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La Grande Station
La Grande Station was the Atchison, Topeka and Santa Fe Railway's (Santa Fe) main passenger terminal in Los Angeles, California from 1893 until the opening of Union Station in 1939. The station was located at 2nd Street and Santa Fe Avenue on the west bank of the Los Angeles River, just south of the First Street viaduct built in 1929. History Santa Fe opened La Grande Station on July 29, 1893. The station was unique for Southern California with its Moorish-inspired architecture. Los Angeles Railway Yellow Cars called at the street adjacent to the station by 1920, and was at different times served by the N, 7, and 9 lines. Heavy damage from the 1933 Long Beach earthquake meant the last operating years of the station were spent in a state of disrepair as portions of the building, including the dome, had to be removed for the safety of passengers. When Union Station opened in 1939, Santa Fe moved all of its passenger services there. Despite the closure, it was used as ...
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Atchison, Topeka And Santa Fe Railway
The Atchison, Topeka and Santa Fe Railway , often referred to as the Santa Fe or AT&SF, was one of the larger railroads in the United States. The railroad was chartered in February 1859 to serve the cities of Atchison, Kansas, Atchison and Topeka, Kansas, and Santa Fe, New Mexico. The railroad reached the Kansas–Colorado border in 1873 and Pueblo, Colorado, in 1876. To create a demand for its services, the railroad set up real estate offices and sold farmland from the land grants that it was awarded by United States Congress, Congress. Despite being chartered to serve the city, the railroad chose to bypass Santa Fe, due to the engineering challenges of the mountainous terrain. Eventually Santa Fe Southern Railway, a branch line from Lamy, New Mexico, brought the Santa Fe railroad to its namesake city. The Santa Fe was a pioneer in intermodal freight transport; at various times, it operated an airline, the short-lived Santa Fe Skyway, and the fleet of Santa Fe Railroad Tugboa ...
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Berth Marks
''Berth Marks'' is the second sound film starring Laurel and Hardy, released on June 1, 1929. Plot Stan and Ollie are musicians who are traveling by train to their next gig in Pottsville, Pennsylvania, a popular vaudeville performance location at the time. They manage to board, but Ollie is annoyed that Stan has left the music behind. They then antagonize a short gentleman (Sammy Brooks) by sitting on him. While looking for their berth they enter a private car and frighten a woman who is dressing for bed. Her angry husband comes out and rips the coat of a man who had nothing to do with the intrusion. The man, seeing another innocent man, proceeds to tear up his coat. This leads to a tit-for-tat of clothes tearing. Stan and Ollie spend most of the trip trying to change into pajamas and get comfortable in a cramped upper berth. By the time the duo manage to sort themselves out, the train has reached their stop. In their haste to deboard, they leave their instrument behind. The clo ...
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History Of Los Angeles
The history of Los Angeles began in 1781 when 44 settlers from central New Spain (modern Mexico) established a permanent settlement in what is now Downtown Los Angeles, as instructed by Spanish Governor of Las Californias, Felipe de Neve, and authorized by Viceroy Antonio María de Bucareli. After sovereignty changed from Mexico to the United States in 1848, great changes came from the completion of the Santa Fe railroad line from Chicago to Los Angeles in 1885. "Overlanders" flooded in, mostly white Protestants from the Lower Midwest and South. Los Angeles had a strong economic base in farming, oil, tourism, real estate and movies. It grew rapidly with many suburban areas inside and outside the city limits. Its motion picture industry made the city world-famous, and World War II brought new industry, especially high-tech aircraft construction. Politically the city was moderately conservative, with a weak labor union sector. Since the 1960s, growth has slowed—and traffic delays ...
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Demolished Railway Stations In The United States
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached to excavators to cut or break through wo ...
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Demolished Buildings And Structures In Los Angeles
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached to excavators to cut or break through wo ...
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Former Atchison, Topeka And Santa Fe Railway Stations In California
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ...
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Buildings And Structures In Downtown Los Angeles
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, monument, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the :Human habitats, human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or ...
