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Larry Gordon (musician)
Lawrence Edward Gordon (July 3, 1945 – November 9, 2021) was an American singer, teacher, composer and conductor, based in Marshfield, Vermont. He was the co-founder and director of numerous musical ensembles, most notably the Onion River Chorus in 1978 and Village Harmony in 1989. Gordon has been credited with bringing American shapenote music, a predominantly Southern tradition from the mid-19th century on, back to New England in the 1970s. Early life and political activism Larry Gordon was born in Rome, Georgia, on July 3, 1945, to Jewish parents who were living in the American South to work for the USO during WWII. Gordon's father was William "Bill" Gordon (né Wolf Gordonovich), an activist in left-wing causes born in Shumskas (a Jewish shtetl in what was then Poland). His mother was Helen Gordon (née Appelman), after whom the Helen Gordon Child Development Center at Portland State University is named. He had two siblings, the historian Linda Gordon and Lee David Gordon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome, Georgia
Rome is the largest city in and the county seat of Floyd County, Georgia, United States. Located in the foothills of the Appalachian Mountains, it is the principal city of the Rome, Georgia metropolitan area, Rome, Georgia, metropolitan statistical area, which encompasses all of Floyd County. At the 2020 United States Census, 2020 census, the city had a population of 37,713. It is the largest city in Northwest Georgia (U.S.), Northwest Georgia and the List of municipalities in Georgia (U.S. state), 26th-largest city in the state. Rome was founded in 1834, after United States Congress, Congress passed the Indian Removal Act, and the federal government committed to removing the Cherokee and other Native Americans in the United States, Native Americans from the southeastern United States, Southeast. It developed on former indigenous territory at the confluence of the Etowah River, Etowah and the Oostanaula River, Oostanaula rivers, which together form the Coosa River. Because of its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bread And Puppet Theater
The Bread and Puppet Theater (often known simply as Bread & Puppet) is a politically radical puppet theater, active since the 1960s, based in Glover, Vermont . The theater was co-founded by Elka and Peter Schumann. Peter is the artistic director. The name Bread & Puppet is derived from the theater's practice of sharing its own fresh bread, served for free with aïoli, with the audience of each performance to create community, and from its central principle art should be as basic as bread to life. Some have heard echoes of the Roman phrase "bread and circuses" or the labor slogan "Bread and Roses" in the theater's name as well, though these are not often mentioned in Bread & Puppet's own explanations of its name. The Bread and Puppet Theater participates in parades including Independence Day celebrations, notably in Cabot, Vermont, with many effigies including a satirical Uncle Sam on stilts. History Peter and Elka Schumann founded The Bread & Puppet Theater in 1963 in New Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do Not Go Gentle Into That Good Night
"Do not go gentle into that good night" is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. Though first published in the journal ''Botteghe Oscure'' in 1951, the poem was written in 1947 while Thomas visited Florence with his family. Subsequent publication, along with other Thomas works, include ''In Country Sleep, And Other Poems'' ( New Directions, 1952) and ''Collected Poems, 1934–1952'' (Dent, 1952). It has been suggested that the poem was written for Thomas's dying father, although he did not die until just before Christmas 1952. It has no title other than its first line, "Do not go gentle into that good night", a line that appears as a refrain throughout the poem along with its other refrain, "Rage, rage against the dying of the light". Form The villanelle consists of five stanzas of three lines (tercets) followed by a single stanza of four lines (a quatrain) for a total of nineteen lines.Strand et al. 2001 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corsican Folk Music
Outside France the island of Corsica is perhaps best known musically for its polyphonic choral tradition. The rebirth of this genre was linked with the rise of Corsican nationalism in the 1970s. The anthem of Corsica is " Dio vi Salvi Regina". Every June, Calvi is home to an International Jazz Festival and in September there are the annual Rencontres de Chants Polyphoniques. Folk music Dance There are two dances of ancient origin found in Corsica: the caracolu, a women's funeral dance, and the moresca, illustrating the struggle between Moors and Christians. These days, they're not danced anymore. Traditional dances like the ''quatriglia'' (quadrille) or the ''scuttiscia'' (Scottish) have known some kind of revival over the last twenty years, groups like ''Diana di L'alba'' and ''Dopu Cena'' recorded the music and the association''Tutti in Piazza''and ''Ochju à Ochju'' animate dance nights and teach as well. The granitula, a spiral procession, is still performed by the confra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appalachian Music
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles (particularly Scotland), the African music and blues of early African Americans, and to a lesser extent the music of Continental Europe. First recorded in the 1920s, Appalachian musicians were a key influence on the early development of old-time music, country music, bluegrass, and rock n' roll, and were an important part of the American folk music revival of the 1960s. Instruments typically used to perform Appalachian music include the banjo, American fiddle, fretted dulcimer, and later the guitar.Ted Olson,Music," ''Encyclopedia of Appalachia'', 2006. Retrieved: 28 January 2015. Early recorded Appalachian musicians include Fiddlin' John Carson, G. B. Grayson & Henry Whitter, Bascom Lamar Lunsford, the Carter Family, Clarence Ashley, and Dock Boggs, all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isicathamiya
