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Landscapes (Eloy Fritsch Album)
Eloy Fernando Fritsch (born 1968) is an electronic musician, keyboard player and main composer of Brazilian progressive rock band Apocalypse. As a solo artist he creates cosmic new-age music. History In 1983 Fritsch formed progressive rock band Apocalypse. They are considered pivotal in the development of progressive rock in Southern Brazil.Eloy Fritsch
, Official Web Site. Retrieved 5 June 2008
In 1992, he moved to Porto Alegre and began his solo project composing . His first official solo album was ''Dreams'', recorded in 1994 and 1995. During 1997, he released his second solo album, ''Behind the Walls of Imagination'', which showcases his skills with various electronic and acoustic keyboard instruments. In the ...
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Brazil
Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area and the seventh most populous. Its capital is Brasília, and its most populous city is São Paulo. The federation is composed of the union of the 26 States of Brazil, states and the Federal District (Brazil), Federal District. It is the largest country to have Portuguese language, Portuguese as an List of territorial entities where Portuguese is an official language, official language and the only one in the Americas; one of the most Multiculturalism, multicultural and ethnically diverse nations, due to over a century of mass Immigration to Brazil, immigration from around the world; and the most populous Catholic Church by country, Roman Catholic-majority country. Bounded by the Atlantic Ocean on the east, Brazil has a Coastline of Brazi ...
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Landscapes (Eloy Fritsch Album)
Eloy Fernando Fritsch (born 1968) is an electronic musician, keyboard player and main composer of Brazilian progressive rock band Apocalypse. As a solo artist he creates cosmic new-age music. History In 1983 Fritsch formed progressive rock band Apocalypse. They are considered pivotal in the development of progressive rock in Southern Brazil.Eloy Fritsch
, Official Web Site. Retrieved 5 June 2008
In 1992, he moved to Porto Alegre and began his solo project composing . His first official solo album was ''Dreams'', recorded in 1994 and 1995. During 1997, he released his second solo album, ''Behind the Walls of Imagination'', which showcases his skills with various electronic and acoustic keyboard instruments. In the ...
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Casio AZ-1
The Casio AZ-1 is a polyphonic MIDI keyboard in the form factor of a keytar. It has a distinctive white body with a long neck, with detailing in a pale blue. This instrument is designed to be played, with the aid of a shoulder strap, in an approximation of an electric guitar. As were many keytars, it was geared towards keyboardists who wanted greater freedom of movement during performances. Features The AZ-1 features 2 switches, 2 wheels, and 1 slider that transmit assignable MIDI continuous controller data as the user deems fit. It has a pitch wheel for shifting the sound up or down fractions of a note. Other non-definable controllers include Solo, Sustain, Portamento and a three position octave slider. The AZ-1 has one MIDI output, and can simultaneously transmit on two selectable midi channels. It can send midi program change commands from dedicated program select buttons. Furthermore, its feature set includes both velocity sensitivity as well as true aftertouch. This is ...
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Casio CZ-5000
The CZ series is a family of low-cost phase distortion synthesizers produced by Casio in the mid-1980s. Eight models of CZ synthesizers were released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally, the home-keyboard model CT-6500 used 48 phase distortion presets from the CZ line. The CZ synthesizers' price at the time of their introduction made programmable synthesizers affordable enough to be purchased by garage bands. Yamaha soon introduced their own low-cost digital synthesizers, including the DX-21 (1985) and Yamaha DX100, in light of the CZ series' success. Programming Casio's phase distortion synthesis technique was championed by Casio engineer Mark Fukuda and evolved from the Cosmo Synth System that was custom-developed for legendary synthesist-composer Isao Tomita. Yukihiro Takahashi was also on board during development; he then toured with a CZ-1 in 1986. To make the CZ synthesizers inexpensive, so they would be affordab ...
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Roland VK-8
The VK-8 Combo Organ is a discontinued electronic keyboard introduced in 2002, which simulates the sound of an electromechanical tonewheel-based Hammond organ. The VK-8 is both an improvement and successor to both the VK-7 The Roland VK-7 is an electronic keyboard introduced in 1997 which simulates the sound of an electromechanical Hammond organ. Like other electronic musical instruments that emulate (or "clone") the sound of the electromechanical tonewheel-based org ... and VK-77. The VK-8 itself was succeeded by the VK-88. Description The VK-8 harbors a sleek "waterfall" design The main control panel of the VK-8 includes a master volume control, the expected six-position chorus/vibrato, a D-Beam controller, Leslie speaker controls, traditional percussion controls, rotary speaker modeling based on COSM technology, voice selectors for the 64 patch memories, tonewheel, amplifier and overdrive controls. However the keyboard lacks a screen feature. Along with the familiar Hammond or ...
