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La Tragedia Del Silencio
''La tragedia del silencio'' (literally "The Tragedy of Silence") is a Colombian silent melodrama film directed by Arturo Acevedo Vallarino and first screened on 18 July 1924 at the Faenza theatre in Bogotá. Filmed in black and white, it tells the story of a man suffering from leprosy. It was the first Colombian film during the silent film era with a film score, which was performed during the projection and was written by Alberto Urdaneta Forero. At its first screening, the film was well-received by critics and the public and was later shown in Panama and Venezuela. Given the theme of leprosy, the film was criticized by some who believed it would have a negative impact on the image of Colombia. Despite parts of the film not surviving, the Fundación Patrimonio Fílmico Colombiano have retained a 22-minute 45-second excerpt from the film. Synopsis ''La tragedia del silencio'' is a romantic melodrama. The 22-minute 45-second excerpt of ''La tragedia del silencio'' that remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo Acevedo Vallarino
Arturo Acevedo Vallarino (1873–1950) was a Colombian film director known for the silent films '' La tragedia del silencio'' (1924) and '' Bajo el Cielo Antioqueño'' (1925). In order to buy his first movie camera, he sold a timber plantation A tree plantation, forest plantation, plantation forest, timber plantation or tree farm is a forest planted for high volume production of wood, usually by planting one type of tree as a monoculture forest. The term ''tree farm'' also is used to .... In 1920, he founded production company ''Acevedo e Hijos''. Arturo spent his childhood in Zipaquirá with his father, General Ramón Acevedo. In 1894 he graduated as a dentist. He married Laura Mendez Bernal and had six children. References External links * Colombian film directors People from Bogotá People from Cundinamarca Department 1873 births 1950 deaths {{Colombia-film-director-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektachrome
Ektachrome is a brand name owned by Kodak for a range of transparency, still, and motion picture films previously available in many formats, including 35 mm and sheet sizes to 11 × 14 inch size. Ektachrome has a distinctive look that became familiar to many readers of ''National Geographic'', which used it extensively for color photographs for decades in settings where Kodachrome was too slow. In terms of reciprocity characteristics, Ektachrome is stable at shutter speeds between ten seconds and 1/10,000 of a second. Ektachrome, initially developed in the early 1940s, allowed professionals and amateurs alike to process their own films. It also made color reversal film more practical in larger formats, and the Kodachrome Professional film in sheet sizes was later discontinued. High Speed Ektachrome, announced in 1959 provided an ASA 160 color film, which was much faster than Kodachrome. In 1968, Kodak started offering push processing of this film, allowing it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Tragedia Del Silencio (1924)
''La tragedia del silencio'' (literally "The Tragedy of Silence") is a Colombian silent melodrama film directed by Arturo Acevedo Vallarino and first screened on 18 July 1924 at the Faenza theatre in Bogotá. Filmed in black and white, it tells the story of a man suffering from leprosy. It was the first Colombian film during the silent film era with a film score, which was performed during the projection and was written by Alberto Urdaneta Forero. At its first screening, the film was well-received by critics and the public and was later shown in Panama and Venezuela. Given the theme of leprosy, the film was criticized by some who believed it would have a negative impact on the image of Colombia. Despite parts of the film not surviving, the Fundación Patrimonio Fílmico Colombiano have retained a 22-minute 45-second excerpt from the film. Synopsis ''La tragedia del silencio'' is a romantic melodrama. The 22-minute 45-second excerpt of ''La tragedia del silencio'' that remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shot (filmmaking)
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. Categories of shots Shots can be categorized in a number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Almansa
Rafael may refer to: * Rafael (given name) or Raphael, a name of Hebrew origin * Rafael, California * Rafael Advanced Defense Systems, Israeli manufacturer of weapons and military technology * Hurricane Rafael, a 2012 hurricane Fiction * ''Rafael'' (TV series), a Mexican telenovela * ''Rafaël'' (film), a 2018 Dutch film People * Rafael (footballer, born 1978) (Rafael Pires Vieira), Brazilian football striker * Rafael (footballer, born 1979) (Rafael da Silva Santos), Brazilian football defender * Rafael (footballer, born 1980) (Rafael Pereira da Silva), Brazilian football right-back * Rafael (footballer, born March 1982) (Rafael de Andrade Bittencourt Pinheiro), Brazilian football goalkeeper * Rafael (footballer, born August 1982) (Rafael dos Santos Silva), Brazilian football striker * Rafael (footballer, born 1984) (Alberto Rafael da Silva), Brazilian football goalkeeper * Rafael (footballer, born 1986) (Rafael Diego de Souza), Brazilian football centre-back * Rafael ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colombian Civil Wars
