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Langlais
Jean François-Hyacinthe Langlais III (15 February 1907 – 8 May 1991) was a French composer of modern classical music, organist, and improviser. He described himself as "" ("Breton, of Catholic faith"). Biography Langlais was born in La Fontenelle (Ille-et-Vilaine, Brittany), a small village near Mont Saint-Michel, France to Jean-Marie-Joseph Langlais II, a blacksmith and Flavie Canto, a seamstress. Langlais became blind due to glaucoma when he was only two years old and was sent to the Institut National des Jeunes Aveugles (National Institute for Blind Children) in Paris, where he began to study the organ, with André Marchal. From there he progressed to the Paris Conservatoire, obtaining prizes in organ and studying composition with Marcel Dupré and Paul Dukas. He also studied improvisation with Charles Tournemire. After graduating, Langlais returned to the National Institute for Blind Children to teach, and also taught at the Schola Cantorum in Paris from 1961 to 1976. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Langlais
Jean François-Hyacinthe Langlais III (15 February 1907 – 8 May 1991) was a French composer of modern classical music, organist, and improviser. He described himself as "" ("Breton, of Catholic faith"). Biography Langlais was born in La Fontenelle (Ille-et-Vilaine, Brittany), a small village near Mont Saint-Michel, France to Jean-Marie-Joseph Langlais II, a blacksmith and Flavie Canto, a seamstress. Langlais became blind due to glaucoma when he was only two years old and was sent to the Institut National des Jeunes Aveugles (National Institute for Blind Children) in Paris, where he began to study the organ, with André Marchal. From there he progressed to the Paris Conservatoire, obtaining prizes in organ and studying composition with Marcel Dupré and Paul Dukas. He also studied improvisation with Charles Tournemire. After graduating, Langlais returned to the National Institute for Blind Children to teach, and also taught at the Schola Cantorum in Paris from 1961 to 1976. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Jean Langlais
This is an incomplete list of compositions by Jean Langlais. Langlais was a prolific composer, composing 254 works with opus numbers In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions .... Opus list {, class="wikitable" , - ! Opus ! Title , - , 1, , Prélude et Fugue , - , 2, , Adoration des bergers , - , 3, , O Salutaris hostia , - , 4, , Thème libre , - , 5, , Trois Paraphrases Gregoriannes , - , 6, , 24 Pieces for harmonium or organ , - , 7, , Poèmes Évangeliques , - , 8, , Cinq motets , - , 9, , Trois Paraphrases Grégoriennes , - , 10, , , - , 11, , , - , 12, , , - , 13, , , - , 14, , Suite pour piano à quatre-mains , - , 15, , Trio, pour flute violon et alto , - , 16, , , - , 17, , , - , 18, , Pièces en forme libre, pour orgue et orchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathleen Thomerson
Kathleen Armstrong Thomerson (born February 18, 1934) is an American organist and hymnwriter. Biography A native of Jackson, Tennessee,Kathleen A. Thomerson. The Canterbury Dictionary of Hymnology. Canterbury Press. Web. 15 Nov. 2018. Thomerson spent portions of her childhood in , , and . She attended the |
La Fontenelle, Ille-et-Vilaine
La Fontenelle (; br, Ar Fantanig; Gallo language, Gallo: ''La Fontenèll'') is a former Communes of France, commune in the Ille-et-Vilaine Departments in France, department of Brittany (administrative region), Brittany in north-western France. On 1 January 2019, it was merged into the new commune Val-Couesnon. 28 September 2018 Population Inhabitants of La Fontenelle are called in French ''Fontenellois''.See also *Communes of the Ille-et-Vilaine departmentReferences External links * Former communes of Ille-et-Vilaine {{IlleVilaine-geo-stub ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institut National Des Jeunes Aveugles
