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Larry Schneider (musician)
Larry Schneider (born July 26, 1949) is an American jazz saxophonist. Early life Schneider was born in Long Island in 1949. He attended the University of Massachusetts, where he studied biology but in 1970 he decided to become a professional musician instead. Later life and career After relocating to New York City, Schneider played as a sideman in the 1970s with Billy Cobham, the Thad Jones-Mel Lewis Orchestra, Horace Silver, Jim McNeely, Mike Richmond, and Bill Evans. Around 1980 he moved again, to San Francisco, where he worked with Hein van de Geyn and John Abercrombie, and increasingly played in Europe in the later 1980s and 1990s, with François Jeanneau, the Orchestre National de Jazz, Marc Ducret, François Méchali, Alain Soler, André Jaume, Éric Barret and others. After music, his second passion is tennis. Discography As leader *''So easy** (Label Bleu, 1988) *''Just Cole Porter'' ( SteepleChase, 1991) *''Blind Date'' (SteepleChase, 1992) *''Bill Evans... Pe ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Éric Barret
Éric eʁikis a French masculine given name, the equivalent of English Eric. In French-speaking Canada and Belgium it is also sometimes unaccented, and pronounced "Eric" as English with the stress on the "i". A notable French exception is Erik Satie, born Éric, but who in later life signed his name "Erik" pronounced as in English. As with Étienne, Émile, Édouard, Élisabeth, Édith the accent É is sometimes omitted in older printed sources, though French orthography is to include accents on capitals. People named Éric * Éric Abidal (b. 1979) French footballer * Éric Antoine (b. 1976) French comedy magician * Éric Bourdon (b. 1979) French painter * Éric Cantona (b. 1966) French footballer, known as "Eric Cantona" as an actor * Éric Elmosnino (b. 1964) French actor and musician * Éric Fottorino (b. 1960) French journalist and author * Éric Geoffroy (b. 1956) French philosopher, islamologist and writer * Éric Guirado (b. 1968) French film director and writer * Éric ...
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George Gruntz
George Gruntz (24 June 1932 – 10 January 2013) was a Swiss jazz pianist, organist, harpsichordist, keyboardist, and composer known for the George Gruntz Concert Big Band and his work with Phil Woods, Rahsaan Roland Kirk, Don Cherry, Chet Baker, Art Farmer, Dexter Gordon, Johnny Griffin, and Mel Lewis. Gruntz, who was born in Basel, Switzerland, was also an accomplished arranger and composer, having been commissioned by many orchestras and symphonies. From 1972 to 1994, he served as artistic director of JazzFest Berlin. He died at the age of 80 in January 2013. Discography As leader/co-leader Main sources: Compilations *''Sins'n Wins'n Funs – Left-cores and Hard-core En-cores'', 1981–1990 (Compilation, released 1996) *''The MPS Years'', 1972–1981 (Compilation, released 1996) *''Renaissance Man'' a.k.a. ''30 + 70: The One Hundred Years of George Gruntz'', 1961–2000 (Compilation, released 2002) As sideman With Franco Ambrosetti *''Close Encounter'' (Enja, 1979) See a ...
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We Will Meet Again
''We Will Meet Again'' is an album by jazz pianist Bill Evans made for Warner Bros. Records in 1979. It is notable in that it is Evans's last studio recording. After the suicide of Bill Evans' older brother, Harry, earlier in 1979, Bill made this album with his brother in mind, "We Will Meet Again" is addressed to Harry. Just after Harry's suicide, Bill Evans started a relationship with a Canadian waitress named Laurie Verchomin, the track "Laurie" is named after her. Laurie eventually took care of Bill Evans until his death, she was the last person he saw before he died. Reception At the Grammy Awards of 1981, '' I Will Say Goodbye'' won the Grammy Award for Best Jazz Instrumental Solo and ''We Will Meet Again'' won the Best Instrumental Jazz Performance, Group awards. The Allmusic review awarded the album 4 stars. Track listing All tracks by Bill Evans except where noted. # "Comrade Conrad" – 10:05 # "Laurie" – 8:20 # "Bill's Hit Tune" – 10:49 # " For All We Know ( ...
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Toots Thielemans
Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar and whistling skills, and composing. According to jazz historian Ted Gioia, his most important contribution was in "championing the humble harmonica", which Thielemans made into a "legitimate voice in jazz".Gioia, Ted. ''The History of Jazz'', Oxford Univ. Press (2011) p. 382 He eventually became the "preeminent" jazz harmonica player.Morton, Brian, and Cook, Richard. ''The Penguin Jazz Guide: the History of the Music in the 1000 Best Albums'', Penguin UK, (2010) ebook. His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe. I ...
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Affinity (Bill Evans Album)
