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Large-format
Large format refers to any imaging format of or larger. Large format is larger than "medium format", the or size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras (using 120- and 220-roll film), and much larger than the frame of 35 mm format. The main advantage of a large format, film or digital, is a higher resolution at the same pixel pitch, or the same resolution with larger pixels or grains which allows each pixel to capture more light enabling exceptional low-light capture. A 4×5 inch image (12.903 mm²) has about 15 times the area, and thus 15× the total resolution, of a 35 mm frame (864 mm²). Large format cameras were some of the earliest photographic devices, and before enlargers were common, it was normal to just make 1:1 contact prints from a 4×5, 5×7, or 8×10-inch negative. Formats The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polaroid 20×24 Camera
The Polaroid 20×24 camera is a very large instant camera made by Polaroid, with film plates that measure a nominal , giving the camera its name, although at least one camera takes pictures that are . Design The Polaroid 20×24 is one of the largest format cameras currently in common use, and could be hired from Polaroid agents in various countries. A plexiglass sheet is taped to the front of the lens, and the subject uses their reflection to help determine where they are in the frame. Because of the size of the image, acquiring an image with sufficient depth of field can be a challenge, and the lens (the camera at 20×24 Studio in New York City was fitted with a Fujinon-A 600 mm 11 lens) is often stopped down to 90. Lenses were available in a variety of focal lengths ranging from 135 mm to 1200 mm, but only the 600 mm, 800 mm, and 1200 mm lenses were designed for the 20×24 format. The 20×24 is collapsible for storage and transport like a field camera: the bellows are compress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
View Camera
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed and then the glass screen is replaced with the film, and thus the film is exposed to exactly the same image as was seen on the screen. This type of camera was first developed in the era of the daguerreotypeStroebel, L. D. (1986). ''View Camera Technique'', 5th ed., p. 212. Boston: Focal Press. (1840s–1850s) and is still in use today, some with various drive mechanisms for movements (rather than loosen-move-tighten), more scale markings, and/or more spirit levels. It comprises a flexible bellows that forms a light-tight seal between two adjustable ''standards'', one of which holds a lens, and the other a ground glass or a photographic film holder or a digital back.Stroebel (1986). p. 2. There are three general types, the rail camera, the field camera, and others that don't fit into either category. The bellows is a flexi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graflex
Graflex was a manufacturer that gave its brand name to several models of camera. The company was founded as the ''Folmer and Schwing Manufacturing Company'' in New York City in 1887 by William F. Folmer and William E. Schwing as a metal working factory, manufacturing gas light fixtures, chandeliers, bicycles and eventually, cameras. In 1909, it was acquired by George Eastman, and the company was moved to 12 Caledonia Avenue (later renamed Clarissa Street), Rochester, NY in 1928, as the Folmer & Schwing Division of the Eastman Kodak Company. In 1926, Kodak was forced to divest itself of the division, which was spun off forming a new company, the Folmer Graflex Corporation, which changed its name to Graflex Inc. in 1946. In 1956, it became a Division of the General Instrument Precision Company, and moved its offices to Pittsford, NY. In 1968, the company was sold to the Singer Corporation. Graflex was known for the quintessential press camera, the Speed Graphic which was manufactu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ansel Adams
Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed during exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography. Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speed Graphic
The Speed Graphic was a press camera produced by Graflex in Rochester, Monroe County, New York, Rochester, New York. Although the first Speed Graphic cameras were produced in 1912, production of later versions continued until 1973; with the most significant improvements occurring in 1947 with the introduction of the Pacemaker Speed Graphic (and Pacemaker Crown Graphic, which was lighter and lacked the focal plane shutter). Description Despite the common appellation of ''Speed Graphic'', various Graphic models were produced between 1912 and 1973. The authentic Speed Graphic has a focal plane shutter that the Crown Graphic and Century Graphic models lack. The eponymous name "speed" came from the maximum speed of 1/1000 sec. that could be achieved with the focal plane shutter. The Speed Graphic was available in 2¼ x 3¼ inch, 3¼ x 4¼ inch, 5 x 7 inch and the most common format 4 x 5 inch. Because of the focal plane shutter, the Speed Graphic can also use lenses that do not have s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Format
