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L.A. Boyz
L.A. Boyz was a Taiwanese pop/rap group composed of brothers Jeff Huang (黃立成, Huang Licheng) and Stanley Huang (黃立行, Huang Lixing), and their cousin Steven Lin (林智文) formed circa 1991. They are considered to be the first rap group in Taiwanese popular music. They released 13 albums (including 3 compilation albums) starting from their first "SHIAM! 閃" in 1992. Background The trio were brought up in Irvine, California and met at its University High School. They first became involved in music through their interest in hip-hop dance moves learnt from parties around Orange County and Los Angeles, and fashion from Compton and South-Central LA. Their dancing, and entry into various competitions, eventually led them to be scouted by a representative of Pony Canyon Records, Taiwan. Career Breakthrough L.A. Boyz received their "big break ... with the demise of the Little Tigers, a cutesy group that ruled the Taiwan pop scene until one of their members got drafted." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapper
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" ( cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kung-fu
Chinese martial arts, often called by the umbrella terms kung fu (; ), kuoshu () or wushu (), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include ''Shaolinquan'' () physical exercises involving All Other Animals () mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called ''internal'' (; ), while others that concentrate on improving muscle and cardiovascular fitness are called ''external'' (; ). Geographical association, as in ''northern'' (; ) and ''southern'' (; ), is another popular classification method. Terminology ''Kung fu'' and ''wushu'' are loanwords from Cantonese and Mandarin respectively that, in English, are used to refer to Chinese martial arts. However, the Chinese terms ''kung fu'' and ''wushu'' (; ) h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip Hop Style
In vertebrate anatomy, hip (or "coxa"Latin ''coxa'' was used by Celsus in the sense "hip", but by Pliny the Elder in the sense "hip bone" (Diab, p 77) in medical terminology) refers to either an anatomical region or a joint. The hip region is located lateral and anterior to the gluteal region, inferior to the iliac crest, and overlying the greater trochanter of the femur, or "thigh bone". In adults, three of the bones of the pelvis have fused into the hip bone or acetabulum which forms part of the hip region. The hip joint, scientifically referred to as the acetabulofemoral joint (''art. coxae''), is the joint between the head of the femur and acetabulum of the pelvis and its primary function is to support the weight of the body in both static (e.g., standing) and dynamic (e.g., walking or running) postures. The hip joints have very important roles in retaining balance, and for maintaining the pelvic inclination angle. Pain of the hip may be the result of numerous causes, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That's The Way (I Like It)
"That's the Way (I Like It)" is a song by American disco and funk band KC and the Sunshine Band from their self-titled second studio album (1975). The single became the band's second No. 1 hit in the ''Billboard'' Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, "Fly, Robin, Fly" by Silver Convention. "That's the Way (I Like It)" returned to No. 1 for one more week after "Fly, Robin, Fly" completed three weeks at the top. "That's the Way (I Like It)" also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5), the United Kingdom (No. 4) and West Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KC And The Sunshine Band
KC and the Sunshine Band is an American disco and funk band that was founded in 1973 in Hialeah, Florida. Their best-known songs include the hits "That's the Way (I Like It)", "(Shake, Shake, Shake) Shake Your Booty", "I'm Your Boogie Man", "Keep It Comin' Love", "Get Down Tonight", "Boogie Shoes", " Please Don't Go" and " Give It Up". The band took its name from lead vocalist Harry Wayne Casey's last name ('KC') and the 'Sunshine Band' from KC's home state of Florida, the Sunshine State. The group has had six top 10 singles, five number one singles and a number two single on the ''Billboard'' Hot 100 chart. History 1970s The band was formed in 1973 by Harry Wayne Casey (KC), a record store employee and part-timer at TK Records in Hialeah, Florida. KC originally called the band KC & The Sunshine Junkanoo Band, as he used studio musicians from TK and a local Junkanoo band called the Miami Junkanoo Band. He was introduced to Richard Finch, who was engineering records for TK, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Modulation
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements *Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V–V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeats
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the ''Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the ''Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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