''Affinity'' is an album by American jazz pianist Bill Evans released in 1979, featuring Belgian harmonica player Toots Thielemans. Bill Evans plays a Rhodes piano on many of the tracks. It is the recording debut for bassist Marc Johnson. Reception With the exception of a four star Rolling Stone Jazz Record Guide review, the majority of recorded reception for the Affinity album came significantly later than its original release. Overall, reviewers maintain positive notes about the work. Scott Yanow on Allmusic says, "Excellent if not essential music that Evans generally uplifts". Track listing # "I Do It for Your Love" (Paul Simon) – 7:16 # "Sno' Peas" (Phil Markowitz) – 5:51 # "This Is All I Ask" (Gordon Jenkins) – 4:14 # " Days of Wine and Roses" (Henry Mancini, Johnny Mercer) – 6:40 # "Jesus' Last Ballad" (Gianni Bedori) – 5:52 # "Tomato Kiss" ( Larry Schneider) – 5:17 # "The Other Side of Midnight (Noelle's Theme)" (Michel Legrand) ...
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Miles & Quincy Live At Montreux
''Miles & Quincy: Live at Montreux'' is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993. ''Miles & Quincy: Live at Montreux'' charted at number one on the '' Billboard'' Top Jazz Albums. It won Davis his seventh Grammy Award for Best Large Jazz Ensemble Performance. Background Miles Davis, who had never revisited past music from his career before, surprised jazz fans when he worked with an ensemble led by Quincy Jones at the Montreux Jazz Festival on July 8, 1991. Quincy had persuaded Miles to play his older music after they met with a psychic at Quincy’s home in New York. The psychic’s dice had fallen into Miles’ lap and they interpreted this as a sign that it was right for him to play his older music. The concert was also a tribute to Gil Evans who had died a few years before. Jones developed the idea of using two orchestras and co ...
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Quincy Jones
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing pop hit records for Lesley Gore in the early 1960s (including " It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie in the same time period. In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film '' Banning''. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film ''In Cold Blood'', making him the ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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A Funky Thide Of Sings
''A Funky Thide of Sings'' is a 1975 studio album by Billy Cobham. Track listing #"Panhandler" (Billy Cobham) – 3:50 #"Sorcery" ( Keith Jarrett) – 2:26 #"A Funky Thide of Sings" (Billy Cobham) – 3:23 #"Thinking of You" (Alex Blake) – 4:12 #"Some Skunk Funk" (Randy Brecker) – 5:07 #"Light at the End of the Tunnel" (Billy Cobham) – 3:37 #"A Funky Kind of Thing" (Billy Cobham) – 9:24 #"Moody Modes" (Milcho Leviev) – 12:16 Personnel *Billy Cobham – synthesizer, percussion *Michael Brecker – saxophone * Larry Schneider – saxophone *Randy Brecker – trumpet *Walt Fowler – trumpet * Tom Malone – trombone, piccolo *Glenn Ferris – trombone *Milcho Leviev – keyboards *John Scofield – guitar *Alex Blake – bass *Rebop Kwaku Baah – conga The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and class ...
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Big Band Record
''Big Band Record'' is an album by trombonist Ray Anderson and the George Gruntz Concert Jazz Band which was released on the Gramavision label in 1994.Rousell, PDiscography of Tim Berneaccessed June 28, 2018Ray Anderson discography
accessed June 28, 2018


Reception

The review by Scott Yanow stated "The often riotous trombonist is fortunate to have his complex but always lively music interpreted by quite an all-star group and Gruntz's arrangements give each musician at least one opportunity to solo. ... it is little surprise that this was one of the top jazz albums released in 1994".


Track listing

All compositions by Ray Anderson except where noted ...
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Ray Anderson (musician)
Ray Anderson (born October 16, 1952) is an American jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument, including performing on alto trombone and slide trumpet. He is a colleague of trombonist George E. Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in ''DownBeat'' magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s. Biography After studying in California, he moved to New York in 1972 and freelanced. In 1977, he joined Anthony Braxton's Quartet (replacing George E. Lewis) and started working with Barry Altschul's group. In addition to leading his own groups since the late 1970s (including the funk-oriented Slickaphonics), Anderson has worked with George Gruntz's Concert Jazz Band. In the 1990s, he began taking an occasional good-humored vocal, during which he shows the ability to sing two notes at the same time (a minor third apart). Anderson ...
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