La Femme Accident
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La Femme Accident
"La Femme Accident" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third and final single from their sixth studio album '' Crush'' (1985). Like two of their previous singles, it references Joan of Arc. Unlike those two singles, it was not a substantial hit, peaking at No. 42 in the UK. Release history The single was released in both 7" and 12" formats. Although the 7" single version does not differ in any way from the album version, the 12" version is a radically different remix. The 12" release features both versions as well as the new track "Firegun". Initial releases of the 12" came with a bonus 12" disc in a gatefold sleeve featuring a live recording of the 1984 hit "Locomotion" and the 1980 hit single " Enola Gay". The 12" version of "La Femme Accident" was released as a bonus track on the group's first compilation album '' The Best of OMD'' in 1988. The 7" version was excluded from this release and subsequent OMD compilation ...
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Orchestral Manoeuvres In The Dark
Orchestral Manoeuvres in the Dark (OMD) are an English electronic music, electronic band formed in Wirral Peninsula, Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (musician), Martin Cooper (keyboards, saxophone) and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an Experimental music, experimental, Minimal music, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US. McCluskey and Humphreys led precursor group The Id (band), the Id from 1977–1978, and re-recorded their track "Electricity (Orchestral Manoeuvres in the Dark song), Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of host ...
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Running Time
In computer science, the time complexity is the computational complexity that describes the amount of computer time it takes to run an algorithm. Time complexity is commonly estimated by counting the number of elementary operations performed by the algorithm, supposing that each elementary operation takes a fixed amount of time to perform. Thus, the amount of time taken and the number of elementary operations performed by the algorithm are taken to be related by a constant factor. Since an algorithm's running time may vary among different inputs of the same size, one commonly considers the Worst-case complexity, worst-case time complexity, which is the maximum amount of time required for inputs of a given size. Less common, and usually specified explicitly, is the average-case complexity, which is the average of the time taken on inputs of a given size (this makes sense because there are only a finite number of possible inputs of a given size). In both cases, the time complexity i ...
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RLPO
Royal Liverpool Philharmonic is a music organisation based in Liverpool, England, that manages a professional symphony orchestra, a concert venue, and extensive programmes of learning through music. Its orchestra, the Royal Liverpool Philharmonic Orchestra, is the UK's oldest continuing professional symphony orchestra. In addition to the orchestra, the organisation administers the Royal Liverpool Philharmonic Choir, the Liverpool Philharmonic Youth Company and other choirs and ensembles. It is involved in educational and community projects in Liverpool and its surrounding region. It is based in the Liverpool Philharmonic Hall, an Art Deco concert hall built in the late 1930s. History 19th century The organisation has its origins in a group of music amateurs in the early 19th century. They had met during the 1830s in St Martin's Church under the leadership of William Sudlow, a stockbroker and organist; their main interest was choral music.Spiegl, Fritz and Sara Cohen"Liverpool ...
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Royal Liverpool Philharmonic Orchestra
Royal Liverpool Philharmonic is a music organisation based in Liverpool, England, that manages a professional symphony orchestra, a concert venue, and extensive programmes of learning through music. Its orchestra, the Royal Liverpool Philharmonic Orchestra, is the UK's oldest continuing professional symphony orchestra. In addition to the orchestra, the organisation administers the Royal Liverpool Philharmonic Choir, the Liverpool Philharmonic Youth Company and other choirs and ensembles. It is involved in educational and community projects in Liverpool and its surrounding region. It is based in the Liverpool Philharmonic Hall, an Art Deco concert hall built in the late 1930s. History 19th century The organisation has its origins in a group of music amateurs in the early 19th century. They had met during the 1830s in St Martin's Church under the leadership of William Sudlow, a stockbroker and organist; their main interest was choral music.Spiegl, Fritz and Sara Cohen"Liverpool ...