Isicathamiya (with the "c" pronounced as a dental click) is a singing style that originated from the South African Zulus. In European understanding, a cappella is also used to describe this form of singing. The word itself does not have a literal translation; it is derived from the Zulu verb ''-cathama'', which means ''walking softly'', or ''tread carefully''. Isicathamiya contrasts with an earlier name for Zulu a cappella singing, mbube, meaning "lion". The change in name marks a transition in the style of the music: traditionally, music described as mbube is sung loudly and powerfully, while isicathamiya focuses more on achieving a harmonious blend between the voices. The name also refers to the style's tightly choreographed dance moves that keep the singers on their toes. South African singing groups such as Ladysmith Black Mambazo demonstrate this style. Isicathamiya choirs are traditionally all male. Its roots reach back before the turn of the 20th century, when numerous men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Georgia (country)
Georgia has rich and still vibrant traditional music, which is primarily known as arguably the earliest polyphonic tradition of the Christian world. Situated on the border of Europe and Asia, Georgia is also the home of a variety of urban singing styles with a mixture of native polyphony, Middle Eastern monophony and late European harmonic languages. Georgian performers are well represented in the world's leading opera troupes and concert stages. Folk music The folk music of Georgia consists of at least fifteen regional styles, known in Georgian musicology and ethnomusicology as "musical dialects". According to Edisher Garaqanidze, there are sixteen regional styles in Georgia. These sixteen regions are traditionally grouped into two, eastern and western Georgian groups. The Eastern Georgian group of musical dialects consists of the two biggest regions of Georgia, Kartli and Kakheti (Garakanidze united them as "Kartli-Kakheti"); several smaller north-east Georgian mountain regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of North Macedonia
The Macedonian music refers to all forms of music associated with ethnic Macedonians. It share similarities with the music of neighbouring Balkan countries, yet it remains overall distinctive in its rhythm and sound. Folk music The ethnic Macedonian folk music ( Macedonian: Народна музика, ''Narodna muzika'') includes: *Traditional music (Macedonian: Изворна музика, translit.: Izvorna muzika literally meaning: ''roots music'') *Contemporary folk music (Macedonian language: современа народна музика) Traditional music The Macedonian traditional music, which can be rural or urban ( starogradska muzika), includes: lyric songs, epic songs, labour songs, ritual songs, humorous songs, circle dance ("oro"), the old urban style called Čalgija (not to be confused with chalga) etc. Popular traditional songs are: '' Kaleš bre Angjo'', ''Slušam kaj šumat šumite'', ''Biljana platno beleše'', '' Dafino vino crveno'', '' Narode Makedonski'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Bulgaria
The music of Bulgaria refers to all forms of music associated with the country of Bulgaria, including classical, folk, popular music, and other forms. Classical music, opera, and ballet are represented by composers Emanuil Manolov, Pancho Vladigerov and Georgi Atanasov and singers Ghena Dimitrova, Mariana Paunova, Boris Hristov, Raina Kabaivanska and Nicolai Ghiaurov. Notable names from the contemporary pop scene are Lili Ivanova, Emil Dimitrov and Vasil Naydenov. Prominent Bulgarian artists living abroad include Sylvie Vartan, Kristian Kostov, Philipp Kirkorov, Lucy Diakovska, Mira Aroyo, Mikhael Paskalev, Nora Nova, Vasko Vassilev and Ivo Papazov. The Bulgarian State Television Female Vocal Choir has received a Grammy Award in 1990. The Philip Kutev Ensemble, the first of the Bulgarian state-sponsored folk ensembles and founded in 1951, also is featured on the 1990 Grammy-winning album and has had many well-known Bulgarian folk singers, including, at present, Neli Andreeva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Praetorius
Hieronymus Praetorius (10 August 1560 – 27 January 1629) was a Northern German composer and organist of the late Renaissance and early Baroque whose polychoral motets in 8 to 20 voices are intricate and vividly expressive. Some of his organ music survives in the Visby Orgel-Tabulatur, which dates from 1611. (He was not related to the prolific Michael Praetorius, known as a theorist and for ''Terpsichore'', but the large Praetorius family tree produced many distinguished musicians during the 16th and 17th centuries.) Life He was born in Hamburg and spent most of his life there. He studied organ with his father ( Jacob Praetorius, the elder (1520-1586), also a composer), before moving to Cologne for further study. In 1580 he became organist in Erfurt but remained there only two years. After returning to Hamburg in 1582 he worked with his father as assistant organist at Sankt Jacobi, becoming principal organist in 1586 when his father died, a post he retained until his own dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Dismas Zelenka
Jan Dismas Zelenka (16 October 1679 – 23 December 1745), baptised Jan Lukáš Zelenka was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and mastery of counterpoint. Zelenka was raised in Central Bohemia, educated in Prague and Vienna, and spent his professional life in Dresden. The greatest success during his career was the performance of the extensive composition ''Sub olea pacis et palma virtutis'' in the presence of the Emperor Charles VI, shortly after his coronation as king of Bohemia in 1723. Life Early life Zelenka was born in Louňovice pod Blaníkem, a market town southeast of Prague, in Bohemia. He was the eldest of eight children born to Marie Magdalena (née Hájek) and Jiří Zelenka. The middle name Dismas is probably his confirmation name. Zelenka's father Jiří was a schoolmaster and organist in Louňovice, and was likely his first music teacher. Nothing more is known with certainty about Zelen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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