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La Conversione E Morte Di San Guglielmo
''La conversione e morte di San Guglielmo'' (''The Conversion and Death of Saint William'') is a sacred musical drama (''dramma sacro'') in three parts by the Italian composer Giovanni Battista Pergolesi. The libretto, by Ignazio Mancini, is based on the life of Saint William of Aquitaine as recounted by Laurentius Surius. It was Pergolesi's first operatic work, possibly written as a study exercise for his conservatory. The work was premiered at the Monastery of Sant'Agnello Maggiore, Naples in the summer of 1731. Background In 1731 Pergolesi's long years of study at the Conservatorio dei Poveri di Gesù Cristo in Naples were drawing to a close. He had already begun to make a name for himself and was able to pay off his expenses by working as a performer in religious institutions and noble salons, first as a singer then as a violinist. In 1729–1730 he had been "capoparanza" (first violin) in a group of instrumentalists and, according to a later witness, it was the Oratorian F ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Neapolitan Dialect
, altname = , states = Italy , region = Abruzzo, Apulia, Basilicata, Calabria, Campania, Lazio, Marche, Molise , ethnicity = ''Mezzogiorno'' Ethnic Italians , speakers = 5.7 million , date = 2002 , ref = e18 , familycolor = Indo-European , fam2 = Italic , fam3 = Romance , fam4 = Italo-Dalmatian , iso2 = nap , iso3 = nap , glotto = neap1235 , glottorefname = Continental Southern Italian , glottoname = Continental Southern Italian , glotto2 = sout3126 , glottorefname2 = South Lucanian , glottoname2 = South Lucanian = (Vd) Lausberg , map = Neapolitan_languages-it.svg , mapcaption = Intermediate Neapolitan dialects , map2 = Romance_languages.png , mapcaption2 = Neapolitan as part of the European Romance languages Neapolitan (autonym: ; it, napoletano) is ...
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Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Dramma Per Musica
Dramma per musica (Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''drama for music'' was conveyed through the Italian Greek-rooted word ''melodramma'' (from μέλος = song or music + δρᾶμα = scenic action). ''Dramma per musica'' never meant "drama ''through'' music", let alone music drama. A ''dramma per musica'' was thus originally (in Italy in the 17th century) a verse drama specifically written for the purpose of being set to music, in other words a libretto for an opera, usually a serious opera (a libretto meant for opera buffa, i.e. comic opera, would have been called a ''dramma giocoso''). By extension, the term came to be used also for the opera or operas which were composed to the libretto, and a variation, ''dramma in musica'', which emphasised the musical element, was sometimes preferre ...
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Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ...
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Christophe Rousset
Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European music of the 17th and 18th centuries and is the founder of the French music ensemble Les Talens Lyriques. Biography Rousset was born in Avignon, France on 12 April 1961. He studied harpsichord at La Schola Cantorum de Paris with Huguette Dreyfus, and subsequently at the Royal Conservatory of The Hague with Bob van Asperen winning the prestigious First Prize in the 7th Bruges Harpsichord Competition at the age of 22. This was followed by the creation of his own ensemble, Les Talens Lyriques, in 1991. At the heart of the ensemble is Rousset's research and expertise across the music of the Baroque, Classical and early Romantic periods. Having initially attracted the notice of the international press and record companies for his proficiency as a harpsichordist, he ...
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Jesi
Jesi, also spelled Iesi (), is a town and ''comune'' of the province of Ancona in Marche, Italy. It is an important industrial and artistic center in the floodplain on the left (north) bank of the Esino river before its mouth on the Adriatic Sea. History Jesi was one of the last towns of the Umbri when, in the 4th century BC, the Senones Gauls invaded the area and ousted them. They turned it into a stronghold against the Piceni. In 283 BC the Senones were defeated by the Romans. Jesi in 247 BC became a ''colonia civium romanorum'' with the name of ''Aesis''. During the fall of the Western Roman Empire, Iesi was ravaged by the troops of Odoacer (476 AD) and again in 493 by the Ostrogoths of Theodoric the Great. After the Gothic War, Italy became part of the Byzantine Empire, and Jesi became one of the main centers of the new rulers, and a diocese seat. In 751 it was sacked by the Lombard troops of Aistulf, and later was a Carolingian imperial city. Since 1130, it was an i ...
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Martina Franca
Martina Franca, or just Martina ( Martinese: ), is a town and ''municipality'' in the province of Taranto, Apulia, Italy. It is the second most populated town of the province after Taranto, and has a population (2016) of 49,086. Since 1975, the town has hosted the annual summer opera festival, the Festival della Valle d'Itria.''Festival della Valle d'Itria'' Official Website


History


Jewish presence

In 1495 one third of the population of Martina was made of practising Jews or Jews converted to Christianity. The escape involved one third of the population: 150 to 200 families (at least one thousand people). Among the privileges granted the city council of Martina in 1495, King Frederick of Aragon forbade Jews and Crypto-Jews and Neofiti to press ch ...
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Festival Della Valle D'Itria
The ''Festival della Valle d'Itria'' is a summer opera festival held in the south eastern Italian town of Martina Franca in the Apulia region. The Festival was founded in 1975 and performances are given in July and August each summer on a specially constructed stage in the outdoor courtyard of the Palazzo Ducale.''The Rough Guide to Italy'' Robert Andrews, Martin Dunford - 2011- Page 821 1848367171 "Southern Italy's top performing-arts festival, the Festival della Valle d'Itria (T080.480.5100, www.festivaldellavalleditria.it), takes place in Martina Franca in late July / early August every year. On a par with the Maggio Musicale in Florence (see" The primary aim of the festival is to present obscure, neglected or rarely performed works, and often works in the standard operatic repertoire are given in their original versions (such as Verdi's original 1857 version of ''Simon Boccanegra''). Notable revivals include: *33rd Festival 2007 Marcella by Umberto Giordano *34th Festival 200 ...
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Amelia, Umbria
Amelia is a town and ''comune'' of the province of Terni, in the Umbria region of central Italy. It grew up around an ancient hill fort, known to the Romans as Ameria. Geography The town lies in the south of Umbria, on a hill overlooking the Tiber River to the east and the Nera (Tiber), Nera River to the west. The city is north of Narni, from Orte and approximately from Perugia. It is about north of Rome. History According to some scholars, Amelia is the oldest town in Umbria. It was supposedly founded by a legendary Umbrian king, King Ameroe, who gave the city the name Ameria. Pliny the Elder is reported as saying that Ameria was founded 963 years before Third Macedonian War, the war with Perseus (171–168 BC), so 1134 BC. This date cannot be considered accurate. The city was later occupied by the Etruscans, and later still by the Romans, although it is not mentioned by name in the history of the Roman conquest of Umbria. Ameria occupied a strategic location in the Second ...
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