Lady Seated At A Virginal
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Lady Seated At A Virginal
''Lady Seated at a Virginal'' (Dutch: ''Zittende virginaalspeelster''), also known as ''Young Woman Seated at a Virginal'', is a genre painting created by the Dutch Golden Age painter Johannes Vermeer in about 1670–1672 and now in the National Gallery, London. ''Lady Seated at a Virginal'' Another painting, probably also by Johannes Vermeer known as '' A Young Woman Seated at the Virginals'', belongs to a private collection shows also a young woman seated at a virginal. This painting and ''Lady Seated at a Virginal'' are quite separate works and are each known by alternate names and confusion between those two pieces may exist. Description The picture shows a woman facing left and playing a virginal. In the left foreground is a viola da gamba holding a bow between its strings. A landscape is painted on the inside lid of the virginal, and the painting on the wall is either the original or a copy of '' The Procuress'' by Dirck van Baburen (c. 1622, now in the Museum of Fine A ...
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Johannes Vermeer
Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was barely mentioned in Arnold Houbraken's major source book on 1 ...
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Canvas
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame. Modern canvas is usually made of cotton or linen, or sometimes polyvinyl chloride (PVC), although historically it was made from hemp. It differs from other heavy cotton fabrics, such as denim, in being plain weave rather than twill weave. Canvas comes in two basic types: plain and duck. The threads in duck canvas are more tightly woven. The term ''duck'' comes from the Dutch word for cloth, ''doek''. In the United States, canvas is classified in two ways: by weight (ounces per square yard) and by a graded number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than ...
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Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer s ...
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1670s Paintings
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 '' Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals ( Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, mov ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American ...
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List Of Paintings By Johannes Vermeer
The following is a list of paintings by the Dutch Golden Age painter Johannes Vermeer (1632–1675). After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. His popularity is due less to his subject matter than to the poetic manner in which he portrays his subjects and that he lived a very difficult life. Vermeer's paintings of the 1660s are generally more popular than his work from the 1670s: in the eyes of some, his later work is colder.Bonafoux, 124 Today, 34 paintings are firmly attributed to him, with question marks over a further three.Jonathan JansonEssential Vermeer: complete Vermeer catalogueaccessed 16 June 2010 This compares to the 74 pictures attributed to him by a Theophile Burger in 1866. Vermeer's reputation increased greatly during the latter half of the 20th century, a period during which the number of paintings ascribed to him shrank greatly.Bonafoux, 144 This is partly because he has ...
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Johannes Ruckers
The Ruckers family (variants: Ruckaert, Ruckaerts, Rucqueer, Rueckers, Ruekaerts, Ruijkers, Rukkers, Rycardt) were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th. The Ruckers family contributed immeasurably to the harpsichord's technical development, pioneering the addition of a second manual; the quality of their instruments is such that the name of Ruckers is as important to early keyboard instruments as that of Stradivarius is to the violin family. In the 18th century, Ruckers instruments were often modified by French makers in a process known as ''ravalement'', to allow for an extended range and other additions. The Ruckers family The family probably originated in Germany. The earliest known member, Hans Ruckers, was from Weissenburg, according to documents from 1530 in the Antwerp city archives, and the similarly na ...
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The Concert (Vermeer)
''The Concert'' (Dutch: ''Het concert'') ( 1664) is a painting by the Dutch artist Johannes Vermeer depicting a man and two women performing music. It was stolen on March 18, 1990 from the Isabella Stewart Gardner Museum in Boston and remains missing. Experts believe it may be the most valuable stolen object in the world; as of 2015, it was valued at US$250 million. History Although ''The Concert'' has been dated stylistically to the mid-1660s, it is first documented only in 1780. It was acquired by Isabella Stewart Gardner in an 1892 auction in Paris for $5,000 and subsequently displayed in the Isabella Stewart Gardner Museum. On the night of March 18, 1990, thieves disguised as policemen stole 13 works from the museum, including ''The Concert''. To this day the painting has not resurfaced; it is thought to be the most valuable work currently unrecovered, with a value estimated at US$250 million. Description The picture measures 28.5 by 25.5 inches (72.5 by 64.7 centimetres) ...
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The Music Lesson
''The Music Lesson'', ''Woman Seated at a Virginal'' or ''A Lady at the Virginals with a Gentleman'' by Johannes Vermeer is a painting of a young female pupil receiving a music lesson from a man. The man's mouth is slightly agape giving the impression that he is singing along with the music that the young girl is playing. This suggests that there is a relationship between the two figures and the idea of love and music being bridged together. This was a common theme among Netherlandish art in this time period. Vermeer consistently used the same objects within his paintings such as the draped rug, the white water jug, various instruments, tiled floor and windows that convey light and shadows. This is one of few paintings produced by Vermeer which were kept in his home until his death in 1675 when his family was forced to sell them. It became a part of the Royal Collection, and it is currently on display in the Queen's Gallery at Buckingham Palace in London. Provenance The pictur ...
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Salting Bequest
Salting or Salted may refer to: People *George Salting (1835–1909), Australian-born English art collector, who left the Salting Bequest, which included the ** ''Salting Madonna'' (Antonello da Messina), National Gallery, London Other * Salting (food), the preparation of food with edible salt for conservation or taste * Salting the earth, the practice of "sowing" salt on cities or property as a symbolic act * Salting a bird's tail, a superstition * Salt marsh * Salting out, a method of separating proteins using salt * Salting (initiation ceremony), an early modern English university initiation ceremony * Salting roads, the application of salt to roads in winter to act as a de-icing agent * Figuratively, adding ("sprinkling") a small quantity of something to something else for various reasons ** Salt (cryptography), a method to secure passwords ** Salted bomb, a nuclear weapon specifically engineered to enhance residual radioactivity ** Salting (confidence trick), process of add ...
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Théophile Thoré
Theophilus is a male given name with a range of alternative spellings. Its origin is the Greek word Θεόφιλος from θεός (God) and φιλία (love or affection) can be translated as "Love of God" or "Friend of God", i.e., it is a theophoric name, synonymous with the name '' Amadeus'' which originates from Latin, Gottlieb in German and Bogomil in Slavic. Theophilus may refer to: People Arts * Theophilus Cibber (1703–1758), English actor, playwright, author, son of the actor-manager Colley Cibber * Theophilus Clarke (1776?–1831), English painter * Theophilos Hatzimihail (ca. 1870–1934), Greek folk painter from Lesbos * Theophilus Presbyter (1070–1125), Benedictine monk, and author of the best-known medieval "how-to" guide to several arts, including oil painting — thought to be a pseudonym of Roger of Helmarshausen Historical * Theophilos (emperor) (800 to 805–842), Byzantine Emperor (reigned 829–842), the second of the Phrygian dynasty * Theophilus (geogra ...
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Provenance
Provenance (from the French ''provenir'', 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, the circular economy, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody and places of storage. The practice has a particular value in helping authenticate objects. Comparative techniques, expert opinions and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. The term dates to the 1780s in Englis ...
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