There have been several Colombian Civil Wars in Colombian history: *War of the Supremes (1839–1841) *Colombian Civil War of 1851 *Colombian Civil War of 1854 *Colombian Civil War (1860–1862) *Colombian Civil War of 1876 *Colombian Civil War (1884–1885) *Colombian Civil War of 1895 *Thousand Days' War (1899–1902) *La Violencia (1948–1958) *Colombian conflict (1964–present) See also *List of wars involving Colombia {{set index Civil wars involving the states and peoples of South America Military history of Colombia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bochica
Bochica (also alluded to as Nemquetaha, Nemqueteba and Sadigua) is a figure in the religion of the Muisca, who inhabited the Altiplano Cundiboyacense during the arrival of the Spanish conquistadors in the central Andean highlands of present-day Colombia. He was the founding hero of their civilization, who according to legend brought morals and laws to the people and taught them agriculture and other crafts. Description Similarly to the Incan god Viracocha, the Aztec god Quetzalcoatl and several other deities from Central and South American pantheons, Bochica is described in legends as being bearded. The beard, once mistaken as a mark of a prehistoric European influence and quickly fueled and embellished by spirits of the colonial era, had its single significance in the continentally insular culture of Mesoamerica. The ''Anales de Cuauhtitlan'' is a very important early source which is particularly valuable for having been originally written in Nahuatl, the language of the Aztec. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muisca Mythology
Knowledge of Muisca mythology has come from Muisca scholars Javier Ocampo López, Pedro Simón, Lucas Fernández de Piedrahita, Juan de Castellanos and conquistador Gonzalo Jiménez de Quesada who was the European making first contact with the Muisca in the 1530s. Muisca mythology The times before the Spanish conquest of the Muisca Confederation are filled with mythology. The first confirmed human rulers of the two capitals Hunza and Bacatá are said to have descended from mythical creatures. Apart from that other Muisca myths exist, such as the legendary ''El Dorado'' and the Monster of Lake Tota. Mythological creatures Several mythological creatures have been described by the chroniclers: * Thomagata, said to have been one of the most religious of the ''zaques'', after Idacansás * Idacansás, allegedly a mythical priest from Sugamuxi who was able to change the order of things * Goranchacha, a mythical ''cacique'' who moved the capital of the northern Muisca from Ramiriqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muisca People
The Muisca (also called Chibcha) are an indigenous people and culture of the Altiplano Cundiboyacense, Colombia, that formed the Muisca Confederation before the Spanish conquest. The people spoke Muysccubun, a language of the Chibchan language family, also called ''Muysca'' and ''Mosca''. They were encountered by conquistadors dispatched by the Spanish Empire in 1537 at the time of the conquest. Subgroupings of the Muisca were mostly identified by their allegiances to three great rulers: the '' hoa'', centered in Hunza, ruling a territory roughly covering modern southern and northeastern Boyacá and southern Santander; the '' psihipqua'', centered in Muyquytá and encompassing most of modern Cundinamarca, the western Llanos; and the ''iraca'', religious ruler of Suamox and modern northeastern Boyacá and southwestern Santander. The territory of the Muisca spanned an area of around from the north of Boyacá to the Sumapaz Páramo and from the summits to the western p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colombian Culture
Many aspects of Colombian culture can be traced back to the early culture of Spain of the 16th century and its collision with Colombia's native civilizations (see: Muisca people, Muisca, Tayrona). The Spanish brought Catholicism, the feudal encomienda system, and a Casta, caste system that favored European-born whites. After independence from Spain, the ''Criollo (people), criollos'' struggled to establish a pluralistic political system, between conservative and liberal ideals. The conservatives supported the involvement of the Catholic Church in the state, while liberals favored the separation of these. The conservatives managed to outsource public education to the Catholic Church, and for many years, the church controlled the country's education system. Both parties engaged in multiple civil wars resulting in a slow development of the country and the isolation of regions until the end of the 19th century. Ethno-racial groups maintained their ancestral heritage culture: whites ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo Acevedo Vallarino
Arturo Acevedo Vallarino (1873–1950) was a Colombian film director known for the silent films '' La tragedia del silencio'' (1924) and '' Bajo el Cielo Antioqueño'' (1925). In order to buy his first movie camera, he sold a timber plantation A tree plantation, forest plantation, plantation forest, timber plantation or tree farm is a forest planted for high volume production of wood, usually by planting one type of tree as a monoculture forest. The term ''tree farm'' also is used to .... In 1920, he founded production company ''Acevedo e Hijos''. Arturo spent his childhood in Zipaquirá with his father, General Ramón Acevedo. In 1894 he graduated as a dentist. He married Laura Mendez Bernal and had six children. References External links * Colombian film directors People from Bogotá People from Cundinamarca Department 1873 births 1950 deaths {{Colombia-film-director-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