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The Old Grey Whistle Test
''The Old Grey Whistle Test'' (sometimes abbreviated to ''Whistle Test'' or ''OGWT'') is a British television music show. The show was devised by BBC producer Rowan Ayers, commissioned by David Attenborough and aired on BBC2 from 1971 to 1988. It took over the BBC2 late-night slot from '' Disco 2'', which ran between September 1970 and July 1971, while continuing to feature non-chart music. The original producer, involved in an executive capacity throughout the show's entire history, was Michael Appleton. According to presenter Bob Harris, the programme derived its name from a Tin Pan Alley phrase from years before. When they got the first pressing of a record they would play it to people they called the old greys – doormen in grey suits. Any song the doormen could remember and whistle, having heard it just once or twice, had passed the old grey whistle test. On 23 February 2018, a one-off live three-hour special of ''The Old Grey Whistle Test'' was broadcast on BBC Four, h ...
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Andy Williams
Howard Andrew Williams (December 3, 1927 – September 25, 2012) was an American singer. He recorded 43 albums in his career, of which 15 have been gold certified and three platinum certified. He was also nominated for six Grammy Awards. He hosted ''The Andy Williams Show'', a television variety show, from 1962 to 1971, along with numerous TV specials. ''The Andy Williams Show'' won three Emmy Awards. He sold more than 45 million records worldwide, including more than 10 million certified units in the United States. Williams was active in the music industry for over 70 years until his death from bladder cancer in 2012, at the age of 84. Early life and education Williams was born in Wall Lake, Iowa, to Florence (''née'' Finley) and Jay Emerson Williams, who worked in insurance and the post office. While living in Cheviot, Ohio, Williams attended Western Hills High School in Cincinnati, Ohio. He finished high school at University High School, in West Los Angeles, because of hi ...
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Can't Get Used To Losing You
"Can't Get Used to Losing You" is a song written by Jerome "Doc" Pomus and Mort Shuman, first made popular by Andy Williams in a 1963 record release, which was a number-two hit in both the US and the UK. Twenty years later, British band the Beat took a reggae re-arrangement to number three in the UK. Andy Williams recording "Can't Get Used to Losing You" was recorded by Andy Williams in December 1962 and released in 1963. It peaked at number two in both the US and the UK. In the US, the single spent four weeks at number two on the ''Billboard'' Hot 100 chart (behind "He's So Fine" by the Chiffons and "I Will Follow Him" by Little Peggy March) and topped the Easy Listening chart for four weeks, peaking on both in April 1963. Williams' recording peaked at number one on the '' Cashbox'' charts. Williams' vocals on the song's verses were double-tracked in unison, and overdubbed on the choruses so the listener hears Andy singing harmony with himself. The song appears on an album ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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Number One (magazine)
''Number One'', initially rendered as 'No. 1', was a British magazine dealing with pop music. It ran for nine years and was aimed at a mainly teenage market. Overview The magazine was published weekly and ran from 7 May 1983 to February 1992. It was intended as direct competition to ''Smash Hits'', which was at its peak at the time.https://www.simplyeighties.com/number-one-magazine.php#.X85OiDEYB2Y Although ''No. 1'' contained fewer pages and less colour (at a similar price), the magazine claimed "our strength is our weekliness". One of the most popular aspects was that it published the singles and albums charts every week (obviously not possible for the fortnightly ''Smash Hits''). As the magazine was an IPC publication, it initially used the Top 75 singles & albums from its sister title, the NME (less a pop magazine more a 'rock-press inkie'). However, in 1985 it started publishing the MRIB (Media Research Information Bureau) Network Chart, as used for Independent Local Radi ...
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The OMD B-Sides
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Chauffeur
A chauffeur is a person employed to drive a passenger motor vehicle, especially a luxury vehicle such as a large sedan or limousine. Originally, such drivers were often personal employees of the vehicle owner, but this has changed to specialist chauffeur service companies or individual drivers that provide both driver and vehicle for hire. Some service companies merely provide the driver. History The term ''chauffeur'' comes from the French term for stoker because the earliest automobiles, like their railroad and sea vessel counterparts, were steam-powered and required the driver to stoke the engine. Early petrol/gasoline-powered motor cars, before the advent of electric ignition, were ignited by 'hot tubes' in the cylinder head which had to be pre-heated before the engine would start. Hence the term ''chauffeur'' which, in this context, means something like "heater-upper". The chauffeur would prime the hot tubes at the start of a journey, after which the natural compression ...
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