La Viuda Valenciana
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La Viuda Valenciana
''The Widow from Valencia'' ( es, La viuda valenciana) is a play written by the Spanish playwright Lope de Vega. It was written circa 1600 as a result of Lope's visit to the city with his new patron, the future Count of Lemos. They were there for the marriage of the King Philip III with Margaret of Austria. However, the play was not published until 1620 in the fifteenth part of his ''Comedias'', where it is dedicated to Marcia Leonarda, that is to say, to Lope’s beloved Marta de Nevares. ''The Widow from Valencia'' is a cloak and sword play which follows the plot of the Invisible Mistress. This plot derives from the myth of Cupid and Psyche but inverts the role of the protagonists. In the plot, and in the Spanish play, it is the man’s curiosity which leads him to meet and fall in love with the invisible woman; that is, with a woman who is either hidden, veiled or encountered in the dark. The Invisible Mistress plot is already found in Italian novelle by Masuccio and Bandell ...
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Lope De Vega
Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature is second only to that of Miguel de Cervantes, while the sheer volume of his literary output is unequalled, making him one of the most prolific authors in the history of literature. He was nicknamed "The Phoenix of Wits" and "Monster of Nature" (in es , Fénix de los Ingenios , links=no, ) by Cervantes because of his prolific nature. Lope de Vega renewed the Spanish theatre at a time when it was starting to become a mass cultural phenomenon. He defined its key characteristics, and along with Pedro Calderón de la Barca and Tirso de Molina, took Spanish Baroque theatre to its greatest heights. Because of the insight, depth and ease of his plays, he is regarded as one of the greatest dramatists in Western literature, his plays still being ...
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Miguel De Cervantes
Miguel de Cervantes Saavedra (; 29 September 1547 (assumed) – 22 April 1616 Old Style and New Style dates, NS) was an Early Modern Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel ''Don Quixote'', a work often cited as both the first modern novel and one of the pinnacles of world literature. Much of his life was spent in poverty and obscurity, which led to many of his early works being lost. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes". In 1569, Cervantes was forced to leave Spain and move to Rome, where he worked in the household of a Cardinal (Catholic Church), cardinal. In 1570, he enlisted in a Spanish Marine Infantry, Spanish Navy infantry regiment, and was badly wounded at the Battle of Lepanto in October 1571. He served as a soldier until 1575, when he was captur ...
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1600 Plays
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ...
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Plays By Lope De Vega
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York ...
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Pedro Calderón De La Barca
Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (, ; ; 17 January 160025 May 1681) was a Spanish dramatist, poet, writer and knight of the Order of Santiago. He is known as one of the most distinguished Baroque writers of the Spanish Golden Age, especially for his plays. Calderón de la Barca was born in Madrid, where he spent most of his life. He was born on a boat in the Manzanares river, thus the name "de la Barca" added to his father's last name. During his life, he served as soldier and he was a Roman Catholic priest. Born when the Spanish Golden Age theatre was being defined by Lope de Vega, he developed it further, his work being regarded as the culmination of the Spanish Baroque theatre. As such, he is regarded as one of Spain's foremost dramatists and one of the finest playwrights of world literature. Biography Pedro Calderón de la Barca was born in Madrid on Friday, 17 January 1600, and was baptized in the parish of San Martín. His ...
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The Phantom Lady
''The Phantom Lady'' ( es, La dama duende) is a play by Spanish playwright Pedro Calderón de la Barca. It was written and performed in 1629 and was published for the first time in the ''Primera parte de comedias de don Pedro Calderón de la Barca'' (1636). ''The Phantom Lady'' is a cloak and sword play (''de capa y espada'') which follows the plot of the Invisible Mistress. This plot derives from the myth of Cupid and Psyche, but inverts the role of the protagonists. In the plot and in the Spanish play, it is the man's curiosity which leads him to meet and fall in love with the invisible woman; that is, with a woman who is either hidden, veiled or encountered in the dark. The Invisible Mistress plot is already found in Italian ''novelle'' by Masuccio Salernitano and Matteo Bandello. Even though Calderón uses elements from Lope de Vega's play ''La viuda valenciana'', his main model is an interpolated story in ''El soldado Píndaro'' by Gonzalo de Céspedes y Meneses Gonzalo ...