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Roland AX-1
The Roland Corporation has manufactured several Keytar, keytars. List of Roland keytars AXIS Roland's first keytar was the AXIS (keytar), AXIS (officially the AXIS-1, leading to its frequently being confused with the AX-1). It was produced between 1985 and 1987, and is notable for being a significantly different design than later Roland keytars. It features a 45-note keyboard that is sensitive to both velocity and aftertouch; aftertouch sensitivity was removed on the AX-1 and not restored to any Roland keytar until the AX-Edge in 2018. It uses three conventional wheels for pitch bend, modulation, and volume, rather than the pitch ribbon and modulation pressure bar on later designs. It is AC-powered with no battery option – a proprietary multipin cable connects the AXIS to a Power Supply Unit on the floor. The PSU has non-slip rubber sides and features a power cable, power switch, multipin cable input, and MIDI output, as well as a footswitch for sustain while playing. AX-1 Th ...
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Roland JX-3P
The Roland JX-3P is a synthesizer produced by Roland Corporation of Japan from 1983-1985. The "3P" in its name refers to "Programmable Preset Polyphonic". It is notable as one of the company's first synthesizers (along with the Jupiter-6) to incorporate a MIDI interface. Features The JX-3P is a six-note polyphonic, 61 key synthesizer with sawtooth, 50 and 10% pulse waveforms, and a noise generator. It has 32 factory programs in ROM, and user memory for 32 programs. The JX-3P also features a built-in 128-step polyphonic sequencer that can be synchronized to external devices, such as drum machines, connected to its simple clock pulse input jack. MIDI clock synchronization is not supported. As one of the earliest MIDI devices, the JX-3P's MIDI implementation is basic, supporting only note on/off, pitch bend, hold, modulation and program change messages. Neither "System Exclusive" nor "Continuous Controllers" (CC) are implemented, so external patch storage or real-time parameter ...
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Roland Juno-106
The Roland Juno-106 is a synthesizer released by Roland Corporation in February 1984. Features The Juno-106 is a polyphonic synthesizer with six voices. It is an analog synthesizer but with digitally controlled oscillators and chorus effects. Whereas its predecessor, the Juno-60, has 56 patches, the Juno-106 has 128. It introduced Roland's performance lever for pitch bends and modulation, which became a standard feature of Roland instruments. It also adds MIDI and was one of the first analog synthesizers to allow users to sequence parameter changes. Impact Artists who have used the Juno-106 include Jacob Mann, Vince Clarke, Frankie Goes to Hollywood, Chvrches, Leftfield, William Orbit, Tangerine Dream, Underworld, Reel 2 Real, Jam & Spoon, and Vangelis. The Juno-106 was Roland's bestselling synthesizer until the release of the Roland D-50 later in the decade. It remains one of the bestselling synthesizers. In 1985, Roland released two versions with built-in speakers: the ...
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Roland JP-8080
The Roland JP-8000 is an analog modeling synthesizer released by the Roland Corporation in 1996. Overview The Roland JP-8000 was released in early 1997 as part of the first wave of virtual analog modeling synthesizers (VA synths). Others from that period included the Clavia Nord Lead (1995), Korg Prophecy (1995), Access Virus (1997) and Yamaha AN1x (1997). VA synths had the goal of recreating the sound, functionality and user interface of classic analog synthesizers. The JP-8000 was viewed at the time as the modern digital incarnation of the classic Roland Jupiter-8, from 1981. The programming interface, synthesis options and general tone is very similar to Roland's Jupiter-6 as well. The JP-8000 sought to digitally reproduce the warm analog tonalities and sheer power of its analog predecessors. Although it lacked somewhat in analog warmth due to its early digital architecture, it added many new features, such as RPS (Realtime Phrase Sequencing), which allowed short sequence ...
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Roland JP-8000
The Roland JP-8000 is an analog modeling synthesizer released by the Roland Corporation in 1996. Overview The Roland JP-8000 was released in early 1997 as part of the first wave of virtual analog modeling synthesizers (VA synths). Others from that period included the Clavia Nord Lead (1995), Korg Prophecy (1995), Access Virus (1997) and Yamaha AN1x (1997). VA synths had the goal of recreating the sound, functionality and user interface of classic analog synthesizers. The JP-8000 was viewed at the time as the modern digital incarnation of the classic Roland Jupiter-8, from 1981. The programming interface, synthesis options and general tone is very similar to Roland's Jupiter-6 as well. The JP-8000 sought to digitally reproduce the warm analog tonalities and sheer power of its analog predecessors. Although it lacked somewhat in analog warmth due to its early digital architecture, it added many new features, such as RPS (Realtime Phrase Sequencing), which allowed short sequenc ...
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Roland JD-800
The Roland JD-800 is a digital synthesizer that was manufactured between 1991 and 1996. It features many knobs and sliders for patch editing and performance control — features that some manufacturers, including Roland, had been omitting in the name of streamlining since the inception of the Yamaha DX7. The JD-800 thus became very popular with musicians who wished to take a hands-on approach to patch programming. The introduction in the manual states that Roland's intention with the JD-800 was to "return to the roots of synthesis". Technology The JD-800 employs Linear Arithmetic synthesis (introduced and made famous by the Roland D-50), which combines sample playback with digital synthesis. The JD-800 has 108 built-in waveforms, which can be expanded via PCM cards. The waveforms span a variety of categories such as analog synthesizers, acoustic instruments, and voices. Many of these waveforms are very short and are used primarily for the attack portion of a sound, while longer ...
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Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They were a ...
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