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La Cité Des Enfants Perdus
''The City of Lost Children'' (french: La Cité des enfants perdus) is a 1995 science fantasy film directed by Marc Caro and Jean-Pierre Jeunet, written by Jeunet and Gilles Adrien, and starring Ron Perlman. An international co-production of companies from France, Germany, and Spain, the film is stylistically related to the previous and subsequent Jeunet films, '' Delicatessen'' and '' Amélie''. The musical score was composed by Angelo Badalamenti, with costumes designed by Jean-Paul Gaultier. It was entered into the 1995 Cannes Film Festival. Plot Krank (Daniel Emilfork), a highly intelligent but malicious being created by a vanished scientist, is unable to dream, which causes him to age prematurely. At his lair on an abandoned oil rig (which he shares with the scientist's other creations: six childish clones, a dwarf named Martha, and a brain in a vat named Irvin) he uses a dream-extracting machine to steal dreams from children. The children are kidnapped for him from a n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Caro
Marc Caro (born 2 April 1956) is a French filmmaker and cartoonist best known for his projects with Jean-Pierre Jeunet. Biography Marc Caro was born in Nantes, the native town of Jules Verne, who made a great impact on him, influenced his love for science fiction and his artistic style. During the 1970s he worked as an editor and designer at '' Métal hurlant'', drew comics for ''L'Écho des savanes'' and ''Fluide Glacial'' along with Gilles Adrien who would also join Caro on his movie projects. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amélie
''Amélie'' (also known as ''Le Fabuleux Destin d'Amélie Poulain''; ; en, The Fabulous Destiny of Amélie Poulain, italic=yes) is a 2001 French-language romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of a shy waitress, played by Audrey Tautou, who decides to change the lives of those around her for the better while dealing with her own isolation. The film features an ensemble cast of supporting roles, including Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Claire Maurier, Clotilde Mollet, Isabelle Nanty, Dominique Pinon, Artus de Penguern, Yolande Moreau, Urbain Cancelier, and Maurice Bénichou. The film was theatrically released in France on 25 April 2001 by UGC-Fox Distribution and in Germany on 16 August 2001 by Prokino Filmverleih. The film received critical acclaim, with praise for Tautou's p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delicatessen (1991 Film)
''Delicatessen'' is a 1991 French post-apocalyptic black comedy film directed by Jean-Pierre Jeunet and Marc Caro, starring Dominique Pinon and Marie-Laure Dougnac. It was released in North America as "presented by Terry Gilliam." Plot In a dilapidated apartment building in post-apocalyptic France, food is in short supply and grain is used as currency. On the ground floor is a butcher's shop, run by the landlord, Clapet, who posts job opportunities in the newspaper to lure victims to the building, whom he murders and butchers as a cheap source of meat to sell to his tenants. Following the murder of the last worker, unemployed circus clown Louison applies for the vacant position. Louison proves to be a superb worker with a spectacular trick knife, and the butcher is reluctant to kill him too quickly. During Louison's routine maintenance, he acquires a package dropped by a mailman. Louison delivers the package to Clapet's daughter, Julie, who says the package contains confections ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Co-production
A co-production is a joint venture between two or more different production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries (typically two to three) are working together. Co-production also refers to the way services are produced by their users, in some parts or entirely. History and benefits The journalist Mark Lawson identifies the first use of the term, in the context of radio production, in 1941, although the programme to which he refers, ''Children Calling Home'', "Presented in collaboration between the CBC of Canada, NBC of the U.S.A., and the BBC, and broadcast simultaneously in all three countries", was first broadcast in December 1940. Following the Second World War, US film companies were forbidden by the Marshall Plan to take their film profits in the form of foreign exchange out of European countries. As a result, seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Science Fantasy
Science fantasy is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy. In a conventional science fiction story, the world is presented as being scientifically logical; while a conventional fantasy story contains mostly supernatural and artistic elements that disregard the scientific laws of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with hard science–like explanations of any supernatural elements.Eric R. Williams, ''The Screenwriters Taxonomy: A Collaborative Approach to Creative Storytelling''p. 121/ref> During the Golden Age of Science Fiction, the fanciful science fantasy stories were seen in sharp contrast to the terse, scientifically plausible material that came to dominate mainstream science fiction typified by the magazine ''Astounding Science Fiction''. Although at this time, science fantasy stories were oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Board Of Film Classification
The British Board of Film Classification (BBFC, previously the British Board of Film Censors) is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray (including 3D and 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors by members of the film industry, who preferred to manage their own censorship than to have national or local gove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1995 Cannes Film Festival
The 48th Cannes Film Festival was held from 17 to 28 May 1995. The Palme d'Or went to '' Underground'' by Emir Kusturica. The festival opened with ''La Cité des enfants perdus'', directed by Jean-Pierre Jeunet and closed with '' The Quick and the Dead'', directed by Sam Raimi. Carole Bouquet was the mistress of ceremonies. Juries Main competition The following people were appointed as the Jury for the feature films of the 1995 Official Selection: * Jeanne Moreau (France) Jury President *Gianni Amelio (Italy) * Jean-Claude Brialy (France) * Nadine Gordimer (South Africa) * Gaston Kabore (Burkina Faso) * Michele Ray-Gavras (France) * Emilio Garcia Riera (Mexico) *Philippe Rousselot (France) *John Waters (USA) *Mariya Zvereva (Russia) Camera d'Or The following people were appointed as the Jury of the 1995 Camera d'Or: *Michel Deville (Director) (France) President *Alberto Barbera (director of the Musée du Cinéma) (Italy) *Caroline Million-Rousseau (Cinephile) (France) *Didier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turner Entertainment
Turner Entertainment Company is an American multimedia company founded by Ted Turner in 1986. Purchased by Time Warner in 1996 as part of its acquisition of Turner Broadcasting System (TBS), the company was largely responsible for overseeing the TBS library for worldwide distribution. In recent years, this role has largely been limited to being the copyright holder, as it has become an in-name-only subsidiary of Warner Bros., which currently administers their library. Background On March 25, 1986, Ted Turner and his Turner Broadcasting System purchased Metro-Goldwyn-Mayer (MGM) from Kirk Kerkorian for $1.5 billion, and renamed it MGM Entertainment Company, Inc. However, due to concerns in the financial community over the debt-load of his companies, on August 26, 1986, he was forced to sell the MGM name, all of United Artists, and the Culver City-based lot back to Kerkorian for approximately $300 million after months of ownership. But in order to manage the vault, Turner kept th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castle Rock Entertainment
Castle Rock Entertainment is an American film and television production company founded in 1987 by Martin Shafer, director Rob Reiner, Andrew Scheinman, Glenn Padnick and Alan Horn. It is a label of Warner Bros. Entertainment, itself a subsidiary of Warner Bros. Discovery. History Origin Rob Reiner named the company in honor of the fictional Maine town of the same name that serves as the setting of several stories by author Stephen King, which in itself is named after the fictional mountain fort in William Golding's 1954 novel ''Lord of the Flies''. Reiner and Scheinman already had a production company. They were friends with Shafer, who worked with Horn at 20th Century Fox at the time. Horn was disappointed at Fox and agreed to join the trio in forming the company. Horn brought along Padnick, who was an executive at Embassy Television. In Castle Rock, Horn became the CEO, Shafer ran the film division, Padnick ran television, and Reiner and Scheinman became involved in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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