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La Source (Saint-Léon)
''La source (The Spring)'' is a ballet in three acts/four scenes with a score composed by Léo Delibes and Ludwig Minkus (Minkus: Act I & Act III-Scene 2/Delibes: Act II & Act III-Scene 1) which was premiered in Paris in 1866 with choreography by Arthur Saint-Léon. In 1878 in Vienna it was called ''Naïla, die Quellenfee'' (''Naïla, the Waternymph''). History The choreography was by Arthur Saint-Léon, who collaborated with Charles Nuitter in the libretto. The original designs were by Édouard Desplechin, Jean-Baptiste Lavastre, Auguste Rubé, Chaperon (sets) and Paul Lormier (costumes). The first production opened at the Théâtre Impérial de l´Opéra in Paris on 12 November 1866, with Guglielmina Salvioni (Naïla), Eugenie Fiocre (Nouredda) and Louis Mérante (Djémil) in the principal roles. The production was not particularly successful, Salvioni being considered unsuited to the rôle of Naïla. It triumphed in the following year, however, with Adèle Grantzow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas - Portrait Of Mlle Fiocre In The Ballet "La Source" (Portrait De Mlle
Edgar is a commonly used English given name, from an Anglo-Saxon name ''Eadgar'' (composed of ''wikt:en:ead, ead'' "rich, prosperous" and ''Gar (spear), gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the later medieval period; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Angara, Filipino lawyer * Edgar Barrier, American actor * Edgar Baumann, Paraguayan javelin thrower * Edgar Bergen, American actor, radio performer, ventriloquist * Edgar Berlanga, American boxer * Edgar H. Brown, American mathematician * Edgar Buchanan, American actor * Edgar Rice Burroughs, American author, creator of ''Tarzan'' * Edgar Cantero, Spanis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rita Sangalli
Rita Sangalli (20 August 1849 – 3 November 1909) was an Italian ballet dancer. Born in Antegnate, she danced in the Italian provinces of Asti, Piacenza, and Turin, making her 1865 debut at Milan's La Scala in Paul Taglioni's (1808-1884) ''Flik and Flok'', before being hired for the opera at Her Majesty's Theatre in London. In 1872, she danced the principal role in La source (Saint-Léon), ''La source'' at its successful revival. In the same year, she joined the Paris Opera Ballet, where she performed in numerous premieres, including in the role of Sylvia (ballet), ''Sylvia'' (14 June 1876), ''Yedda'' (1879), and ''Namouna (Lalo ballet), Namouna'' (6 March 1882). She retired from the company in 1884. Sangalli toured America where she performed in ''The Black Crook'' and ''Flick Flock''. In August 1901, Sangali and Marie Bonfanti performed at the Metropolitan Opera House (39th St), Metropolitan Opera House, during the inaugural season of ballet at the New York City venue."Rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Drigo
Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing sco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Sergeyev
Konstantin Mikhaylovich Sergeyev (russian: Константин Михайлович Сергеев; 5 March 1910 (20 February Old Style) – 1 April 1992) was a Russian danseur, artistic director and choreographer for the Kirov Theatre. When the Kirov Ballet returned to Leningrad from Perm (where it had been moved during the war) Sergeyev became the head choreographer of the company. His first major work was to restage Prokofiev's ''Cinderella'', which is still performed in the present day. His teachers at Leningrad State Choreographic Institute: Mariya Kojukhova, Vladimir Ponomaryov, Viktor Semyonov (Marina Semyonova's first husband). His first wife Feya Balabina was a prima ballerina of the Kirov ballet, as was his second wife Natalia Dudinskaya. He danced with Dudinskaya at the 1946 premiere of his ''Cinderella'' production for the Kirov.Sergey Prokofiev. Sergei Prokofiev: Autobiography, Articles, Reminiscences. University Press of the Pacific Honolulu, 2000, p.290. Galina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaganova Academy Of Russian Ballet
The Vaganova Academy of Russian Ballet is a school of classical ballet in St Petersburg, Russia. Established in 1738 during the reign of Empress Anna, the academy was known as the Imperial Ballet School until the Soviet era, when, after a brief hiatus, the school was re-established as the Leningrad State Choreographic Institute. In 1957, the school was renamed in honor of the pedagogue Agrippina Vaganova, who cultivated the method of classical ballet training that has been taught there since the late 1920s. Many of the world's leading ballet schools have adopted elements of the Vaganova method into their own training. The Vaganova Academy is the associate school of the Mariinsky Ballet, one of the world's leading ballet companies. Students of the school have found employment with ballet and contemporary companies worldwide, such as the Bolshoi Ballet, The Royal Ballet, American Ballet Theatre and the Mikhailovsky Ballet. History The school was established as the Imperial Theatrica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marina Semyonova
Marina Timofeyevna Semyonova (russian: Марина Тимофеевна Семёнова, – 9 June 2010) was the first Soviet-trained prima ballerina. She was born in Saint-Petersburg. She was named a People's Artist of the USSR in 1975. Early life The first great dancer formed by Agrippina Vaganova, she graduated from the Vaganova School in 1925, which "is registered in the annals of Soviet ballet as the year of the unprecedented triumph of Marina Semyonova". She worked in the Kirov Ballet until 1930 when Joseph Stalin had her and her husband Viktor Semyonov (they were namesakes) transferred to the Bolshoi Theatre in Moscow. There she married Lev Karakhan (the civil marriage), an Old Bolshevik and Deputy Foreign Minister, best known as an advisor to Sun Yat-sen. He was purged in 1937. Career The Soviet choreographer Maya Plisetskaya wrote of her that "what she demonstrated in her time was unusual, brand new, breathtaking. Now it is widely believed it has always been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agrippina Vaganova
