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Lalla Rookh (1826 Ship)
''Lalla Rookh'' is an Oriental romance by Irish poet Thomas Moore, published in 1817. The title is taken from the name of the heroine of the frame tale, the (fictional) daughter of the 17th-century Mughal emperor Aurangzeb. The work consists of four narrative poems with the connecting tale in prose. The name Lalla Rookh or Lala-Rukh ( fa, لاله رخ ''laleh rox/rukh'') is an endearment frequently used in Persian poetry. Name and background The name Lalla Rookh or Lala-Rukh ( fa, لاله رخ ''laleh rox'' or ''rukh''), means "tulip-cheeked" and is an endearment frequently used in Persian poetry. Lalla Rookh has also been translated as "rosy-cheeked"; however, the first word derives from the Persian word for tulip, ''laleh'', and a different word, ''laal'', means rosy, or ruby. Tulips were first cultivated in Persia, probably in the 10th century, and remain a powerful symbol in Iranian culture, and the name Laleh is a popular girl's name. ''Rukh'' also translates as "f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Clay
Frederic Emes Clay (3 August 1838 – 24 November 1889) was an English composer known principally for songs and his music written for the stage. Although from a musical family, for 16 years Clay made his living as a civil servant in HM Treasury, composing in his spare time, until a legacy in 1873 enabled him to become a full-time composer. He had his first big stage success with ''Ages Ago'' (1869), a short comic opera with a libretto by W. S. Gilbert, for the small Gallery of Illustration; it ran well and was repeatedly revived. Clay, a great friend of his fellow composer Arthur Sullivan, introduced the latter to Gilbert, leading to the Gilbert and Sullivan partnership. In addition to Gilbert, Clay's librettists during his 24-year career included B. C. Stephenson, Tom Taylor, Thomas William Robertson, T. W. Robertson, Robert Reece and George Robert Sims, G. R. Sims. The last of his four pieces with Gilbert was ''Princess Toto'' (1875), which had short runs in the West End theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Edmund Wollheim Da Fonseca , the championship trophy of the Swedish ju ...
Anton may refer to: People * Anton (given name), including a list of people with the given name * Anton (surname) Places * Anton Municipality, Bulgaria ** Anton, Sofia Province, a village * Antón District, Panama ** Antón, a town and capital of the district * Anton, Colorado, an unincorporated town * Anton, Texas, a city * Anton, Wisconsin, an unincorporated community *River Anton, Hampshire, United Kingdom Other uses * Case Anton, codename for the German and Italian occupation of Vichy France in 1942 * Anton (computer), a highly parallel supercomputer for molecular dynamics simulations * ''Anton'' (1973 film), a Norwegian film * ''Anton'' (2008 film), an Irish film *Anton Cup The Anton Cup is the championship trophy of the Swedish junior hockey league, J20 SuperElit. The trophy was donated by Anton Johansson, chairman of the Swedish Ice Hockey Association between 1924 and 1948, in 1952, as an award for Sweden's top-ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise And The Peri
''Paradise and the Peri'', in German ''Das Paradies und die Peri'', is a secular oratorio for soloists, choir, and orchestra by Robert Schumann. Completed in 1843, the work was published as Schumann's Op. 50. The work is based on a German translation (by Schumann and his friend Emil Flechsig) of a tale from ''Lalla-Rookh'' by Irish poet and lyricist Thomas Moore. The peri, a creature from Persian mythology, is the focus of the story, having been expelled from Paradise and trying to regain entrance by giving the gift that is most dear to heaven. Eventually the peri is admitted after bringing a tear from the cheek of a repentant old sinner who has seen a child praying. Peter Ostwald in his biography ''Schumann: The Inner Voices of a Musical Genius'' records that Schumann "confided to a friend that 'while writing ''Paradise and the Peri'' a voice occasionally whispered to me "what you are doing is not done completely in vain,"'" and that even Richard Wagner praised this work. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Villiers Stanford
Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic music, Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in University of Music and Theatre Leipzig, Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life. From 1887 he was also Professor of Music (Cambridge), Professor of Music at Cambridge. As a teacher, Stanford was sceptical about modernism, and based his instruction chiefly on classical principles as exemplified in the music of Johannes Brahms, Brahms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Veiled Prophet (opera)
