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Lakshmisha
Lakshmisa (or Lakshmisha, kn, ಲಕ್ಷ್ಮೀಶ) was a noted Kannada language writer who lived during the mid-16th or late 17th century. His most important writing, ''Jaimini Bharata'' is a version of the Hindu epic Mahabharata. The writing focuses on the events following the battle of Indraprastha between the Pandavas and Kauravas, using the Ashvamedha ("horse sacrifice") conducted by Yudhishthira as the topic of the epic narrative. The writing is in the ''shatpadi'' metre (hexa-metre, 6 line verse) and was inspired by the Sanskrit original written by sage Jaimini.Sastri (1955), p. 365 Life The place, time and religious sect that Lakshmisa belonged to has been a subject of controversy among historians. Some historians believe he was a native of Devanur in modern Kadur taluk, Chikkamagaluru district, Karnataka state. It is claimed that his family deity was "Lakshmiramana" (a form of Hindu God Vishnu) to whom he dedicated his writing. Devanur was called by multiple name ...
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Kannada Literature
Kannada literature is the Text corpus, corpus of written forms of the Kannada language, a member of the Dravidian language, Dravidian Language family, family spoken mainly in the Indian state of Karnataka and written in the Kannada script. Attestations in literature span one and a half millennia, R.S. Mugali (2006), ''The Heritage of Karnataka'', pp. 173–175 with some specific literary works surviving in rich manuscript traditions, extending from the 9th century to the present. The Kannada language is usually divided into three linguistic phases: Old (450–1200 CE), Middle (1200–1700 CE) and Modern (1700–present); and its literary characteristics are categorised as Jainism, Jain, Lingayatism and Vaishnavism, Vaishnava—recognising the prominence of these three faiths in giving form to, and fostering, classical expression of the language, until the advent of the modern era. Kittel in Rice E.P. (1921), p. 14Sastri 1955, pp. 355–365Narasimhacharya (1934), pp. 17, 61 Al ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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Part Of Lakshmisha's Kannada Epic Jaimini Bharata (Ashvamedha Parva-Horse Sacrifice Section)
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Advaita
''Advaita Vedanta'' (; sa, अद्वैत वेदान्त, ) is a Hindu sādhanā, a path of spiritual discipline and experience, and the oldest extant tradition of the orthodox Hindu school Vedānta. The term ''Advaita'' (literally "non-secondness", but usually rendered as "nondualism", and often equated with monism) refers to the idea that ''Brahman'' alone is ultimately real, while the transient phenomenal world is an illusory appearance (''maya'') of Brahman. In this view, (''jiv) Ātman'', the experiencing self, and ''Ātman-Brahman'', the highest Self and Absolute Reality, is non-different. The ''jivatman'' or individual self is a mere reflection or limitation of singular ''Ātman'' in a multitude of apparent individual bodies. In the Advaita tradition, ''moksha'' (liberation from suffering and rebirth) is attained through recognizing this illusoriness of the phenomenal world and disidentification from the body-mind complex and the notion of 'doership' ...
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Alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic. Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish. It was an important ingredient of the Sanskrit shlokas. Alliteration was used in Old English given names. This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ...
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Similes
A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors create an implicit comparison (i.e. saying something "''is''" something else). This distinction is evident in the etymology of the words: simile derives from the Latin word ''similis'' ("similar, like"), while metaphor derives from the Greek word ''metapherein'' ("to transfer"). Like in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle. Author and lexicographer Frank J. Wilstach compiled a dictionary of similes in 1916, with a second edition in 1924. Uses In literature * "O My like a red, red rose." "A Red, Red Rose," by Robert Burns. * John Milton, ''Paradise Lost'', a Homeric simile:::As when a prowling Wolf, ::Whom hunger drives to seek new haun ...
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Jaimini Bharata, Wesleyan Mission Press, Bangalore, 1852
Sage Jaimini was an ancient Indian scholar who founded the Mīmāṃsā school of Hindu philosophy. He is considered to be a disciple of Rishi/Sage Veda Vyasa, the son of Parāśara Rishi. Traditionally attributed to be the author of the ''Mimamsa Sutras'' James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism, Vol. 1 & 2, Rosen Publishing, , pages 438, 437-438, 746 and ''Jaimini Sutras'', he is estimated to have lived around 4th to 2nd century BCE. Some scholars place him between 250 BCE and 50 CE. His school is considered non-theistic,FX Clooney (1997), What’s a god? The quest for the right understanding of devatā in Brāhmaṅical ritual theory (Mīmāṃsā), International Journal of Hindu Studies, August 1997, Volume 1, Issue 2, pages 337-385 but one that emphasized rituals parts of the Vedas as essential to Dharma.P. Bilimoria (2001), Hindu doubts about God: Towards Mimamsa Deconstruction, in Philosophy of Religion: Indian Philosophy (Editor: Roy Perrett), Vol ...
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Ramanujacharya
Ramanuja (Middle Tamil: Rāmāṉujam; Classical Sanskrit: Rāmanuja; 1017 CE – 1137 CE; ; ), also known as Ramanujacharya, was an Indian Hindu philosopher, guru and a social reformer. He is noted to be one of the most important exponents of the Sri Vaishnavism tradition within Hinduism. His philosophical foundations for devotionalism were influential to the Bhakti movement. Ramanuja's guru was Yādava Prakāśa, a scholar who according to tradition belonged to the Advaita Vedānta tradition, but probably was a Bhedabheda scholar. Sri Vaishnava tradition holds that Ramanuja disagreed with his guru and the non-dualistic Advaita Vedānta, and instead followed in the footsteps of Tamil Alvārs tradition, the scholars Nāthamuni and Yamunāchārya. Ramanuja is famous as the chief proponent of Vishishtadvaita subschool of Vedānta, and his disciples were likely authors of texts such as the Shatyayaniya Upanishad. Ramanuja himself wrote influential texts, such as bhāsya on ...
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Visishtadvaita
Vishishtadvaita ( IAST '; sa, विशिष्टाद्वैत) is one of the most popular schools of the Vedanta school of Hindu philosophy. Vedanta literally means the in depth meaning ''of the Vedas.'' ''Vishisht Advaita'' (literally "Advaita means non- Duality") is a non-dualistic school of Vedanta philosophy. It is non-dualism of the qualified whole, in which Brahman alone is seen as the Supreme Reality, but is characterized by multiplicity. It can be described as qualified monism or qualified non-dualism or attributive monism. It is a school of Vedanta philosophy which believes in all diversity subsuming to an underlying unity. Ramanuja, the 11–12th century philosopher and the main proponent of Vishishtadvaita philosophy contends that the Prasthanatrayi ("The three courses"), namely the Upanishads, the Bhagavad Gita, and the Brahma Sutras are to be interpreted in a way that shows this unity in diversity, for any other way would violate their consistency. Vedan ...
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Ganapati
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters and le ...
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Parvati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ...
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