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La Péri (Burgmüller)
''La Péri'' is a fantastic ballet choreographed by Jean Coralli (1779-1854) to music composed by Friedrich Burgmüller. With a scenario devised by Théophile Gautier and Coralli, scenery designed by Charles Séchan, Jules Diéterle, Édouard Desplechin, Humanité Philastre, and Charles Cambon, and costumes designed by Paul Lorimer and Hippolyte d'Orshwiller, it was first presented by the Paris Opera Ballet at the Académie Royale de Musique on 17 July 1843. Scenario The ballet, in two acts, three scenes, had a typically Romantic plot dealing with a mortal's love for a supernatural being. Gautier's scenario was inspired by his attraction to the Orient and was devised for his favorite ballerina, Carlotta Grisi, in the guise of a Persian fairy. She appears to the wealthy and world-weary Sultan Achmet, danced by Lucien Petipa, in one of his opium dreams, and he falls in love with her. To test his love, she takes the form of a runaway slave, Leila. Achmet is imprisoned for refusing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Péri -Scène Tirée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Petipa
Lucien Petipa (December 22, 1815 – July 7, 1898) was a French ballet dancer in the early 19th century ( Romantic period), who was the brother of Marius Petipa, the famous ballet master of the Russian Imperial Ballet. He was born in Marseilles and died in Versailles. The son of Jean-Antoine Petipa, he was the original interpreter of many of the principal male roles during the Romantic era, working with choreographers such as Jean Coralli among others. Probably the most known role he created was Albert, duke of Sliesa (later to be known as count Albrecht) in the two-act ballet of ''Giselle'' in 1841, opposite the Italian-born ballerina Carlotta Grisi for whom the ballet was created. Between 1860 and 1868 he was '' maître de ballet'' at the Paris Opera and between 1872 and 1873 he ran the La Monnaie theater in Brussels.Ivor Guest. ''Petipa, (Joseph) Lucien'' oGrove Music Online Notable roles * Albert in ''Giselle'' (1841) * Achmed in '' La Péri'' (1843) Ballets * In 1857 Lucien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1843 Ballet Premieres
Events January–March * January ** Serial publication of Charles Dickens's novel ''Martin Chuzzlewit'' begins in London; in the July chapters, he lands his hero in the United States. ** Edgar Allan Poe's short story "The Tell-Tale Heart" is published in a Boston magazine. ** The Quaker magazine '' The Friend'' is first published in London. * January 3 – The ''Illustrated Treatise on the Maritime Kingdoms'' (海國圖志, ''Hǎiguó Túzhì'') compiled by Wei Yuan and others, the first significant Chinese work on the West, is published in China. * January 6 – Antarctic explorer James Clark Ross discovers Snow Hill Island. * January 20 – Honório Hermeto Carneiro Leão, Marquis of Paraná, becomes ''de facto'' first prime minister of the Empire of Brazil. * February – Shaikh Ali bin Khalifa Al-Khalifa captures the fort and town of Riffa after the rival branch of the family fails to gain control of the Riffa Fort and flees to Manama. Shaikh Mohamed bin Ahmed is killed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Péri (Dukas)
''La Péri'' (English: ''The Peri'') is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender (the name of Alexander the Great in Persian) searching for immortality and his encounter with a mythological Peri. It was premiered on April 22, 1912. Synopsis At the end of his days of youth, the Magi having observed that his star had faded, Iskender travels throughout Iran in search of the Flower of Immortality. After three years of looking and wandering, he finally arrives at the Ends of the Earth, a place of utmost tranquility and calm. Iskender finds a temple to Ormuzd, and on its steps is a Peri. With a star flashing above her head and a lute in one hand, the Peri carries the Flower of Immortality, a lotus decorated with emeralds, in the other. Later, as the Peri is sleeping, Iskender steals the Flower, careful to avoid making noise so that she does not wake up. Immediately the Flower spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Skibine
George Boris SkibineGeorge Boris Skibine in ''South Carolina, Naturalization Records, 1868-1991'' (russian: Юрий Борисович Скибин; Yuri Borisovich Skibin; January 30, 1920 – January 14, 1981), also known as Youra Skibine, was a Russian-American ballet dancer and choreographer. Biography Skibine was born in Kharkov (now Ukraine) the son of Boris Skibine, a member of Diaghilev's Ballets Russes, and Vera Skibina. In 1937, Boris Skibine was arrested by the NKVD and executed, as part of the Great Purge. He was posthumously rehabilitated in 1989. George began to perform with the Ballets Russes company at the age of five, as an extra in ''Petrouchka''. He studied with various Russian teachers including Olga Preobrajenska, Julia Sedova, Alexandre Volinine and Lyubov Egorova before making his debut on ballet stage in 1937 in Egorova's Ballets de la Jeunesse. In 1938, at age 18, he became to dance with the René Blum's Ballet Russe de Monte Carlo. He danced with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Lifar
