La Via Dei Babbuini
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La Via Dei Babbuini
''La via dei babbuini'' is a 1974 Italian commedia all'italiana film written and directed by Luigi Magni.Franco Montini, Piero Spila, ''Il mondo di Luigi Magni : avventure, sogni e disincanto''. Rai Eri, 2000. . Plot Fiorenza, a young bourgeois woman, lives in Rome with her husband Orazio. The marriage of the two is already quite saturated, even if not outwardly broken: this situation depends as much on the deliberate absence of children, as on psychological and social elements that the two spouses perceive unconsciously and differently. Fiorenza, who has rushed to Massawa to assist her father, an old colonialist she has never even known, sees him die and bury. Left alone, she does not return to her homeland but lets herself be guided by the extravagant Getulio to discover the African mystery. Horace, a cultured man but suffering from chronic infantilism, joins his wife and tries to tear her away from the continent that is almost plagiarizing her. But Fiorenza, after the tragi ...
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Luigi Magni
Luigi Magni (21 March 1928 – 27 October 2013) was an Italian screenwriter and film director. Life and career Born in Rome, Magni started his career as a screenwriter, in 1956, with ''Tempo di villeggiatura''. In 1968 he collaborated with Mario Monicelli in creating a real "event" of the Italian cinema by transforming Monica Vitti into a comedic actress with ''The Girl with the Pistol'', and the critical and commercial success of the film pushed him into directing. After the directorial debut with ''Faustina (1968 film), Faustina'' (which was also the debut film of Vonetta McGee), in 1969 Magni achieved an extraordinary success with ''Nell'anno del Signore'', which was the highest-grossing Italian film of the year, so as to require for the first time in Italy nighttime screenings to meet the demands of the audience. The film marked the encounter with Nino Manfredi, with whom Magni had a long-standing association on the set (including the screenplay of Manfredi's award-win ...
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Fabio Garriba
Fabio Garriba (13 November 1944 – 9 August 2016) was an Italian stage, film and television actor. Life and career Born in Soave, Garriba started his career on stage, and in 1969 he made his film debut in Dziga Vertov Group's ''Wind from the East''. He later worked with prominent directors such as Roberto Rossellini, Bernardo Bertolucci, Ettore Scola, Marco Bellocchio and Luigi Magni. He also had leading roles in films directed by his twin brother Mario, notably the Golden Leopard winner '' On the Point of Death''. Garriba also worked as assistant director for Bernardo Bertolucci, Pier Paolo Pasolini, Marco Ferreri Marco Ferreri (11 May 1928 – 9 May 1997) was an Italian film director, screenwriter and actor, who began his career in the 1950s directing three films in Spain, followed by 24 Italian films before his death in 1997. He is considered one of t ... and Carmelo Bene. His only work as director, the short film ''I parenti tutti'', was screened at the 68th V ...
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Films Directed By Luigi Magni
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Commedia All'italiana
Commedia all'italiana (, pl. Commedie all'italiana, "Comedy in the Italian way") or Italian-style comedy is an Italian film genre born in Italy in the 1950s and developed in the 1960s and 1970s. It is widely considered to have started with Mario Monicelli's ''Big Deal on Madonna Street'' in 1958, and derives its name from the title of Pietro Germi's ''Divorce Italian Style'' (1961). According to most of the critics, '' La Terrazza'' (1980) by Ettore Scola is the last work considered part of the Commedia all'italiana. Rather than a specific genre, the term indicates a period (approximately from the late 1950s to the early 1970s) in which the Italian film industry was producing many successful comedies, with some common traits like satire of manners, farcical and grotesque overtones, a strong focus on "spicy" social issues of the period (like sexual matters, divorce, contraception, marriage of the clergy, the economic rise of the country and its various consequences, the tr ...
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1974 Films
Major events in 1974 include the aftermath of the 1973 oil crisis and the resignation of United States President Richard Nixon following the Watergate scandal. In the Middle East, the aftermath of the 1973 Yom Kippur War determined politics; following Israeli Prime Minister Golda Meir's resignation in response to high Israeli casualties, she was succeeded by Yitzhak Rabin. In Europe, the invasion and occupation of northern Cyprus by Turkish troops initiated the Cyprus dispute, the Carnation Revolution took place in Portugal, and Chancellor of West Germany Willy Brandt resigned following an espionage scandal surrounding his secretary Günter Guillaume. In sports, the year was primarily dominated by the FIFA World Cup in West Germany, in which the German national team won the championship title, as well as The Rumble in the Jungle, a boxing match between Muhammad Ali and George Foreman in Zaire. Events January–February * January 26 – Bülent Ecevit of CHP forms ...
