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L'étoile Du Nord
' (''The North Star'') is an opéra comique in three acts by Giacomo Meyerbeer. The French-language libretto was by Eugène Scribe. The work had its first performance at the Opéra-Comique, Paris, on 16 February 1854. Much of the material, including some plot similarities (with the flautist Frederick the Great substituted by the flautist Peter the Great), derived from Meyerbeer's earlier 1844 Singspiel ''Ein Feldlager in Schlesien''. However, there also are some significant differences, perhaps the most important of which is that it was permissible to actually have Peter the Great take part in the action, which was not the case for Frederick, who had to play his flute off-stage, since members of the Prussian royal family were not permitted to be impersonated on the stage in Berlin where that work had its premiere. Peter does more than just take part in the action, since he ends up being the romantic lead. A notable feature of the opera is the triple march in the finale to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Tilmant
Théophile (Joseph Alexandre) Tilmant, (''Tilmant aîné'') was a French violinist and conductor born on 9 July 1799 in Valenciennes France, and died on 7 May 1878, Asnières.Tilmant was a founding Sociétaire of the Société des Concerts in 1828, becoming a Chef and Vice-President on 5 May 1860, retiring from the Société on 17 November 1863. Bibliography Tilmant was a founding Sociétaire of the Société des Concerts in 1828, becoming a Chef and Vice-President on 5 May 1860, retiring from the Société on 17 November 1863. At the Conservatoire national supérieur de musique et de danse de Paris, he was a student of Kreutzer and played in the orchestra of the Opéra-Comique and the orchestra of the Opéra (viola from 1824 and violin from 1826–38). He also led the orchestra at the Théâtre-Italien and the Concerts du Gymnase. He was principal conductor of the Opéra-Comique from 1849-68. Tilmant received the Légion d'Honneur in 1861. Tilmant conducted the premier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gulf Of Finland
The Gulf of Finland ( fi, Suomenlahti; et, Soome laht; rus, Фи́нский зали́в, r=Finskiy zaliv, p=ˈfʲinskʲɪj zɐˈlʲif; sv, Finska viken) is the easternmost arm of the Baltic Sea. It extends between Finland to the north and Estonia to the south, to Saint Petersburg in Russia to the east, where the river Neva drains into it. Other major cities around the gulf include Helsinki and Tallinn. The eastern parts of the Gulf of Finland belong to Russia, and some of Russia's most important oil harbors are located farthest in, near Saint Petersburg (including Primorsk). As the seaway to Saint Petersburg, the Gulf of Finland has been and continues to be of considerable strategic importance to Russia. Some of the environmental problems affecting the Baltic Sea are at their most pronounced in the shallow gulf. Proposals for a tunnel through the gulf have been made. Geography The gulf has an area of . The length (from the Hanko Peninsula to Saint Petersburg) is and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vyborg
Vyborg (; rus, Вы́борг, links=1, r=Výborg, p=ˈvɨbərk; fi, Viipuri ; sv, Viborg ; german: Wiborg ) is a town in, and the administrative center of, Vyborgsky District in Leningrad Oblast, Russia. It lies on the Karelian Isthmus near the head of the Vyborg Bay, to the northwest of St. Petersburg, east of the Finnish capital Helsinki, and south of Russia's border with Finland, where the Saimaa Canal enters the Gulf of Finland. The population of Vyborg is as follows: Located in the boundary zone between the East Slavic/Russian and Finnish worlds, formerly well known as one of the few medieval towns in Finland, Vyborg has changed hands several times in history, most recently in 1944 when the Soviet Union captured it from Finland during World War II. Finland evacuated the entire population of the city and resettled them within the rest of the country. On March 25, 2010, Dmitry Medvedev named Vyborg the "City of Military Glory". In Russia, a city can be award ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Carvalho
Léon Carvalho (18 January 1825 – 29 December 1897) was a French impresario and stage director. Biography Born Léon Carvaille in Port Louis, British Mauritius, he came to France at an early age. He studied at the Paris Conservatory and sang as a baritone at the Opéra-Comique (1850–55), where he met the soprano Marie Caroline Miolan, whom he married in 1853. He then gave up singing and took on the direction of the Théâtre Lyrique in 1856, where he presented works by Beethoven, Mozart, Rossini, Weber, but most importantly opened his doors to new French composers turned down by the Opéra and the Opéra-Comique, such as Berlioz (he staged the first, very incomplete, performance of Les Troyens in 1863), Gounod, Bizet, Saint-Saëns and Delibes. He also staged the premiere of the revised version in a French translation of Verdi's ''Macbeth in 1865. In early 1868 Carvalho started another operatic venture at the Théâtre de la Renaissance. However he was declared bankr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Amable Battaille
Charles-Amable Battaille (30 September 1822 – 2 May 1872) was a French operatic bass. Appreciated both for his voice and his acting skills, he premiered the main bass roles for the works represented at the Opéra-Comique between 1848 and 1857, and is especially notable as the first singer of the role of Peter the Great in Meyerbeer's '' L'Étoile du nord'' (1854). Life Born in Nantes, son of a doctor, he studied medicine in Caen where he was admitted as a doctor. He returned to Nantes, but decided to enter the Conservatoire de Paris in 1845 where he was a student of Manuel Garcia. François-Joseph Fétis and Arthur Pougin, « Charles-Amable Battaille », ''Biographie universelle des musiciens et bibliographie générale de la musique : Supplément et complément'', vol. 1, Paris, Firmin-Didot, 1878, p. 53-5Read online He won first prizes in singing, opera and opéra comique in 1847 Andrew Gann, « Charles-Amable Battaille », ''Dictionnaire de la musique en France au X ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toussaint-Eugène-Ernest Mocker
Toussaint-Eugène-Ernest Mocker (16 July 1811 – 3 October 1895) was a French opera singer and stage director. In his 30-year career as a principal singer at the Théâtre Impérial de l'Opéra-Comique he created numerous roles in the company's world premieres and from 1860 served as a stage director there. In his later years he was a singing teacher at the Conservatoire de Paris. Roles created Roles created by Mocker at the Opéra-Comique include: *Lelio in Montfort's ''Polichinelle'' (1839) *Albert in Clapisson's ''La symphonie, ou Maître Albert'' (1839) *Comte d'Elvas in Adam's ''La reine d'un jour'' (1839) *Charles VI in Auber's ''Zanetta'' (1840) *Don Sébastien d'Aveyro in Auber's ''Les diamants de la couronne'' (1841) *Tracolin in Adams's ''Le toréador'' (1849) *Danilowitch in Meyerbeer's ''L'étoile du nord'' (1854) *Chevalier de Boisrobert in Halévy's ''Valentine d'Aubigny ''Valentine d'Aubigny'' is an opéra comique in three acts composed by Fromental Halév ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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