Serge Lifar ( ua, Сергій Михайлович Лифар, ''Serhіy Mуkhailovуch Lуfar'') ( 15 December 1986) was a Ukrainian ballet dancer and choreographer, famous as one of the greatest male ballet dancers of the 20th century. Not only a dancer, Lifar was also a choreographer, director, writer, theoretician about dance, and collector. As ballet master of the Paris Opera from 1930 to 1944, and from 1947 to 1958, he devoted himself to the restoration of the technical level of the Paris Opera Ballet, returning it to its place as one of the best companies in the world. Biography Early life and education Lifar was born in Kyiv, Russian Empire. His year of birth is officially shown as 1904 (as on a 2004 Ukrainian stamp commemorating his centenary). He became the pupil of Bronislava Nijinska in her ballet studio «School of Movement» in Kyiv, 1920. In 1921 he left Soviet Russia and was noticed by Sergei Diaghilev, who sent him to Turin in order to improve his tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Varia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Clustine
Ivan Nikolayevich Khlyustin (russian: Иван Николаевич Хлюстин; 22 August 1862 – 21 November 1941), usually referred to outside Russia as Ivan Clustine, was a Russian dancer, ballet master, and choreographer. He was "offered the position of ballet master and teacher at the Paris Opera, where he served from 1909 to 1914." He was then intermittently ballet master of Anna Pavlova Anna Pavlovna Pavlova ( , rus, Анна Павловна Павлова ), born Anna Matveyevna Pavlova ( rus, Анна Матвеевна Павлова; – 23 January 1931), was a Russian prima ballerina of the late 19th and the early 20th ...'s company until her death. Among his choreographies were '' La Péri'' (1912), ''Philotis'', and ''Hansli le Bossu'' (1914). Notes References {{DEFAULTSORT:Clustine, Ivan 1862 births 1941 deaths Ballet masters Dancers from Moscow Russian choreographers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dukas
Paul Abraham Dukas ( or ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (Dukas), ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works. Among these are the opera ''Ariane et Barbe-bleue'', his Symphony in C (Dukas), Symphony in C and Piano Sonata (Dukas), Piano Sonata in E-flat minor, the ''Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, ''La Péri (Dukas), La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Ludwig van Beethoven, Beethoven, Hector Berlioz, Berlioz, César ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opium
Opium (or poppy tears, scientific name: ''Lachryma papaveris'') is dried latex obtained from the seed capsules of the opium poppy ''Papaver somniferum''. Approximately 12 percent of opium is made up of the analgesic alkaloid morphine, which is processed chemically to produce heroin and other synthetic opioids for medicinal use and for the illegal drug trade. The latex also contains the closely related opiates codeine and thebaine, and non-analgesic alkaloids such as papaverine and noscapine. The traditional, labor-intensive method of obtaining the latex is to scratch ("score") the immature seed pods (fruits) by hand; the latex leaks out and dries to a sticky yellowish residue that is later scraped off and dehydrated. The word '' meconium'' (derived from the Greek for "opium-like", but now used to refer to newborn stools) historically referred to related, weaker preparations made from other parts of the opium poppy or different species of poppies. The production methods have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlotta Grisi
Carlotta Grisi (born Caronne Adele Josephine Marie Grisi; 28 June 1819 – 20 May 1899) was an Italian ballet dancer. Born in Visinada, Istria (present-day Vižinada, Croatia). Although her parents were not involved in the theatre, she was brought up in an opera family. She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of "Giselle". Biography At her 1836 debut in London, Grisi performed with the accomplished danseur Jules Perrot. She next appeared in Paris at the Théâtre de la Renaissance (1840) and a year later, toured with Perrot to other parts of Europe. Through Perrot's contacts, the pair worked in Paris, London, Vienna, Munich, and Milan where she sang and danced. Of her two talents, it was her dancing that was acclaimed. By dancing Perrot's choreography, which at that time was receiving great attention, she gained notable attention of both th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantastic
The fantastic (french: le fantastique) is a subgenre of literary works characterized by the ambiguous presentation of seemingly supernatural forces. Bulgarian-French structuralist literary critic Tzvetan Todorov originated the concept, characterizing the fantastic as the hesitation of characters and readers when presented with questions about reality. Definitions The fantastic is present in works where the reader experiences hesitation about whether a work presents what Todorov calls "the uncanny", wherein superficially supernatural phenomena turn out to have a rational explanation (such as in the Gothic works of Ann Radcliffe) or "the marvelous", where the supernatural is confirmed by the story. Todorov breaks down the fantastic into a manner of systems, filled with conditions and properties that make it easier to understand. The fantastic requires the fulfillment of three conditions. First, the text must oblige the reader to consider the world of the characters as a world o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_1914_-_Ritratto_da_Leon_Bakst.jpg "Click for more on -> Frederick Ashton")