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List Of Italian Films Of 1974
A list of films produced in Italy in 1974 (see 1974 in film): Notes Footnotes References * * * * External linksItalian films of 1974at the Internet Movie DatabaseFilmografia di Liliana Cavani {{DEFAULTSORT:Italian Films Of 1974 1974 Films Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
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Ada Pometti
Ada Pometti (born 13 May 1955) is an Italian film, television and stage actress. Life and career Born Nunzia Agata Pometti in Catania, Sicily, she graduated from the Centro Sperimentale di Cinematografia in Rome, and she worked at the Teatro Stabile di Catania. A character actress, she was sometimes credited with the names Priscilla Benson and Ada Pomeroy. Selected filmography * ''His Name Was King'' (1971) * ''Il sindacalista'' (1972) * ''The Killer Is on the Phone'' (1972) * ''Women in Cell Block 7'' (1973) * ''Property Is No Longer a Theft'' (1973) * '' La via dei babbuini'' (1974) * ''Commissariato di notturna'' (1974) * '' Il caso Raoul'' (1975) * '' The Exorcist: Italian Style'' (1975) * '' Savage Three'' (1975) * ''Cagliostro'' (1975) * ''L'Italia s'è rotta'' (1976) * ''Basta che non si sappia in giro'' (1976) * '' Zanna Bianca e il grande Kid'' (1977) * ''Il Capo dei Capi ''Il Capo dei Capi'' (''The Boss of the Bosses'') is a six-part Italian miniseries which ...
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Rita Calderoni
Rita Calderoni (born 22 February 1951) is an Italian actress. Mainly active in the 1970s in Italy, she is known for her roles in many B movies of the time. Life and career Calderoni was born in Rossiglione in the province of Liguria in 1951. As a young woman, wanting to become a dancer, she attended classical dance classes for five years in Genoa. After her family moved to Udine, she decided considering her height to concentrate on sports, entering the women's basketball team of Udine, where she had settled with her family. In 1967, she was discovered by director Sergio Pastore, with whom she would make her debut in the film ''Omicidio a sangre freddo'' that same year. This was the beginning of a career as an actress of about 16 years, during which she would appear in 33 films, especially in the police and horror genres. Apart from most of the works, which were low-budget (including several by Renato Polselli, Luigi Batzella or Amasi Damiani), Calderoni was also hired by some of ...
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Lionel Stander
Lionel Jay Stander (January 11, 1908 – November 30, 1994) was an American actor in films, radio, theater and television. He is best remembered for his role as majordomo Max on the 1980s mystery television series ''Hart to Hart''. Early life Lionel Stander was born in The Bronx, New York City, to Russian-Jewish immigrants, the eldest of three children. During his one year at the University of North Carolina at Chapel Hill, he appeared in the student productions ''The Muse of the Unpublished Writer'', and ''The Muse and the Movies: A Comedy of Greenwich Village''. Career Stander's acting career began in 1928, as Cop and First Fairy in '' Him'' by E. E. Cummings, at the Provincetown Playhouse. He claimed that he got the roles because one of them required shooting craps, which he did well, and a friend in the company volunteered him. He appeared in a series of short-lived plays through the early 1930s, including ''The House Beautiful'', which Dorothy Parker famously deride ...
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Pippo Franco
Pippo Franco (pseudonym of Franco Pippo) was born 2 September 1940 and is an Italian actor, comedian, television presenter, and singer. He made his name first as a musician in the early 1960s, and in the late 1960s began a career in film, starring in a great number of ''commedia sexy all'italiana'', the "sexy comedy" subgenre of Italian comedy. In the 1970s he expanded into television, acting in TV movies and presenting variety shows. His type of comedy borrows heavily from cabaret. Throughout his career he continued to sing, appearing many times at the Sanremo Festival. He has made children's music as well, and has co-written three books on (linguistic) humor. Biography Franco was born in Rome to an Irpinian family, who had moved to Rome from Vallata, in the Province of Avellino. Cinema Franco's first role in a box office hit was 1969's ''Nell'anno del Signore'', directed by Luigi Magni and starring "an exceptional cast of actors" including Franco, Nino Manfredi and Claudia ...
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Catherine Spaak
Catherine Spaak (3 April 1945 – 17 April 2022) was a French-born Italian actress and singer who acted in mostly in Italian films with some Hollywood and international productions. She is best known for her roles in the films ''Il Sorpasso'' (1962), ''The Empty Canvas'' (1963) and ''The Cat o' Nine Tails'' (1971). Early life Spaak was born on 3 April 1945 just outside of Paris in Boulogne-Billancourt, Hauts-de-Seine, France, to former actress Claudie Clèves (née Alice Perrier) and Belgian screenwriter Charles Spaak. Her older sister was actress Agnès Spaak. She was also the niece of Belgian politician Paul-Henri Spaak, while her paternal grandmother was Marie Janson Spaak, Belgium's first female member of Parliament. Initially she wanted to be a ballerina and studied ballet in her youth, until she gave it up after being told she was too tall. Spaak was inspired to be an actress when in the summer of 1955, she accompanied her father to a film set, where she saw Gina Lollo ...
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Commedia All'italiana
Commedia all'italiana (, pl. Commedie all'italiana, "Comedy in the Italian way") or Italian-style comedy is an Italian film genre born in Italy in the 1950s and developed in the 1960s and 1970s. It is widely considered to have started with Mario Monicelli's ''Big Deal on Madonna Street'' in 1958, and derives its name from the title of Pietro Germi's ''Divorce Italian Style'' (1961). According to most of the critics, '' La Terrazza'' (1980) by Ettore Scola is the last work considered part of the Commedia all'italiana. Rather than a specific genre, the term indicates a period (approximately from the late 1950s to the early 1970s) in which the Italian film industry was producing many successful comedies, with some common traits like satire of manners, farcical and grotesque overtones, a strong focus on "spicy" social issues of the period (like sexual matters, divorce, contraception, marriage of the clergy, the economic rise of the country and its various consequences, the tr ...
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