century ...
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Brian Holland
Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team's musical arranger and producer. He has written or co-written 145 hits in US and 78 in the UK. Holland was born in Detroit, Michigan, United States. For a short time, he partnered with Robert Bateman, and together they were known as "Brianbert", collaborating on such hits as " Please Mr. Postman" for The Marvelettes. Holland has also had an on-and-off career as a performer. He released a solo single in 1958 under the name of "Briant Holland". He and longtime friend and future songwriting partner Freddie Gorman were in a short-lived group called the Fidalatones, and he was later ...
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Lamont Dozier
Lamont Herbert Dozier (; June 16, 1941 – August 8, 2022) was an American singer, songwriter, and record producer from Detroit, Michigan. He co-wrote and produced 14 US ''Billboard'' number-one hits and four number ones in the UK. Career Dozier was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown sound and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Along with Brian Holland, Dozier served as the team's musical arranger and producer, while Eddie Holland concentrated mainly on lyrics and vocal production. Along with the Holland Brothers, Dozier followed his work for Motown Records as founder and owner of Invictus Records and Hot Wax Records, producing top-charting hits for acts Freda Payne, Honey Cone, Chairmen of the Board, and 100 Proof Aged in Soul. Early years Dozier recorded a few unsuccessful records for various Detroit labels before ...
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Independent Circuit
In professional wrestling, the independent circuit or indie circuit is the collective noun, collective name of independent professional wrestling promotions which are smaller than major televised promotions. It is roughly analogous to a minor league for pro wrestling, or community theatre, community or Regional theatre in the United States, regional theatre. Specific promotions on the independent circuit are referred to as indie promotions or indies. A wrestler is said to be in the indies or working the indies if they are wrestling in one of the independent promotions, or working the indie circuit if they are performing in different independent promotions. Origins The indie scene in the United States dates back to the days of regional territories. When a promoter ran opposition in even one town controlled by a National Wrestling Alliance sanctioned territory, they were often called an "outlaw" territory. This is considered by some to be a forerunner to indies since some stars o ...
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Vampiro
Ian Richard Hodgkinson (born May 31, 1967), better known by his ring name Vampiro, is a Canadian semi-retired professional wrestler who most recently served as director of talent for Lucha Libre AAA Worldwide (AAA). He also worked for Lucha Underground as a color commentator. Hodgkinson is also member of the citizen crime patrol organization Guardian Angels, acting as head of the group's chapter in Mexico City. He is the current JCW Heavyweight Champion in his third reign. Hodgkinson has wrestled for various wrestling promotions. In the United States, he is best known for his time in World Championship Wrestling, where he held the WCW World Tag Team Championship with The Great Muta. However, his greatest success was achieved in Mexican promotion Consejo Mundial de Lucha Libre during the 1990s. In his professional wrestling career, Hodgkinson is a five-time World Champion having won the WWC Universal Heavyweight Championship once, the UWA World Heavyweight Championship once and t ...
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Hail The New Dawn
Skrewdriver were an English punk rock band formed by Ian Stuart Donaldson in Poulton-le-Fylde, Lancashire, in 1976. Originally a punk band, Skrewdriver changed into a white supremacist rock band after reuniting in the 1980s. Their original line-up split in January 1979 and Donaldson reformed the band with different musicians in 1982. Career Ian Stuart Donaldson, formerly of the cover band Tumbling Dice, formed Skrewdriver as a punk rock band in Poulton-le-Fylde in 1976. At first, Skrewdriver sported a punk appearance, but they later changed their image to a skinhead look. In 1978, Donaldson moved to Manchester, where he recruited guitarist Glenn Jones and drummer Martin Smith. With Kevin MacKay on bass, this lineup toured extensively and built a strong following, but certain venues were reluctant to book the band because of their reputation as a violent skinhead band. Performing largely for a skinhead audience, the first versions of the band released one album and two single ...
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Tomorrow Belongs To Me
"Tomorrow Belongs to Me" is a song from the 1966 Broadway musical ''Cabaret'', and the 1972 film of the same name. It was written and composed by two Jewish musicians – John Kander and Fred Ebb – as part of an avowedly anti-fascist work; the nationalist character of the song serves as a warning to the musical's characters of the rise of Nazism. Nonetheless, "Tomorrow Belongs to Me" has been adopted by right-wing, neo-Nazi, and alt-right groups as an anthem. In ''Cabaret'' The song appears late in Act I. It is sung by a waiter in the play and an adolescent boy soprano in the film, with a crowd joining in as the song progresses. It begins with the tone of a nostalgic German folk song, but develops the character of an intimidating military march as the instrumentation develops and more singers add their voices. In the film, the boy's Hitler Youth uniform is revealed as he sings. Towards the climax, the waiter is seen to wear a swastika armband in the play, and the youth gives ...
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