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Railway Stations In Los Angeles
Rail transport (also known as train transport) is a means of transport that transfers passengers and goods on wheeled vehicles running on rails, which are incorporated in tracks. In contrast to road transport, where the vehicles run on a prepared flat surface, rail vehicles (rolling stock) are directionally guided by the tracks on which they run. Tracks usually consist of steel rails, installed on sleepers (ties) set in ballast, on which the rolling stock, usually fitted with metal wheels, moves. Other variations are also possible, such as "slab track", in which the rails are fastened to a concrete foundation resting on a prepared subsurface. Rolling stock in a rail transport system generally encounters lower frictional resistance than rubber-tyred road vehicles, so passenger and freight cars (carriages and wagons) can be coupled into longer trains. The operation is carried out by a railway company, providing transport between train stations or freight customer facili ...
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Something To Sing About (1937 Film)
''Something to Sing About'', (1937), re-released in 1947 as ''Battling Hoofer'',TCNotes/ref> is the second and final film James Cagney made for Grand National Pictures – the first being ''Great Guy'' – before mending relations with and returning to Warner Bros. It is one of the few films besides ''Footlight Parade'' and ''Yankee Doodle Dandy'' to showcase Cagney's singing and dancing talents. It was directed by Victor Schertzinger, who also wrote the music and lyrics of the original songs, as well as the story that Austin Parker's screenplay is based on. Cagney's co-stars are Evelyn Daw and William Frawley, and the film features performances by Gene Lockhart and Mona Barrie. The film, which is a satire on the movie industry's foibles, flopped in theaters, causing the just recently started "Poverty Row" independent Grand National,Landazuri, Margarit"Something to Sing About" (TCM article)/ref> which had gone significantly overbudget making the film, to close its doors in ...
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Fred Astaire
Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, choreographer, actor, and singer. He is often called the greatest dancer in Hollywood film history. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema. Astaire and Rogers starred together in ''Top Hat'' (1935), '' Swing Time'' (1936), and ''Shall We Dance'' (1937). Astaire's fame grew in films like ''Holiday Inn'' (1942), '' Easter Parade'' (1948), '' The Band Wagon'' (1953), '' Funny Face'' (1957), and ''Silk Stockings'' (1957). The American Film Institute named Astaire the ...
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Swing Time (film)
''Swing Time'' is a 1936 American musical comedy film, the sixth of ten starring Fred Astaire and Ginger Rogers. Directed by George Stevens for RKO, it features Helen Broderick, Victor Moore, Betty Furness, Eric Blore and Georges Metaxa, with music by Jerome Kern and lyrics by Dorothy Fields. Set mainly in New York City, the film follows a gambler and dancer, "Lucky" (Astaire), who is trying to raise money to secure his marriage when he meets dance instructor Penny (Rogers) and begins dancing with her; the two soon fall in love and are forced to reconcile their feelings. Noted dance critic Arlene Croce considers ''Swing Time'' Astaire and Rogers' best dance musical,Croce, pp.98-115 a view shared by John MuellerMueller, pp.100-113 and Hannah Hyam. It features four dance routines that are each regarded as masterpieces. According to ''The Oxford Companion to the American Musical'', ''Swing Time'' is "a strong candidate for the best of the Fred Astaire and Ginger Rogers musicals". '' ...
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James Cagney
James Francis Cagney Jr. (; July 17, 1899March 30, 1986) was an American actor, dancer and film director. On stage and in film, Cagney was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances. He is remembered for playing multifaceted tough guys in films such as ''The Public Enemy'' (1931), ''Taxi!'' (1932), ''Angels with Dirty Faces'' (1938), ''The Roaring Twenties'' (1939), ''City for Conquest'' (1940) and ''White Heat'' (1949), finding himself typecasting (acting), typecast or limited by this reputation earlier in his career. He was able to negotiate dancing opportunities in his films and ended up winning the Academy Award for his role in the musical ''Yankee Doodle Dandy'' (1942). In 1999 the American Film Institute ranked him eighth among its list of AFI's 100 Years...100 Stars, greatest male stars of the Golden Age of Hollywood. Orson Welles described Cagney a ...
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