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La Parisienne (Renoir Painting)
''La Parisienne'' ('' en, The Parisian'') is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Cardiff. The work, which was one of seven presented by Renoir at the first Impressionist exhibition in 1874, is often referred to as ''The Blue Lady'' ''(french: La Dame en Bleu)'' and is one of the centre-pieces of the National Museum's art collection. Style ''La Parisienne'' is a painting in oils on canvas completed in 1874, signed and dated by the artist. It shows a young woman in a long layered dress of a striking deep blue, her face turned to the viewer as she puts on her gloves. Originally the painting had as its background a doorway in the upper left and a curtain at the upper right, but these were subsequently painted out by Renoir before its first exhibit.Sumner (2005), p. 120. This leaves the central figure almost floating in a neutral space, uncluttered by detail. The non-descript background of blue, mauve an ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ...
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André Antoine
André Antoine (31 January 185823 October 1943) was a French actor, theatre manager, film director, author, and critic who is considered the father of modern mise en scène in France. Biography André Antoine was a clerk at the Paris Gas Utility and worked in the Archer Theatre when he asked to produce a dramatization of a novel by Émile Zola. The amateur group refused it, so he decided to create his own theatre to realize his vision of the proper development of dramatic art. Antoine founded the Théâtre Libre in Paris in 1887. This was a ''théâtre d'essai'', a workshop theatre, where plays were produced whether they would perform at the box office or not. It was also a stage for new writing whose subject matter or form had been rejected in other theatres. Over a seven-year period, until 1894, the Théâtre Libre staged some 111 plays. His work had enormous influence on the French stage, as well as on similar companies elsewhere in Europe, such as the Independent Theatre S ...
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1874 Paintings
Events January–March * January 1 – New York City annexes The Bronx. * January 2 – Ignacio María González becomes head of state of the Dominican Republic for the first time. * January 3 – Third Carlist War – Battle of Caspe: Campaigning on the Ebro in Aragon for the Spanish Republican Government, Colonel Eulogio Despujol surprises a Carlist force under Manuel Marco de Bello at Caspe, northeast of Alcañiz. In a brilliant action the Carlists are routed, losing 200 prisoners and 80 horses, while Despujol is promoted to Brigadier and becomes Conde de Caspe. * January 20 – The Pangkor Treaty (also known as the Pangkor Engagement), by which the British extended their control over first the Sultanate of Perak, and later the other independent Malay States, is signed. * January 23 **Prince Alfred, Duke of Edinburgh, second son of Queen Victoria, marries Grand Duchess Maria Alexandrovna of Russia, only daughter of Tsar Alexander III of Russia. ...
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Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Portraits By Pierre-Auguste Renoir
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ...
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Bath, Somerset
Bath () is a city in the Bath and North East Somerset unitary area in the county of Somerset, England, known for and named after its Roman-built baths. At the 2021 Census, the population was 101,557. Bath is in the valley of the River Avon, west of London and southeast of Bristol. The city became a World Heritage Site in 1987, and was later added to the transnational World Heritage Site known as the "Great Spa Towns of Europe" in 2021. Bath is also the largest city and settlement in Somerset. The city became a spa with the Latin name ' ("the waters of Sulis") 60 AD when the Romans built baths and a temple in the valley of the River Avon, although hot springs were known even before then. Bath Abbey was founded in the 7th century and became a religious centre; the building was rebuilt in the 12th and 16th centuries. In the 17th century, claims were made for the curative properties of water from the springs, and Bath became popular as a spa town in the Georgian era. ...
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Gwendoline Davies
Gwendoline Elizabeth Davies, CH (11 February 1882 – 3 July 1951), was a Welsh philanthropist and patron of the arts who, together with her sister Margaret, is recognised as the most influential collector of Impressionist and 20th-century art in Wales. She and her sister were independently wealthy, their fortune inherited from the businesses created by their grandfather, the industrialist David Davies. Davies and her sister created one of the most important private collections of art in Britain and donated their total of 260 works to what is now the National Museum Wales in the mid-20th century. Early life and education Gwendoline Davies was born at Llandinam, daughter of Edward Davies and his wife Mary, who was the daughter of Evan Jones, a Calvinistic Methodist minister. Edward was the only son of the industrialist and philanthropist David Davies. Gwendoline's brother David Davies, 1st Baron Davies, was elevated to the Peerage in 1932 and her sister was Margaret. Both girls ...
