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Lament Of Edward II
The ''Lament of Edward II'' ("En tenps de iver me survynt damage") is traditionally credited to Edward II of England, and thought to have been written during his imprisonment shortly after he was deposed by his wife Isabella in January 1327. Not all readers are convinced of the royal attribution of its authorship. The poem, in fifteen stanzas, bears the heading ''De Le Roi Edward, le Fiz Roi Edward, Le Chanson Qe Il Fist Mesmes'' ("Of the King Edward, son of King Edward, the Song that He Made himself"). It was a ''chanson'', and was likely to be sung to an existing tune. In each stanza two rhymes alternate, in approximately octosyllabic lines. The text survives in a manuscript on vellum at Longleat, bound into a volume titled ''Tractatus varii Theologici saec. XIII et XIV'' (76v and 77r), causing it to be overlooked; and in a manuscript in the Royal Library. It was identified by Paul Studer and first published by him with a short literary introduction and an English translati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward II Of England
Edward II (25 April 1284 – 21 September 1327), also called Edward of Caernarfon, was King of England and Lord of Ireland from 1307 until he was deposed in January 1327. The fourth son of Edward I, Edward became the heir apparent to the throne following the death of his elder brother Alphonso. Beginning in 1300, Edward accompanied his father on invasions of Scotland. In 1306, he was knighted in a grand ceremony at Westminster Abbey. Following his father's death, Edward succeeded to the throne in 1307. He married Isabella, the daughter of the powerful King Philip IV of France, in 1308, as part of a long-running effort to resolve tensions between the English and French crowns. Edward had a close and controversial relationship with Piers Gaveston, who had joined his household in 1300. The precise nature of their relationship is uncertain; they may have been friends, lovers, or sworn brothers. Edward's relationship with Gaveston inspired Christopher Marlowe's 15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trope (literature)
A literary trope is the use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. Keith and Lundburg describe a trope as, "a substitution of a word or phrase by a less literal word or phrase." The word ''trope'' has also come to be used for describing commonly recurring or overused literary and rhetorical devices, motifs or clichés in creative works. Literary tropes span almost every category of writing, such as poetry, film, plays, and video games. Origins The term ''trope'' derives from the Greek (''tropos''), "turn, direction, way", derived from the verb τρέπειν (''trepein''), "to turn, to direct, to alter, to change". Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction. Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Norman Literature
Anglo-Norman may refer to: *Anglo-Normans, the medieval ruling class in England following the Norman conquest of 1066 *Anglo-Norman language **Anglo-Norman literature * Anglo-Norman England, or Norman England, the period in English history from 1066 till 1154 *Anglo-Norman horse, a breed from Normandy, France *Anglo-Norman Isles, or Channel Islands, an archipelago in the English Channel * CSS ''Anglo-Norman'', a gunboat of the Confederate Navy See also *Cambro-Normans *Normans in Ireland *Scoto-Norman The term Scoto-Norman (also Franco-Scottish or Franco-Gaelic) is used to describe people, families, institutions and archaeological artifacts that are partly Scottish (in some sense) and partly Anglo-Norman (in some sense). It is used to refer to ... {{disamb Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Fabyan
Robert Fabyan (died 1512) was a London draper, Sheriff and Alderman, and author of ''Fabyan's Chronicle''. Family Robert Fabyan was the son of John Fabyan and his wife, Agnes. He is said to have been born in London. He had a brother, John. His nephew, John Fabyan, married Anne Waldegrave, by whom he had a daughter, Mary Fabian, wife of Sir Thomas Spert. Career He was apprenticed as a draper to William Holme about 1470, and was granted the freedom of the Worshipful Company of Drapers in 1476. In 1485 he served as renter warden of the Drapers, and in 1486 as auditor of the accounts of the City of London. In 1493 he was elected Sheriff, and in the following year as alderman of the ward of Farringdon Without. In 1495 he was elected Master of the Drapers, and in 1496 was chosen to petition Henry VII on behalf of the Company with respect to the levies on cloth exported from England to Flanders. During the Cornish Rebellion of 1497 Fabyan, John Brooke and John Warner were charged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envoi
Envoi or envoy in poetry is used to describe: * A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means ' hesending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title. Form The envoi is relatively fluid in form. In ballades and chant royal, envoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lament
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret, or mourning. Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing, moaning and/or crying. Laments constitute some of the oldest forms of writing, and examples exist across human cultures. History Many of the oldest and most lasting poems in human history have been laments. The Lament for Sumer and Ur dates back at least 4000 years to ancient Sumer, the world's first urban civilization. Laments are present in both the ''Iliad'' and the ''Odyssey'', and laments continued to be sung in elegiacs accompanied by the aulos in classical and Hellenistic Greece. Elements of laments appear in '' Beowulf'', in the Hindu Vedas, and in ancient Near Eastern religious texts. They are included in the Mesopotamian City Lame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provençal Literature
Occitan literature (referred to in older texts as Provençal literature) is a body of texts written in Occitan, mostly in the south of France. It was the first literature in a Romance language and inspired the rise of vernacular literature throughout medieval Europe. Occitan literature's Golden Age was in the 12th century, when a rich and complex body of lyrical poetry was produced by troubadours writing in Old Occitan, which still survives to this day. Although Catalan is considered by some a variety of Occitan, this article will not deal with Catalan literature, which started diverging from its Southern French counterpart in the late 13th century. Introduction Occitan literature started in the 11th century in several centres. It gradually spread from there, first over the greater portion (though not the whole) of southern France, into what is now the north of Italy and into Spain (Catalonia, Galicia, Castile), and Portugal. In its rise Occitan literature stands completely by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Of France
Isabella of France ( – 22 August 1358), sometimes described as the She-Wolf of France (), was Queen of England as the wife of King Edward II, and regent of England from 1327 until 1330. She was the youngest surviving child and only surviving daughter of Philip IV of France and Joan I of Navarre. Isabella was notable in her lifetime for her diplomatic skills, intelligence, and beauty. She overthrew her husband, becoming a "femme fatale" figure in plays and literature over the years, usually portrayed as a beautiful but cruel and manipulative figure. Isabella arrived in England at the age of 12 during a period of growing conflict between the king and the powerful baronial factions. Her new husband was notorious for the patronage he lavished on his favourite, Piers Gaveston, but the queen supported Edward during these early years, forming a working relationship with Piers and using her relationship with the French monarchy to bolster her own authority and power. After the deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Norman Language
Anglo-Norman, also known as Anglo-Norman French ( nrf, Anglo-Normaund) ( French: ), was a dialect of Old Norman French that was used in England and, to a lesser extent, elsewhere in Great Britain and Ireland during the Anglo-Norman period. When William the Conqueror led the Norman conquest of England in 1066, he, his nobles, and many of his followers from Normandy, but also those from northern and western France, spoke a range of langues d'oïl (northern varieties of Gallo-Romance). One of these was Old Norman, also known as "Old Northern French". Other followers spoke varieties of the Picard language or western registers of general Old French. This amalgam developed into the unique insular dialect now known as Anglo-Norman French, which was commonly used for literary and eventually administrative purposes from the 12th until the 15th century. It is difficult to know much about what was actually spoken, as what is known about the dialect is restricted to what was written, but i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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