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Footnotes
A note is a string of text placed at the bottom of a page in a book or document or at the end of a chapter, volume, or the whole text. The note can provide an author's comments on the main text or citations of a reference work in support of the text. Footnotes are notes at the foot of the page while endnotes are collected under a separate heading at the end of a chapter, volume, or entire work. Unlike footnotes, endnotes have the advantage of not affecting the layout of the main text, but may cause inconvenience to readers who have to move back and forth between the main text and the endnotes. In some editions of the Bible, notes are placed in a narrow column in the middle of each page between two columns of biblical text. Numbering and symbols In English, a footnote or endnote is normally flagged by a superscripted number immediately following that portion of the text the note references, each such footnote being numbered sequentially. Occasionally, a number between brack ...
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La Galatea
''La Galatea'' () was Miguel de Cervantes’ first book, published in 1585. Under the guise of pastoral characters, it is an examination of love and contains many allusions to contemporary literary figures. It enjoyed a modest success, but was not soon reprinted; its promised sequel was never published. Plot The main characters of the Galatea are Elicio and Erastro, best friends and both in love with Galatea. The novel opens with her and her best friend, Florisa, bathing, talking of love. Erastro and Elicio reveal to each other their desire for Galatea, but agree not to let it come between their friendship. Eventually, all four of them begin their journey to the wedding of Daranio and Silveria, along which, in the pastoral tradition, they encounter other characters who tell their own stories and often join the traveling group. The vast majority of the characters in the book are involved primarily in minor story lines. Lisandro loses his love, Leonida, when Crisalvo mistakenly ...
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Venus And Adonis (Titian, Madrid)
A composition of ''Venus and Adonis'' by the Venetian Renaissance artist Titian has been painted a number of times, by Titian himself, by his studio assistants and by others. In all there are some thirty versions that may date from the 16th century, the nudity of Venus undoubtedly accounting for this popularity. It is unclear which of the surviving versions, if any, is the original or prime version, and a matter of debate how much involvement Titian himself had with surviving versions. There is a precise date for only one version, that in the Prado in Madrid, which is documented in correspondence between Titian and Philip II of Spain in 1554. However, this appears to be a later repetition of a composition first painted a considerable time earlier, possibly as early as the 1520s. The Prado version is set at dawn and shows the young Adonis pulling himself away from Venus, his lover. He carries a feathered spear or "dart", a weapon often used in hunting in the 16th century. Th ...
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Philip III Of Spain
Philip III ( es, Felipe III; 14 April 1578 – 31 March 1621) was King of Spain. As Philip II, he was also King of Portugal, Naples, Sicily and Sardinia and Duke of Milan from 1598 until his death in 1621. A member of the House of Habsburg, Philip III was born in Madrid to King Philip II of Spain and his fourth wife and niece Anna, the daughter of Holy Roman Emperor Maximilian II and Maria of Spain. Philip III later married his cousin Margaret of Austria, sister of Ferdinand II, Holy Roman Emperor. Although also known in Spain as Philip the Pious, Philip's political reputation abroad has been largely negative. Historians C. V. Wedgwood, R. Stradling and J. H. Elliott have described him, respectively, as an "undistinguished and insignificant man," a "miserable monarch," and a "pallid, anonymous creature, whose only virtue appeared to reside in a total absence of vice." In particular, Philip's reliance on his corrupt chief minister, the Duke of Lerma, drew much criticism at th ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Francisco Ribalta
Francesc Ribalta (2 June 1565 – 12 January 1628), also known as ''Francisco Ribaltá'' or ''de Ribalta'', was a Spanish painter of the Baroque period, mostly of religious subjects. Biography He was born in Solsona, Lleida. Although his first apprenticeship was apparently with Navarrete, who worked for years in the Escorial, Ribalta's earliest work (a ''Cruxifixion'' of 1582) was signed in Madrid. After his years in Madrid, Ribalta was to settle as an artist in Valencia. He became among the first followers in Spain of the austere tenebrist style of Caravaggio. It is unclear if he directly visited either Rome or Naples, where Caravaggio's style had many adherents. Alternatively, it is likely that tenebrist paintings were available in Spain by the early 17th century through the Spanish rule of the Neapolitan kingdom. Jusepe de Ribera is said to have been one of his pupils, although it is entirely possible that Ribera acquired his tenebrism when he moved to Italy. Style T ...
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