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La Prima Ballerina Or The Traveling Dancer
''La Prima Ballerina, ou L'embuscade'' or ''The Traveling Dancer'' (aka ''La Danseuse en voyage'') is a ballet (choreographic episode) in one act, with choreography by Marius Petipa, music by Cesare Pugni and libretto by Paul Taglioni. It was based on a ballet created by Paul Taglioni for the Ballet of Her Majesty's Theatre, London first presented on June 14, 1849. It was first presented by the Imperial Ballet on November April 16, 1864 (Julian/ Gregorian calendar dates), at the Imperial Bolshoi Kamenny Theatre, St. Petersburg, Russia. The principal Dancers were Mariia Surovshchikova-Petipa as the Prima Ballerina, and Timofei Stukolkin as Rinaldo. A variation from this ballet—composed by Petipa in 1905 for the ''Prima Ballerina'' Olga Preobrajenskaya—was the last choreography Petipa ever created (as noted in his Diaries). Lev Ivanov produced a revival for the Imperial Ballet, with the composer/conductor Riccardo Drigo editing and making additions to Cesare Pugn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Preobrajenskaya
Olga Iosifovna Preobrajenska (russian: О́льга Ио́сифовна Преображе́нская; born Preobrazhenskaya; – 27 December 1962) was a Russian ballerina of the Russian Imperial Ballet and a ballet instructor. Biography She was born in Saint Petersburg as Olga Preobrazhenskaya (the final syllable of her surname was dropped to shorten her name for professional purposes, and she used the French transliteration, Preobrajenska). Olga—born frail and with a crooked spine—was an unlikely prima ballerina. But she had dreams of being a dancer, and for years her parents tried unsuccessfully to get her enrolled in dance school. The selection committee repeatedly rejected her as a candidate. But after three years of trying, her parents succeeded and the eight-year-old Olga entered the Imperial Ballet School in 1879. Despite her physical shortcomings, Preobrazhenskaya grew strong with training under Marius Petipa, Lev Ivanov and Anna Johansson. She developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Paul Taglioni
''La Prima Ballerina, ou L'embuscade'' or ''The Traveling Dancer'' (aka ''La Danseuse en voyage'') is a ballet (choreographic episode) in one act, with choreography by Marius Petipa, music by Cesare Pugni and libretto by Paul Taglioni. It was based on a ballet created by Paul Taglioni for the Ballet of Her Majesty's Theatre, London first presented on June 14, 1849. It was first presented by the Imperial Ballet on November April 16, 1864 ( Julian/ Gregorian calendar dates), at the Imperial Bolshoi Kamenny Theatre, St. Petersburg, Russia. The principal Dancers were Mariia Surovshchikova-Petipa as the Prima Ballerina, and Timofei Stukolkin as Rinaldo. A variation from this ballet—composed by Petipa in 1905 for the ''Prima Ballerina'' Olga Preobrajenskaya—was the last choreography Petipa ever created (as noted in his Diaries). Lev Ivanov produced a revival for the Imperial Ballet, with the composer/conductor Riccardo Drigo editing and making additions to Cesare Pugni's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ballets By Title
__NOTOC__ The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance. Alphabetical listing 1 * ''2 and 3 Part Inventions'', to music by Johann Sebastian Bach, 1994 A * ''A Folk Tale'', Johan Peter Emilius Hartmann and Niels W. Gade, 1854 * '' A Midsummer Night's Dream'', to music by Felix Mendelssohn, 1964 * '' A Month in the Country'', to music by Frédéric Chopin, 1976 * ''A Suite of Dances'', to music by Johann Sebastian Bach, 1994 * ''A Tragedy of Fashion'', to music by Eugene Aynsley Goossens, 1926 * ''Adam Zero'', Arthur Bliss, 1946 * '' Adams Violin Concerto'', to music by John Adams, 1995 * ''Adagio Hammerklavier'', to music by Ludwig van Beethoven, 1973 * ''Afternoon of a Faun (Nijinsky)'', to music by Claude Debussy, 1912 * '' Afternoon of a Faun (Robbins)'', to music by Claude D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krasnoe Selo
Krasnoye Selo (russian: Кра́сное Село́, lit. ''Red village''). Г. П. Смолицкая. "Топонимический словарь Центральной России". "Армада-Пресс", 2002 is a municipal town in Krasnoselsky District of the federal city of St. Petersburg, Russia. It is located south-southeast of the city center. Population: It was founded in the early 18th century, as a suburban village south of St. Petersburg. In 1764, the village had a paper mill, located near the road leading to St. Petersburg. During the 19th century, Krasnoye Selo developed as a recreational suburb of the capital with numerous summer dachas and villas, including the summer residences of the royals. In 1884, the famous airplane designer Alexander Mozhaysky tested his early monoplane there, achieving a power-assisted take off or 'hop' of . In late tsarist times, Krasnoye Selo was the location of the annual military manoeuvres pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Drigo
Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing sco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Ivanov
Lev Ivanovich Ivanov (russian: link=no, Лев Ива́нович Ива́нов; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. As a performer with the Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of ''La Fille Mal Gardée''. He is most famous as the choreographer of Acts II and IV of '' Swan Lake'', which include the '' Dance of the Little Swans'', Act II of ''Cinderella'', and ''The Nutcracker'', which he choreographed alongside Marius Petipa. Biography Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (). Historically, Ivanov is credited with choreogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timofei Stukolkin
Timofei Alekseyevich Stukolkin (russian: Тимофей Алексеевич Стуколкин; , the village Kozmino of Simbirsk province - , Saint Petersburg) was a Russian ballet dancer. ''Oxford Dictionary of Dance'' called him "one of the greatest character dancers". Timofei Stukolkin came from a very poor family. For seven years, he played in a pantomime on a fairground. Someone once drew attention to the talented boy and brought him into the theatre school at the Imperial theaters of Petersburg. In 1836 Timofei Stukolkin was accepted at the ballet department of Imperial theatre college. His teachers were French dancers working in Russia: Emile Gredlu (ru: Эмиль Гредлю), Pierre Frédéric Malavergne, Charles Lachouque (ru: Шарль Лашук)Russian ballet. Encyclopedia / ru: Русский балет. Энциклопедия. БРЭ, «Согласие», 1997 and Jean-Antoine Petipa. He graduated in 1848 and was accepted by the Imperial troupe of St. Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariia Surovshchikova-Petipa
Mariia Sergeyevna Surovshchikova-Petipa (27 February 1836 – 16 March 1882) was prima ballerina to the St. Petersburg Imperial Theatres and wife of the noted choreographer Marius Petipa. Life Mariia Sergeyevna Surovshchikova was born in St. Petersburg, the illegitimate daughter of a milliner. She studied at the St. Petersburg Imperial Ballet School, graduating in 1854. After her graduation from the institute she entered into the ''corps de ballet'' of the Imperial Bolshoi Kamenny Theatre, and in 1854 married Marius Petipa, who at that time served as ''premier danseur'' to the St. Petersburg Imperial Theatres. Upon her marriage she took the name of Surovshchikova-Petipa. Her rise to the rank of ''Ballerina'' coincided with Petipa's own rise from fledgling choreographer to ballet Master of the Imperial Theatres. As Petipa was given more and more opportunities to stage his own early works, it was Surovshchikova-Petipa who danced the principal roles. Petipa also revived many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