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Knoedler
M. Knoedler & Co. was an art dealership in New York City founded in 1846. When it closed in 2011, amid lawsuits for fraud, it was one of the oldest commercial art galleries in the US, having been in operation for 165 years. History Knoedler dated its origin to 1846, when French dealers Goupil & Cie opened a branch in New York. Goupil & Cie was an extremely dynamic print-publishing house founded in Paris in 1827. Michel (later Michael) Knoedler (1823–1878), born in Kapf near Schwäbisch Gmünd in Baden-Württemberg, Germany, started to work for Goupil & Cie in Paris in 1844, and moved to New York in 1852 to take charge of the New York branch. He purchased the U.S. arm of the business in 1857, and was later joined by his sons Roland (1856–1932), Edmond and Charles, with Roland taking the lead after his father's death in 1878. With dealer Charles Carstairs, Knoedler opened branches in Paris (1895), Pittsburgh (1897), and London (1908), and, under Carstairs' influence ...
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Paul Durand-Ruel
Paul Durand-Ruel (31 October 1831, Paris – 5 February 1922, Paris) was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system. Early life and education Born Paul-Marie-Joseph Durand-Ruel in Paris, son of Jean Marie Fortuné Durand and Marie Ferdinande Ruel. His parents, who opened an art shop in 1839, used the Durand-Ruel name for the family business. In 1851, Paul e ...
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Théâtre Libre
The Théâtre Libre (French for "Free Theatre") was a theatre company that operated from 1887 to 1896 in Paris, France. Origins and History Théâtre Libre was founded on 30 March 1887 by André Antoine. The primary goal of the theatre was to present new plays that were untried and unproduced by the commercial houses. Antoine was driven to open his own theatre company to create a dramatization of an Émile Zola novel, ''Thérèse Raquin'' after the theater group for which he previously worked had refused. In order to ensure that the Théâtre Libre was exempt from censorship and could produce plays that other theaters would not, the theatre was supported solely by subscribers. This allowed the Théâtre Libre to collect no money at the door meaning it was not legally considered a theatre. Being a "free" theatre, in the case of Théâtre Libre, meant being a theatre that presented naturalism and was dedicated to producing plays in any and all genres that had not been produced bef ...
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Odéon-Théâtre De L'Europe
The Odéon-Théâtre de l'Europe ( en, European Music Hall) (formerly the Théâtre de l'Odéon ( en, Music Hall)) is one of France's six national theatres. It is located at 2 rue Corneille in the 6th arrondissement of Paris on the left bank of the Seine, next to the Luxembourg Garden and the Luxembourg Palace, which houses the Senate. First theatre The original building, the Salle du Faubourg Saint-Germain, was constructed for the Théâtre Français between 1779 and 1782 to a Neoclassical design by Charles De Wailly and Marie-Joseph Peyre. The site was in the garden of the former Hôtel de Condé. The new theatre was inaugurated by Marie-Antoinette on April 9, 1782. It was there that Beaumarchais' play ''The Marriage of Figaro'' was premiered two years later. On April 27, 1791, during the Revolution, the company split. The players sympathetic to the crown remained in the theatre in the Faubourg Saint-Germain. They were arrested and incarcerated on the night of September 3, ...
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National Museum Cardiff
National Museum Cardiff ( cy, Amgueddfa Genedlaethol Caerdydd) is a museum and art gallery in Cardiff, Wales. The museum is part of the wider network of Amgueddfa Cymru – National Museum Wales. Entry is kept free by a grant from the Welsh Government; however, they do ask for donations throughout the museum. History The National Museum of Wales was founded in 1905, with its royal charter granted in 1907. Part of the bid for Cardiff to obtain the National Museum for Wales included the gift of the Cardiff Museum Collection, then known as "Welsh Museum of Natural History, Archaeology and Art," which was formally handed over in 1912. The Cardiff Museum was sharing the building of Cardiff Library, and was a sub-department of the library until 1893. Construction of a new building in the civic complex of Cathays Park began in 1912, but owing to the First World War it did not open to the public until 1922, with the official opening taking place in 1927. The architects were Arnold Dun ...
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