Agrippina Yakovlevna Vaganova (russian: Агриппина Яковлевна Ваганова; 26 June 1879 – 5 November 1951) was a Soviet and Russian ballet teacher who developed the Vaganova method – the technique which derived from the teaching methods of the old Imperial Ballet School (today the Vaganova Academy of Russian Ballet) under the ''Premier Maître de Ballet'' Marius Petipa throughout the mid to late 19th century, though mostly throughout the 1880s and 1890s. It was Vaganova who perfected and cultivated this form of teaching the art of classical ballet into a workable syllabus. Her ''Fundamentals of the Classical Dance'' (1934) remains a standard textbook for the instruction of ballet technique. Her technique is one of the most popular techniques today. Biography Vaganova was born in Saint Petersburg to Akop Vaganov, an Armenian from Astrakhan, who worked as an usher at the Mariinsky Theatre, and a Russian mother. Vaganova's whole life was connected with the I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronislava Nijinska
Bronislava Nijinska (; pl, Bronisława Niżyńska ; russian: Бронисла́ва Фоми́нична Нижи́нская, Bronisláva Fomínična Nižínskaja; be, Браніслава Ніжынская, Branislava Nižynskaja; – February 21, 1972) was a Polish ballet dancer, and an innovative choreographer. She came of age in a family of traveling, professional dancers. Her own career began in Saint Petersburg. Soon she joined Ballets Russes which ventured to success in Paris. She met war-time difficulties in Petrograd and revolutionary turbulence in Kiev. In France again, public acclaim for her works came quickly, cresting in the 1920s. She then enjoyed continuing successes in Europe and the Americas. Nijinska played a pioneering role in the broad movement that diverged from 19th-century classical ballet. Her introduction of modern forms, steps, and motion, and a minimalist narrative, prepared the way of future works. Following serious home training, she entered t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariinsky Theatre
The Mariinsky Theatre ( rus, Мариинский театр, Mariinskiy teatr, also transcribed as Maryinsky or Mariyinsky) is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director. Name The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time: * 1860 – 1920: Imperial Mariinsky Theatre ( rus, Импера ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nijinsky
Vaslav (or Vatslav) Nijinsky (; rus, Вацлав Фомич Нижинский, Vatslav Fomich Nizhinsky, p=ˈvatsləf fɐˈmʲitɕ nʲɪˈʐɨnskʲɪj; pl, Wacław Niżyński, ; 12 March 1889/18908 April 1950) was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century. Born in Kiev to Polish parents, Nijinsky grew up in Imperial Russia but considered himself to be Polish. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance ''en pointe'', a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps. Nijinsky was introduced to dance by his parents, who were senior dancers with the travelling Setov opera company, and his early childhood was spent touring with the company. His elder brother Stanislav and younger sister Bronislava "Bronia" Nijinska also became dancers; Bronia also became a choreographer, working closely with him for much of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille Coppini
Achille is a French and Italian masculine given name, derived from the Greek mythological hero Achilles. It may refer to: People Artists * Achille Beltrame (1871–1945), Italian painter * Achille Calici (c. 1565–?), Italian painter * Achille Castiglioni (1918–2002), Italian designer * Achille Cattaneo (1872–1931), Italian painter * Achille Devéria (1800–1857), French painter and lithographer * Achille Duchêne (1866–1947), French garden designer * Achille Empéraire (1829–1898), French painter * Achille Formis (1832–1906), Italian painter * Achille Funi (1890–1972), Italian painter * Achille Glisenti (1848–1906), Italian painter * Achille Granchi-Taylor (1857–1921), French painter and illustrator * Achille Leonardi (c. 1800–1870), Italian painter * Achille Locatelli (painter) (1864–1948), Italian painter * Achille Mauzan ((1883–1952), French illustrator, painter and sculptor * Achille Etna Michallon (1796–1822), French painter * Achille Mollica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Preobrajenska
Olga Iosifovna Preobrajenska (russian: О́льга Ио́сифовна Преображе́нская; born Preobrazhenskaya; – 27 December 1962) was a Russian ballerina of the Russian Imperial Ballet and a ballet instructor. Biography She was born in Saint Petersburg as Olga Preobrazhenskaya (the final syllable of her surname was dropped to shorten her name for professional purposes, and she used the French transliteration, Preobrajenska). Olga—born frail and with a crooked spine—was an unlikely prima ballerina. But she had dreams of being a dancer, and for years her parents tried unsuccessfully to get her enrolled in dance school. The selection committee repeatedly rejected her as a candidate. But after three years of trying, her parents succeeded and the eight-year-old Olga entered the Imperial Ballet School in 1879. Despite her physical shortcomings, Preobrazhenskaya grew strong with training under Marius Petipa, Lev Ivanov and Anna Johansson. She developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_photographed_at_Krasnoe_Selo%2C_summer_1907.jpg "Click for more on -> Nijinsky")