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the used in 35 mm photography (though not including 127 sizes), but smaller than (which is considered large format photography). In digital photography, medium format refers either to cameras adapted from medium-format film photography uses or to cameras making use of sensors larger than that of a 35 mm film frame. Some of the benefits of using medium-format digital cameras include higher resolution sensors, better low-light capabilities compared to a traditional 35mm DSLR, and a wider dynamic range. Characteristics Medium-format cameras made since the 1950s are generally less automated than smaller cameras made at the same time. For example, autofocus became available in consumer 35 mm cameras in 1977, but did not reach medium format until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasselblad
Victor Hasselblad AB is a Swedish manufacturer of medium format cameras, photographic equipment and image scanners based in Gothenburg, Sweden. The company originally became known for its classic analog medium-format cameras that used a waist-level viewfinder. Perhaps the most famous use of the Hasselblad camera was during the Apollo program missions when the first humans landed on the Moon. Almost all of the still photographs taken during these missions used modified Hasselblad cameras. In 2016, Hasselblad introduced the world's first digital compact mirrorless medium-format camera, the X1D-50c, changing the portability of medium-format photography. Hasselblad produces about 10,000 cameras a year from a small three-storey building. Company history The company was established in 1841 in Gothenburg, Sweden, by Fritz Wiktor Hasselblad, as a trading company, F. W. Hasselblad and Co. The founder's son, Arvid Viktor Hasselblad, was interested in photography and started the phot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scheimpflug Principle
The Scheimpflug principle is a description of the geometric relationship between the orientation of the plane of focus, the lens plane, and the image plane of an optical system (such as a camera) when the lens plane is not parallel to the image plane. It is applicable to the use of some camera movements on a view camera. It is also the principle used in corneal pachymetry, the mapping of corneal topography, done prior to refractive eye surgery such as LASIK, and used for early detection of keratoconus. The principle is named after Austrian army Captain Theodor Scheimpflug, who used it in devising a systematic method and apparatus for correcting perspective distortion in aerial photographs, although Captain Scheimpflug himself credits Jules Carpentier with the rule, thus making it an example of Stigler's law of eponymy. Description Normally, the lens and image (film or sensor) planes of a camera are parallel, and the plane of focus (PoF) is parallel to the lens and image ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changing Bag
A changing bag is a photographic bag specifically designed to be light-proof while in use. It is required for certain applications involving photosensitive materials when a darkroom is not available, like in the field. Common usages include removing film from its canister to put it into a developing tank, or loading and unloading sheet film holders. They are also commonly found on the set of a film, where the clapper loader may need one if shooting on location or far away from a darkroom. Usage It is handy to use when a darkroom is not available as is often the case in field shooting. It is also used in commercial photo processing labs, often to change paper. Description A changing bag has two sleeves at one end for both the user's arms, and a zipper (often more than one, for double layered changing bags) to insert the tools and film needed. There are several sizes available, from smaller ones for many still photography applications to larger bags used in large-format still phot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contact Print
A contact print is a photographic image produced from film; sometimes from a film negative, and sometimes from a film positive or paper negative. In a darkroom an exposed and developed piece of film or photographic paper is placed emulsion side down, in contact with a piece of photographic paper, light is briefly shone through the negative or paper and then the paper is developed to reveal the final print. The defining characteristic of a contact print is that the resulting print is the same size as the original, rather than having been projected through an enlarger. Basic tools Contact printing is a simple and inexpensive process. Its simplicity avails itself to those who may want to try darkroom processing without buying an enlarger. One or more negatives are placed on a sheet of photographic paper which is briefly exposed to a light source. The light may come from a low wattage frosted bulb hanging above an easel which holds them together, or contained in an exposure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Group f/64
Group 64 or f.64 was a group founded by seven 20th-century San Francisco Bay Area photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint. In part, they formed in opposition to the pictorialist photographic style that had dominated much of the early 20th century, but moreover, they wanted to promote a new modernist aesthetic that was based on precisely exposed images of natural forms and found objects. Background The late 1920s and early 1930s were a time of substantial social and economic unrest in the United States. The United States was suffering through the Great Depression, and people were seeking some respite from their everyday hardships. The American West was seen as the base for future economic recovery because of massive public works projects like the Hoover Dam. The public sought out news and images of the West because it represented a land of hope in an other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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