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La Finta Savia
''La finta savia'' is a 1643 drama by Giulio Strozzi written for the Teatro Santi Giovanni e Paolo with music by Filiberto Laurenzi. It is a sequel to Strozzi's ''La finta pazza'' (1641) whi was set to music by Francesco Sacrati. The music was mainly by Laurenzi but was supplemented in act 1 with scenes 3 to 5, 10 and 12 by Tarquinio Merula, in scene 6 mainly by Arcangelo Crivelli except for a canzonetta by Laurenzi. In act 1, scenes 2 and 3 were by Crivelli and in act 3 scenes 1 and 7 to 9 by Benedetto Ferrari."Finta savia, La"
by , '' The New Grove Dictionary of ...
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La Finta Savia
''La finta savia'' is a 1643 drama by Giulio Strozzi written for the Teatro Santi Giovanni e Paolo with music by Filiberto Laurenzi. It is a sequel to Strozzi's ''La finta pazza'' (1641) whi was set to music by Francesco Sacrati. The music was mainly by Laurenzi but was supplemented in act 1 with scenes 3 to 5, 10 and 12 by Tarquinio Merula, in scene 6 mainly by Arcangelo Crivelli except for a canzonetta by Laurenzi. In act 1, scenes 2 and 3 were by Crivelli and in act 3 scenes 1 and 7 to 9 by Benedetto Ferrari."Finta savia, La"
by , '' The New Grove Dictionary of ...
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Giulio Strozzi
Giulio Strozzi (1583 - 31 March 1652) was a Venetian poet and libretto writer. His libretti were put to music by composers like Claudio Monteverdi, Francesco Cavalli, Francesco Manelli, and Francesco Sacrati. He sometimes used the pseudonym Luigi Zorzisto. Biography Giulio Strozzi was a bastard, and later legitimized, son of Roberto Strozzi, from the Strozzi family. Born in Venice in 1583, he first studied there before going to the University of Pisa to study law. He lived and worked in Rome, Padua and Urbino before returning to Venice in the 1620s. He was the adoptive father of composer Barbara Strozzi (born in 1619 from Isabella Garzoni, a woman servant living in Strozzi's house, and possibly his illegitimate daughter). He remained there until his death on 31 March 1652. Work He wrote poetry and plays, but is best remembered as one of the first writers of libretti, the texts used for all kinds of musical plays but most specifically opera. His earliest known work was in 1609, ...
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Teatro Santi Giovanni E Paolo
The Teatro Santi Giovanni e Paolo (often written as Teatro SS. Giovanni e Paolo) was a theatre and opera house in Venice located on the Calle della Testa, and takes its name from the nearby Basilica of Santi Giovanni e Paolo, Venice. Built by the Grimani family in 1638, in its heyday it was considered the most beautiful and comfortable theatre in the city. The theatre played an important role in the development of opera and saw the premieres of several works by Francesco Cavalli, as well as Monteverdi's '' Il ritorno d'Ulisse in patria'' and ''L'incoronazione di Poppea''. History The Grimani family originally built the theatre as a wooden structure on the Fondamenta Nuove around 1635. It was then rebuilt on a grander scale using both stone and wood in 1638 when it moved to the nearby Calle della Testa. It was built primarily for the performance of spoken drama, but from the very beginning operas were also performed there. In fact, the new theatre was inaugurated on 20 January 1639 ...
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Filiberto Laurenzi
Filiberto Laurenzi (Bertinoro, 1618 – ...) was an Italian composer and harpsichordist. He was tutor and accompanist of soprano Anna Renzi for whom he wrote her debut work '' Il favorito del principe'' (1640, music lost). He followed her to Venice where he collaborated with Monteverdi in the composition of '' L'incoronazione di Poppea'' (1643), and was the main composer of ''La finta savia'' (also 1643) to a libretto by Giulio Strozzi Giulio Strozzi (1583 - 31 March 1652) was a Venetian poet and libretto writer. His libretti were put to music by composers like Claudio Monteverdi, Francesco Cavalli, Francesco Manelli, and Francesco Sacrati. He sometimes used the pseudonym Luigi .... His ''Trionfo della fatica'' was performed in Rome in 1647.Lorenzo Bianconi ''Music in the Seventeenth Century'' 1987 p 195 0521269156 "trionfo della fatica, staged during the Roman Carnival of 1647 with music by Filiberto Laurenzi." References 1618 births People from Bertinoro {{Ital ...
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La Finta Pazza
''La finta pazza'' (''The feigned madwoman'') is an opera composed by Francesco Sacrati to a libretto by Giulio Strozzi. Its premiere in Venice during the Carnival season of 1641 inaugurated the Teatro Novissimo. It became one of the most popular operas of the seventeenth century. History Venice, 1641 On 30 May 1640, the decision was made to create a new opera house in Venice, to compete with the existing three opera houses, the Teatro San Cassiano, the Teatro Santi Giovanni e Paolo, and the Teatro San Moisè. The Teatro Novissimo marked the first time that a building was created specifically for opera. Early in 1641, before the opera had been performed for the first time, the libretto was already printed. This was highly unusual and a first for Venice, but would become standard practice at the Teatro Novissimo. Giulio Strozzi was already a well-established libretto writer at the time, and had in 1627 collaborated with Claudio Monteverdi on '' La finta pazzi Licori'', an aborted ...