''The Veiled Prophet'' is an 1877 romantic opera in three acts by Charles Villiers Stanford to a libretto by William Barclay Squire based on the 1817 poem "The Veiled Prophet of Khorassan" (Lalla Rookh) by Thomas Moore. It was first performed in Hanover in 1881, in German. Its sole British performance was given in Italian at the Royal Opera House, London, in 1893, and its first performance in its original English version was at the Wexford Festival in 2019. The opera depicts the tyranny of Mokanna, the hideously disfigured veiled prophet, and his overthrow by the young warrior Azim. Unlike the source poem, the opera ends happily with Azim and his love Zelika united. Background and premieres The libretto is based on Moore's poem "The Veiled Prophet of Khorassan", but the original story is not adhered to in every detail, particularly at the denouement: in the opera the heroine, Zelika, is restored to her lover Azim, instead of being killed by him in mistake for the false prophet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Rubinstein
Anton Grigoryevich Rubinstein ( rus, Антон Григорьевич Рубинштейн, r=Anton Grigor'evič Rubinštejn; ) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein, who founded the Moscow Conservatory. As a pianist, Rubinstein ranks among the great 19th-century keyboard virtuosos. He became most famous for his series of historical recitals—seven enormous, consecutive concerts covering the history of piano music. Rubinstein played this series throughout Russia and Eastern Europe and in the United States when he toured there. Although best remembered as a pianist and educator (most notably in the latter as the composition teacher of Tchaikovsky), Rubinstein was also a prolific composer throughout much of his life. He wrote 20 operas, the best known of which is '' The Demon''. He composed many other works, including five pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feramors
''Feramors'' is an opera in three (first version) or two (second version) acts by Anton Rubinstein to a libretto by Julius Rodenberg. The story is based on ''Lalla Rookh'' by the Irish poet Thomas Moore. The opera was composed in 1862. Performance history The opera was premiered at the Semperoper in Dresden on 24 February 1863, and had subsequent stagings in Vienna (1872), Milan (1874), Berlin (1879), and Danzig (1880). Its first production in Russia was an amateur performance in Saint Petersburg in 1884. The first professional production there was on 18 August 1898 at the Mariinsky Theatre, conducted by Felix Blumenfeld. The reason for its late appearance on the Russian stage was competition from an opéra-comique on the same subject by Félicien David. Peter Tchaikovsky, who heard the opera at the Berlin 1879 staging, liked the opera and wrote to Nadezhda von Meck that "it comes from the period in which Rubinstein did all his best work, that is 20 years ago". Perhaps the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félicien David
Félicien-César David (13 April 1810 – 29 August 1876) was a French composer. Biography Félicien David was born in Cadenet, and began to study music at the age of five under his father, whose death when the boy was six left him an impoverished orphan. His good voice enabled him to study as a choirboy at the Church of Saint-Sauveur in Aix-en-Provence, which he left at the age of 15 with a sound knowledge of music, and a scholarship which enabled him to study literature at a Jesuit college. However, after three years, he abandoned these studies to pursue a musical career. He first obtained a position in the orchestra of the theatre at Aix. In 1829, he became '' maître de chapelle'' at Saint-Sauveur, but realised that to complete his musical education he needed to study at Paris. An allowance of 50 francs per month from a rich uncle made this possible. In Paris in 1830 he convinced Luigi Cherubini, the director of the Conservatoire, to enroll him as a pupil: despite his res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalla-Roukh
''Lalla-Roukh'' is an '' opéra comique'' in two acts composed by Félicien David. The libretto by Michel Carré and Hippolyte Lucas was based on Thomas Moore's 1817 narrative poem ''Lalla Rookh''. It was first performed on 12 May 1862 by the Opéra-Comique at the Salle Favart in Paris. Set in Kashmir and Samarkand, the opera recounts the love story between Nourreddin, the King of Samarkand, and the Mughal princess Lalla-Roukh. Her name means "Tulip-cheeked", a frequent term of endearment in Persian poetry. Performance history ''Lalla-Roukh'' had its world premiere on 12 May 1862 at the Opéra-Comique (Salle Favart) in Paris in a double bill with Pierre-Alexandre Monsigny's '' Rose et Colas'', a one-act '' mêlée d'ariettes''. The '' mise en scène'' was by Ernest Mocker, the settings by Jean-Pierre Moynet, Charles Cambon, and Joseph Thierry, and the costumes by Jules Marre. An immediate success with the Paris audiences, ''Lalla-Roukh'' was very popular in its day, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical ''tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in ''Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatories of Naples. Working his way from Italian city to city, he got his first break in Rome, with his successful comedy ''Li Puntigli delle Donne'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
