La Ville Dont Le Prince Est Un Enfant (play)
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La Ville Dont Le Prince Est Un Enfant (play)
''La Ville dont le prince est un enfant'' is a play published in 1951–67 by the French dramatist Henry de Montherlant. The title ('"The City Whose Prince is a Child") is taken from Ecclesiastes 10:16: ''"Woe to thee, O land, when thy king is a child, and thy princes eat in the morning!"'' Evolution of the theatrical work Henry de Montherlant was born on 20 April 1895, and the play was one of his first works, which he began writing under the title ''Serge Sandrier'' in 1912. He would go on developing the piece for four decades before eventually publishing it for the first time in 1951 and bringing out a definitive version in 1967. The play was inspired by events in Montherlant's adolescence, particularly his formative years at the ''Institution Notre-Dame de Sainte-Croix'', commonly known as the ''Collège Sainte-Croix de Neuilly''. It looks at the difficulties in the life of André Sevrais as a young man aged 15–16 in a Catholic school in France and his friendship and love fo ...
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Dramatist
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ...
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