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Francesco Sacrati
Francesco Sacrati (17 September 1605 in Parma, Italy – 20 May 1650 in Modena, Italy) was an Italian composer of the Baroque era, who played an important role in the early history of opera. He wrote for the Teatro Novissimo in Venice as well as touring his operas throughout Italy. His most famous piece is ''La finta pazza'' ("The Feigned Madwoman", 1641), said to be the first opera ever performed in France (in 1645). The manuscript of this work was long thought to be lost but a touring edition of the manuscript was discovered by musicologist Lorenzo Bianconi in 1984. Some of the music bears striking similarities to the score of Monteverdi's ''L'incoronazione di Poppea'', prompting scholars to speculate that Sacrati had a part in composing the surviving version of that opera. The United States premiere of ''La finta pazza'', and first performance outside Europe, occurred in April 2010 at Yale University Yale University is a private research university in New Haven, C ...
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Tarquinio Merula
Tarquinio Merula (24 November 1595 – 10 December 1665) was an Italian composer, organist, and violinist of the early Baroque era. Although mainly active in Cremona, stylistically he was a member of the Venetian school. He was one of the most progressive Italian composers of the early 17th century, especially in applying newly developed techniques to sacred music. Life He was born in Busseto. He probably received early musical training in Cremona, where he was first employed as an organist. In 1616 he took a position as organist at the church of Santa Maria Incoronata in Lodi, where he remained until 1621, at which time he went to Warsaw, Poland to work as an organist at the court of Sigismund III Vasa. In 1626 he returned to Cremona, and in 1627 became ''maestro di cappella'' at the cathedral there, but he only remained for four years, moving to Bergamo to accept a similar position in 1631. Alessandro Grandi, his predecessor, had died in the Italian plague of 1629–31 ( ...
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Benedetto Ferrari
Benedetto Ferrari (ca. 1603 – 1681) was an Italian composer, particularly of opera, librettist, and theorbo player. Ferrari was born in Reggio nell'Emilia. He worked in Rome (1617–1618), Parma (1619–1623), and possibly in Modena at some time between 1623 and 1637. He created music and libretti in Venice and Bologna, 1637–1644. Ferrari's ''Andromeda'', with music by Francesco Manelli, was the first Venetian opera performed in a public theatre (in 1637). Subsequently, he provided both the text and the music for two operas, both presented in Venice: ''La maga fulminata'' (1638) and ''Il pastor regio'' (1640). The 1641 Bolognese staging of the latter included, as its final duet, the text "Pur ti miro, pur ti godo," which was later reused, possibly with Ferrari's music, for the final duet in the surviving manuscripts of Monteverdi's ''L'Incoronazione di Poppea''.
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John Whenham
John Whenham is an English musicologist and academic who specializes in early Italian baroque music. He earned both a Bachelor of Music and a Master of Music from the University of Nottingham, and a Doctor of Philosophy from the University of Oxford. He is a leading expert on the life and works of Claudio Monteverdi, and is the author of the books ''Duet and Dialogue in the Age of Monteverdi'' (Ann Arbor, Michigan: University Microfilms International, 1982) ''Monteverdi, 'Orfeo' '' (London: Cambridge University Press, 1986), ''Monteverdi, Vespers (1610)'' (Cambridge University Press, 1997), and '' The Cambridge Companion to Monteverdi'' (with Richard Wistreich, Cambridge University Press, 2007). For five years he was co-editor of the journal ''Music & Letters''. He currently serves on the board of the Birmingham Early Music Festival and was head of the music history department at the University of Birmingham , mottoeng = Through efforts to heights , established = 1825 – ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...''. References * * * * * * External linksOxford Music Online {{DEFAULTSORT:New Grove Dictionary of Opera, The 1992 non-fiction books ...
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Brilliant Classics
Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also specialises in new recordings of early music, chamber, organ and piano music. Mission Since its inception, Brilliant Classics has sought to bring art music to the widest possible public by releasing all its recordings at budget and super-budget price. The distribution strategy of selling through supermarkets and drugstores (see History below) introduced classical music to a mass market when most other labels were selling to a specialised audience. One of its best-known sets is the complete works of J.S. Bach on 155CDs: this has sold more than 500,000 units. Though CD is still the primary medium for Brilliant Classics, all its new releases are available as downloads, and many are available on streaming services. History The label was f ...
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1643 Operas
Events January–March * January 21 – Abel Tasman sights the island of Tonga. * February 6 – Abel Tasman sights the Fiji Islands. * March 13 – First English Civil War: First Battle of Middlewich – Roundheads (Long Parliament, Parliamentarians) rout the Cavaliers (Royalist supporters of Charles I of England, King Charles I) at Middlewich in Cheshire. * March 18 – Irish Confederate Wars: Battle of New Ross (1643), Battle of New Ross – English troops defeat those of Confederate Ireland. April–June * April 1 – Åmål, Sweden, is granted its city charter. * April 28 – Francisco de Lucena, former Portuguese Secretary of State, is beheaded after being convicted of treason. * May 14 – Louis XIV of France, Louis XIV succeeds his father Louis XIII of France, Louis XIII as King of France at age 4. His rule will last until his death at age 77 in 1715, a total of 72 years, which will be the longest reign of any Europea ...
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