Institut National des Jeunes Aveugles (''National Institute for Blind Children'' or ''Royal Institution for Blind Youth''), in Paris, was the first special school for blind students in the world, and served as a model for many subsequent schools for blind students. History It was not until the late 18th century that society began to take an interest in the education of the blind. Until that time they were considered mostly uneducable and untrainable. In 1784, Valentin Haüy undertook to teach François Lesueur to read, with the help of the '' Société philanthropique''. It enabled him to prove the efficiency of his method. In 1785, he founded, on his own funds, what was then called the Institute for Blind Youth (''Institution des jeunes aveugles''), in Coquillère street. In 1786, this school move to a building in Notre-Dame-des-Victoires street, rented by the ''Société philantropique'', a group of benefactors. On December 26, Haüy presents his methods and some of his pupils ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Conservatoire
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sainte-Clotilde, Paris
The Basilica of Saint Clotilde (''Basilique Ste-Clotilde'') is a basilica church in Paris, located on the Rue Las Cases, in the 7th arrondissement. It is best known for its twin spires. History Construction of the church was first mooted by the Paris City Council on 16 February 1827. It was designed by architect F. C. Gau of Cologne in a neo-Gothic style. Work began in 1846, but Gau died in 1853, and the job was continued by Théodore Ballu who completed the church in 1857. It was opened on 30 November 1857 by Cardinal Morlot. The church was declared a minor basilica by Pope Leo XIII in 1896. Architecture This neo-gothic basilica is marked by its two towers 69 meters high. The interior is clear and there are stained glass windows by Thibaut (a 19th-century glassmaker), paintings by Jules Eugène Lenepveu, sculptures by James Pradier and Francisque Joseph Duret. A series of sculptures by Jean-Baptiste Claude Eugène Guillaume representing the conversion of Valerie of Limoges, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum De Paris
The Schola Cantorum de Paris is a private conservatory in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d'Indy as a counterbalance to the Paris Conservatoire's emphasis on opera. History La Schola was founded in 1894 and opened on 15 October 1896 as a rival to the Paris Conservatoire. Alexandre Guilmant, an organist at the Conservatoire, was the director of the Schola before d'Indy took over. D'Indy set the curriculum, which fostered the study of late Baroque and early Classical works, Gregorian chant, and Renaissance polyphony. According to the ''Oxford Companion to Music'', "A solid grounding in technique was encouraged, rather than originality, and the only graduates who could stand comparison with the best Conservatoire students were Albéric Magnard, Magnard, Albert Roussel, Roussel, Déodat de Séverac, and Pierre de Bréville." The school was originally located in Montparnasse; in 1900 it moved to its present site, a former convent in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Dupré
Marcel Jean-Jules Dupré () (3 May 1886 – 30 May 1971) was a French organist, composer, and pedagogue. Biography Born in Rouen into a wealthy musical family, Marcel Dupré was a child prodigy. His father Aimable Albert Dupré was titular organist of Saint-Ouen Abbey from 1911 til his death and a friend of Aristide Cavaillé-Coll, who built an organ in the family house when Marcel was 10 years old. His mother Marie-Alice Dupré-Chauvière was a cellist who also gave music lessons, and his paternal uncle Henri Auguste Dupré was a violinist and violist. Both of his grandfathers, Étienne-Pierre Chauvière (maître de chapelle at Saint-Patrice in Rouen and an operatic bass) and Aimable Auguste-Pompée Dupré (who was also a friend of Cavaillé-Coll) were also organists. Having already taken lessons from Alexandre Guilmant (due to him appealing to his father), he entered the Paris Conservatoire in 1904, where he studied with Louis Diémer and Lazare Lévy (piano), Guilmant an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dukas
Paul Abraham Dukas ( or ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (Dukas), ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works. Among these are the opera ''Ariane et Barbe-bleue'', his Symphony in C (Dukas), Symphony in C and Piano Sonata (Dukas), Piano Sonata in E-flat minor, the ''Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, ''La Péri (Dukas), La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Ludwig van Beethoven, Beethoven, Hector Berlioz, Berlioz, César ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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